Best movies like George White's Scandals

A Broadway producer is in a quandary when he discovers that the opening of his newest big production coincides with that of a major charity event. He despairs that the show will close after opening night until an ingenious writer suggests that he simply give the production snob-appeal by making the tickets nearly impossible to get by fabricating a story that they were all purchased by a flamboyant Texas oil baron who is totally besotted by the show's star.

Nightclub gangsters hire a vaudeville act called the Three Funny Bunnies (Ritz Brothers).

The president of a settlement-house group puts on a benefit variety show.

Husband-and-wife vaudeville stars separate when success goes to his head.

Young Sherry Williams dreams of having a singing career, and she idolizes her older sister Josephine, who has gone to New York to perform on the stage. When Sherry is distraught just before performing at her school, a visiting Broadway producer encourages her by telling her positive things about her sister. Soon afterwards, Sherry decides to make a surprise trip to New York to visit Josephine - but what she finds there is not at all what she expected

A painter suffering from amnesia convinces himself that he's a famous bandleader and finds romance with a pretty singer. Comedy with music.

This is the story of Ted Lewis, popular band leader and clarinettist.

This is a film about the life of Gus Edwards, a well known vaudeville composer, entertainer, and producer.

The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined.

An all-girl band hits paydirt—and mud—when they sign a male crooner and then sell five 25% shares of his contract.

Fly-by-night producers dodge bill collectors while trying for one big hit.

An all-girl band flees to Argentina to avoid their creditors. Comedy with songs.

Joan Daley, a New York booking/press agent, attempts to recruit two local stand-ins, Jinx Terry and Lois Morgan, when the Cuban sister-act, Marianela and Rosita she as booked into the nightclub for which she works fails to materialize. Complications arrive when the real Cuban sisters show up.

Musical about vaudeville performers, from 1944.

This film is a compilation, with narration by Steve Allen, of comedies from the old Mack Sennett silent studio. Sennett, himself, appears in a cameo at the end of the film.

Bandleader Tim Hartley's father objects strongly to his son's occupation choice and packs him off to Hawaii to manage the family hotel holdings. This proves to be a wrong move as Hawaiia has more bands than it does pineapples.

Ex-vaudeville performer Trixie makes a come-back, and threatens to thwart the ambitions of her song-writing step-children, Bob and Judy.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

A Broadway director rescues a starlet from mobsters who blame her for a shooting.

A detective goes undercover as a producer to investigate an actor's murder, which occurred during the performance of a play...

Benny and Flo are a husband and wife dance team, Sloane and Darrel, traveling around the country as part of a revue. The revue gets picked up and taken to New York City, to be on Broadway. However, it quickly folds, and the two are forced to look for other employment. They eventually find work in a nightclub, becoming famous.But while performing at the nightclub, Flo becomes entranced by a young, sophisticated millionaire playboy, Winston.

18-year-old Angela, reared in a New England town by her Aunt Betsy, receives an inheritance which she uses to go to New York, ostensibly for voice training, but she is pursuing Major Hilary Jarret, an Army surgeon with whom she has become infatuated. Her departure depresses her childhood friend Jimmy Plum. Dr. Plum devises an errand on which to send his love-sick son to New York, where Jimmy discovers Angela thinks she is Jarret's fiancée. Jimmy also renews acquaintances with a group of show people, including Sally McGuire, who attempts to console him. Jimmy meets Jarret's divorced wife, Harriet, famed photographer. Jimmy engineers a meeting of Jarret and Harriet with Angela present, which forms the beginning of an understanding that Jarret is not for her. Jimmy is inducted into the Army.

A girl from a show-business family seeks a backer for her boyfriend's musical.

Nancy Willows (Constance Towers), pretty blonde high school teacher, writes song lyrics which spark the careers of struggling young pianist-composer Martin Adams (Keefe Brasselle')and would-be singer Jerry Dennis (Frankie Laine). When Nancy and Martin fall in love but quarrel over her old flame, David Parker (William Leslie), Nancy returns to her teaching job. Jerry reunites Nancy and Martin and, in turn, succumbs to the charms of his new secretary Marge Stevenson (Lucy Marlow).

A successful songwriter and a struggling singer become involved professionally and romantically on the road to stardom.

Universal cowboy star Rod Cameron plays Geoffrey, conductor of a high-toned symphony orchestra. Secretly harboring the desire to become a swingin' jazz trumpeter, Geoffrey takes a job at a "hot" Broadway nightclub. Here he meets and falls in love with café songstress Donna (Frances Raeburn), who has led her family to believe that she's studying for a classical-music career. Meanwhile, a comedy-relief romance develops between Geoffrey's snooty valet Chumley (Arthur Treacher) and Donna's best pal Pat (Jacqueline De Wit). For those not interested in the plot (what there is of it), Swing Out, Sister includes specialty numbers by organist Selika Pettiford and the Lou Diamond Quintet.

A shy songwriter (Arthur Lake) pretends to be a championship wrestler known as "The Devil" in order to impress a pretty nightclub singer (Dale Evans).

Evelyn Palmer, a débutante society girl who also is a property landlord, becomes interested in the plight of one of her tenants, a struggling band-leader, to the extent she becomes a hostess in a dance club, incognito, where the band plays, and soon is the band's singer.

The film is partly a parody of The Goodwill Court, a popular radio problem hosted by advice-dispenser "Mr. Anthony". The host of a "What's your problem?" radio hour tries to smooth the romantic path of singer Rich Cleveland (Haymes) and his socialite wife Penelope (Lynn Merrick). The fly in the ointment is Dena Marshall (Janis Carter), who has set her sights on the handsome Rich.

National DJs help a promoter make an unknown girl a star, to prove the power of radio over TV.

A heartthrob singer, Tony Paige, also known as "America's Boyfriend" decides to wed a Swedish actress. His manager doesn't want this because he is afraid of Tony losing female fans so he takes up a 300 hundred thousand dollar insurance policy if Tony does in fact wed. Tony soon meets a girl name June Delaney on a bus who doesn't swoon over him like other girls. He falls for her but doesn't know her true identity.

Socialite Cathy Abbott is working in the chorus of a Broadway show instead of being enrolled at an exclusive girl's school as her parents think. When the show closes, she brings two of her chorus friends home with her. In addition to trying to make her friends acceptable to the snooty society of which her family is part, she is also being blackmailed by a rival.

Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.

A former bootlegger is now the prosperous owner of a popular nightclub. A hustling promoter manages to pass off a young singer as the heir to a fortune and gets her booked at the club.

In this musical comedy, two star-struck small town kids head for the Big Apple and become famous for their jitterbug act. Their fame doesn't last long, but they had fun anyway. Songs include: "Baltimore Bubble," "Gingham Gown," "Just a Bore," "Wasn't It You," "Kaneski Waltz" (Frank Skinner, Charles Henderson).