El Privilegio de Amar X

Altruistic Jane finds herself facing her worst nightmare as her younger sister announces her engagement to the man Jane secretly adores.

Three department store girls--Connie, Franky, and Gerry--share an apartment on West 91st Street in New York City. Each earns little more than 20 dollars per week. Gerry is the sensible one, but the others throw themselves at amoral rich men in an attempt to hook one and better themselves. They end up being hurt and disappointed despite Gerry's attempts to warn them.

Set in early 1900s France, a widow renews a former romantic interest until it is discovered that he has had a past fling with one of her new employees, a nanny. This sets the two women into many well-mannered accusations and conversations, but no modern brawling, and puts him in the middle or possibly on the outside.

Charming LA architect Harrison, also a great cook and lover, gets engaged to Cate, a San Francisco landscape architect he meets while collaborating on a major project, after they get locked in by a malfunctioning elevator. She moves to LA for him and volunteers, while he's on mission in Tokyo, to mind his widowed mother Evelyn, still a major force in his life. However Cate gets paranoid when feeling weak and hearing rumors that his former girlfriend disappeared mysteriously years earlier, even cancels the engagement. Then the truth gets out, clearing Harrison and uncovering a lurking danger.

In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.

In 1970s London amidst the punk rock revolution, a young grifter named Estella is determined to make a name for herself with her designs. She befriends a pair of young thieves who appreciate her appetite for mischief, and together they are able to build a life for themselves on the London streets. One day, Estella’s flair for fashion catches the eye of the Baroness von Hellman, a fashion legend who is devastatingly chic and terrifyingly haute. But their relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella.

Buñuel's first "comeback" film since "L'Age d'Or" in 1930 (he made only a few musicals in the interim), "El Gran Calavera" concerns a family's attempts to change the patriarch's somewhat indulgent and hedonistic ways by fooling him into thinking his large fortune is gone. They assume a life of poverty in Mexico in an attempt to teach him a lesson. However, he discovers it's a ruse, but continues to perpetuate the facade of ignorance while sneaking off during the day to conduct his thriving business. Why? To teach his family a lesson - they are all lazy, worthless leeches!

A doctor is called to the home of a young man who wants to enlist in the Army.

Imaginaerum tells the story of an elderly composer, Tom, who suffers from severe dementia. As he has had the disease for years and has regressed into childhood, he remembers practically nothing from his adult life. His music, friends, all his past including the memory of his daughter are a blur in his fragile mind. All he has left is the imagination of a ten year old boy. As he drifts away into coma, it seems impossible to get back what he has lost. Or is it?

This movie shows another side to spousal abuse that not too many people thought is possible--the husband being abused and the wife the abuser.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

Orphaned, abandoned by her fiance, forced into prostitution by the absence of "respectable" alternatives.And the-e-en...

Series western, adaptation of a popular comic-book.

The life and loves of Coco Chanel who rose from the bottom with no family or financial support and became one of the most legendary creative icons.

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

Cuidado Con El Ángel is a Telenovela distributed by Televisa starring Maite Perroni and William Levy. The telenovela, a production of Nathalie Lartilleux, premiered on June 9, 2008 and finished its broadcast March 6, 2009. It had millions of viewers worldwide, and broke records in America.

True love threatens to tear a family apart in this epic Mexican serial set in the 1800s. Rich and beautiful Matilde falls in love with Adolfo, but her mother, Augusta, disapproves of the relationship when she learns Adolfo is poor. Augusta forces her daughter to marry rich and handsome Manuel Fuentes Guerra, but Matilde plays with fire by continuing to be with Adolfo. Adela Noriega, Fernando Colunga, Helena Rojo and Chantal Andere star.

En Nombre Del Amor is a Mexican telenovela produced by Televisa. It is a remake of Cadenas de Amargura. En Nombre Del Amor was produced by Carlos Moreno, and filming began on August 4, 2008. It premiered in the United States July 7, 2009 on Univision and ended its run on March 7, 2010 in a two-hour grand finale on a Sunday. Starring for Allison Lozz and Sebastián Zurita, as adult stars Victoria Ruffo, Arturo Peniche with Leticia Calderón as the villain protagonist and main villain, co-starring for Laura Flores, Alfredo Adame, Víctor Cámara, and the participation of Altair Jarabo as youth antagonist.

Cuando me enamoro, se detiene el tiempo is a Mexican Spanish-language telenovela produced by Carlos Moreno Laguillo and Televisa. It is a remake of the 1998 Televisa telenovela La mentira. Silvia Navarro, Juan Soler and Jessica Coch are stars, with the participations of Rocío Banquells and Lisardo Guarinos as the main villains, the stellar participations of René Casados, Julieta Rosen, José Ron, and the special participation of Sebastián Zurita. Univision promoted Cuando me enamoro for the United States audience, with the first promo shown on March 30, and was initially scheduled to air at 8pm central. A second promo confirmed an April 19 airing at 7pm central. The third promo aired on April 5, confirming a 7pm/6pm central on Univision, and aired from April 20, 2011 to January 6, 2012.

La Madrastra is a Mexican telenovela. It was produced by Televisa and broadcast on Canal de las Estrellas in Mexico from 7 February 2005 through 29 July 2005. The program became an unexpected success, garnering ratings in excess of 30 points. Starring Victoria Ruffo and César Évora, who last appeared together in 2000's Abrázame muy fuerte, La madrastra tells the story of María, a woman who lost twenty years of her life after being falsely accused of murder and who returns to Mexico to exact revenge on her husband and friends who abandoned her and to see her beloved children once more. La Madrastra is fourth in a series of remakes of the 1981 Chilean production of the same name. The program aired five nights a week, Monday through Friday, at 9 pm for 25 weeks. A follow-up special, La madrastra: años después, aired shortly after the finale on 30 July 2005.

Piel de otoño is a Mexican telenovela that was produced by Televisa and broadcast on El Canal de las Estrellas in Mexico from 9 May 2005 through 23 September 2005 in Mexico, and from October 10, 2005, through February 17, 2005, in the United States. Starring Laura Flores and René Strickler as the series' protagonists, the show tells the story of Lucía Villarreal de Mendoza, a woman who seeks refuge from her husband and children's abuses in the friendship of a stranger on the Internet, who signs his messages only as "wind". Piel de otoño is a remake of the 1986 Televisa telenovela Cicatrices del alma. The program aired weekdays at 5 pm for twenty weeks.

Amar sin límites is a Mexican telenovela that was produced by Televisa and broadcast on that company's El Canal de las Estrellas. The program debuted on 16 October 2006 at 7:30 pm; the first ten episodes were only thirty minutes long, with the program expanding to an hour long on 30 October and taking over the 7:00 time slot previously occupied by Duelo de Pasiones. After 135 episodes, the telenovela completed its run on 20 April 2007, and was subsequently replaced with Muchachitas como tú. In the United States, Amar sin límites aired on Univisión from 17 July 2007 through 18 January 2008 at 8:00 pm. This limited-run serial is a remake of the 2003 Argentine telenovela Resistiré; it is the first such remake, as a second adaptation, Watch Over Me, was created for MyNetworkTV in the United States and debuted in December 2006. Amar sin límites stars as protagonists Karyme Lozano and Valentino Lanús, whose characters, Diego and Azul, endure a tortured romance that becomes entangled in the world of organized crime thanks to Azul's fiancé, Mauricio, portrayed by René Strickler.

Para Volver a Amar is a Televisa telenovela that aired on the Canal de las Estrellas channel in Mexico from July 12, 2010 to January 30, 2011. It stars Rebecca Jones, Rene Strickler, Alejandro Camacho, Alejandra Barros, and Africa Zavala. The Mexican version however is taken from the original Colombian soap opera series "El Último Matrimonio Feliz". The story is about six women who befriend each other and help each other deal with the pains of life, particularly in regards to marriage and relationships. They'll realize that even amidst their problems, happiness is not impossible to attain. It won seven Premios TVyNovelas awards for Best Telenovela of the Year, Best Male Villain, Best First Actress, Best First Actor, Best Co-Star Actress, Best Co-Star Actor, and Best Young Lead Actor. Para Volver a Amar aired in the United States on Univision from March 8, 2011 to October 28, 2011 at 12am/11pm central.

Hasta Que el Dinero Nos Separe is a telenovela produced by Emilio Larrosa. It is a remake of the Colombian soap opera Hasta Que la Plata Nos Separe. Hasta Que el Dinero Nos Separe stars Itatí Cantoral, Pedro Fernández, Victor Noriega, Luz Elena González and Joana Benedek. The telenovela made its debut on June 29, 2009 at 8 pm in Mexico's Canal de las Estrellas, in HD in some markets, and January 18, 2010 at 8/7 pm USA's Univision, starting on April 26, 2010, it aired from 8 pm est to 10 pm est in HD in some markets, until June 1, 2010, when Soy Tu Dueña premiered on Univision at 9pm, thus returning the novela back to its former one hour airing time. On February 16, 2010 Hasta Que El dinero nos separe premiered on internet TV's bsn Latino. "The Best Telenovela of the Year 2010."

Mujeres engañadas is a Mexican telenovela that was produced by Televisa and broadcast on El Canal de las Estrellas from October 25, 1999, to April 7, 2000. Produced by Emilio Larrosa, the novela stars Laura León and Andrés García as well as an ensemble cast and tells the story of four couples who live in the same apartment building.

Chispita is a telenovela made by Mexican TV network Televisa. It is a familiar telenovela, set in Mexico. This telenovela was broadcast in 1983. This was the first telenovela that Lucero starred as a main character.

Palabra De Mujer is a telenovela remake of El Amor Tiene Cara De Mujer was made by Televisa, starring Edith González, Yadhira Carrillo, Ludwika Paleta, and Lidia Ávila. The telenovela, a production of José Alberto Castro, premiered October 22, 2007 and ended on May 9, 2008 in El Canal de las Estrellas.

Corazón salvaje is a Mexican telenovela produced by Salvador Mejía Alejandre in conjunction with Televisa and broadcast on El Canal de las Estrellas. The telenovela debuted on 12 October 2009 at 9:00 pm, replacing Sortilegio, and aired for a total of 135 episodes. The final episode was broadcast on 16 April 2010, and the program was replaced with Soy tu dueña. In the United States, the telenovela debuted on 22 February 2010 at 9:00 pm on Univisión, again replacing Sortilegio. However, beginning on 26 April, the program was moved from prime time to the 12:00 midnight time slot.

El Privilegio de Mandar was a successful Mexican political parody broadcast by Televisa on Canal de las Estrellas. It started as a sketch on another Televisa show, called La Parodia, that parodies political, social and cultural events happening in Mexico. High ratings kept the show running. It was first broadcast on October 25, 2004, during La Parodia. Soon, the high success of the program encouraged the producers to separate it from the other show, so on January 3, 2005, it became an independent show. Televisa broadcast what is considered the last episode of the series on July 9, 2006, just after the federal elections in Mexico. However, some of the actors who performed leading roles stated that in a few years, when political events have advanced, they will make a return to see how things are.