Be Still

Wisconsin Death Trip is an intimate, shocking and sometimes hilarious account of the disasters that befell one small town in Wisconsin during the final decade of the 19th century. The film is inspired by Michael Lesy's book of the same name which was first published in 1973. Lesy discovered a striking archive of black and white photographs in the town of Black River Falls dating from the 1890s and married a selection of these images to extracts from the town's newspaper from the same decade. The effect was surprising and disturbing. The town of Black River Falls seems gripped by some peculiar malaise and the weekly news is dominated by bizarre tales of madness, eccentricity and violence amongst the local population.

NUDE explores perceptions of nudity in art by chronicling the creative process of photographer David Bellemere as he's commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs.

In 1958 New York Diane Arbus is a housewife and mother who works as an assistant to her husband, a photographer employed by her wealthy parents. Respectable though her life is, she cannot help but feel uncomfortable in her privileged world. One night, a new neighbor catches Diane's eye, and the enigmatic man inspires her to set forth on the path to discovering her own artistry.

Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch Master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison's adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artista David Hockney, and eventually even to Buckingham Palace. The epic research project Jenison embarques on is as extraordinary as what he discovers.

Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.

The film fictionalizes the real relationship between French sculptor Henri Gaudier and Polish writer Sophie Brzeska, twenty years his senior, who came to Paris, she says, for its “creative atmosphere.”

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

I'm Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

A prominent fashion photographer returns to her small town roots at the request of a friend. Surrounded by both memories and loved ones, she must consider a choice between a successful future and rekindling both the love of her life and of her home.

A documentary celebrating Lee Miller, a model turned photographer turned war reporter who defied anyone who tried to pin her down, put her on a pedestal or pigeonhole her in any way. The film's director, Teresa Griffiths, and editor, Clare Guillon, won the 2021 British Academy Television Craft Awards for Factual programs.

Perfect Timing is the story of Harry Crane, an infamous photographer whose sublime and evocative images single-handedly reshaped and rebuilt the boudoir and fitness industries. But, having made his mark, allowed the artist within to be released. Creatively and artistically, Harry has moved on; his work now consisting of portraits and interpreting rock wall fractals. Of course that meant leaving the professional schlock of commercial advertising behind him. Sounds good. Except there's that pesky issue of money. And Harry and his buds are quickly burning through large quantities of it. Bottom line - he's nearly broke and faces eviction.

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

In October 2006, 25 artists came together to paint Supreme Court Justice Sandra Day O'Connor. The result was a collection of vastly different images of this iconic figure. This film chronicles the process from the initial setting (where Justice O'Connor entertained the room) to the evening when the paintings were unveiled at the National Portrait Gallery.

A film that looks at the genius of JMW Turner in a new light. There is more to Turner than his sublime landscapes - he also painted machines, science, technology and industry. Turner's life spans the Industrial Revolution, he witnessed it as it unfolded and he painted it. In the process he created a whole new kind of art. The programme examines nine key Turner paintings and shows how we should re-think them in the light of the scientific and Industrial Revolution. Includes interviews with historian Simon Schama and artist Tracey Emin.

A loner artist, exiled from the art community for creating a sculpture deemed too offensive, embarks on a bizarre odyssey of art, flesh, decomposition, and spiritual ascension. Vexanthrone details the mental and physical difficulties of the creative process in an experimental and surreal fashion that mixes arthouse sensibilities with gross-out body horror.

Blue's Clues is an American children's television show that premiered on September 8, 1996 on the cable television network Nickelodeon, and ran for ten years, until August 6, 2006. Producers Angela Santomero, Todd Kessler and Traci Paige Johnson combined concepts from child development and early-childhood education with innovative animation and production techniques that helped their viewers learn. It was hosted originally by Steve Burns, who left in 2002 to pursue a music career, and later by Donovan Patton. Burns was a crucial reason for the show's success, and rumors that surrounded his departure were an indication of the show's emergence as a cultural phenomenon. Blue's Clues became the highest-rated show for preschoolers on American commercial television and was crucial to Nickelodeon's growth. It has been called "one of the most successful, critically acclaimed, and ground-breaking preschool television series of all time". A spin-off called Blue's Room premiered in 2004. The show's producers and creators presented material in narrative format instead of the more traditional magazine format, used repetition to reinforce its curriculum, and structured every episode the same way. They used research about child development and young children's viewing habits that had been conducted in the thirty years since the debut of Sesame Street in the U.S. They revolutionized the genre by inviting their viewers' involvement. Research was part of the creative and decision-making process in the production of the show, and was integrated into all aspects and stages of the creative process. Blue's Clues was the first cutout animation series for preschoolers, and resembled a storybook in its use of primary colors and its simple construction paper shapes of familiar objects with varied colors and textures. Its home-based setting was familiar to American children, but had a look unlike other children's TV shows. A live production of Blue's Clues, which used many of the production innovations developed by the show's creators, toured the U.S. starting in 1999. As of 2002, over 2 million people had attended over 1,000 performances.

Three amateur artists are given four hours to paint, in watercolour, the same scene or landscape, often with widely different interpretations. At the end of the four hours, the guest professional artist for the week judged the paintings and selected the winner, who would then appear in a regional final, and if successful would compete in the end of series final.

Nigel Spivey reveals how the images which surround us today come from the ancient world. It's an epic journey spanning five continents and a hundred thousand years of history.

Beast Legends was a science fiction mini-series produced by a Toronto and Leeds based independent film company called Yap Films, Inc. It was first shown on the Canadian History Channel in the summer of 2010 and was later aired on the US SyFy Channel, starting on September 9, 2010 and ending on October 14, 2010. The show followed a team of creative researchers and artists who explored the globe following stories of legendary and mythological beasts. As they investigate the history behind these tales, they study the ecology and biology of similar real-life creatures that may have inspired the stories, and conclude by bringing the beasts to life with computer generated effects and animation.

John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.

First broadcast on October 2, 1989, these 18 original 30-minute episodes provide a panorama of 2000 years of architecture, painting and sculpture, and studies the art masterpieces as reflections of the Western culture that produced them.

The story of art from the dawn of human history to the present day—for the first time on a global scale. Inspired by Civilisation, Kenneth Clark’s acclaimed landmark 1969 series about Western art, this series broadens the canvas to reveal the role art and the creative imagination have played across multiple cultures and civilizations.

Authoritative and entertaining series featuring original portraits of songwriters discussing the creative process and their inspiration, including exclusive performances and interviews.

This Emmy award-winning arts and culture series examines the lives, works and creative processes of arts and culture innovators making an impact in Southern California and beyond.

Delve into the world of video game box art with the artists responsible for some of gaming’s most iconic images ever created. Hear about the creation process, discover easter eggs hidden in plain sight, see alternate cover art options, and learn how the gaming industry evolved from infancy until now. Welcome to Video Game Box Art: The Stories Behind the Covers.

RuPaul brought Drag Race into the homes of millions and made the once taboo art form mainstream. This newfound renaissance has inspired a new generation to explore the art of drag and challenge the constructs of gender. While RuPaul’s Drag Race is a competition, Drag Heals is a documentary journey that follows men who have never worn heels or make-up but have always dreamed of letting their inner drag queen out. These men (and aspiring queens!) enter Canada’s first ever Drag class to explore how to create a compelling drag persona based on personal experience. For most, this is akin to a second coming out process. The culmination of the workshops will be a public performance where they will face down their fears of stepping into the limelight. Drag is typically viewed from a distance; Drag Heals gives unparalleled access to the creation of a performance that is more than just your average lip sync.

Get inspired as musicians dig deep into the creative process of songwriting and reveal their intimate thoughts in a series based on the hit podcast.

An eye-opening thrill ride that captures what it was like on both sides of the camera when the most recognizable images in history were taken featuring irreverent interviews with some of the most famous music photographers, musicians, gallerists, music journalists and social commentators.

Artist Helen Dealtry gives a glimpse into the creative process of painting.

Africa on its own terms and in full voice - across Morocco, Nigeria and South Africa. Uncovering the energy and ambition of creatives reinventing African music, fashion and film.