Il Barbiere di Siviglia

New production. Recorded live at Royal Opera House, July, 05, 2015.

Schubert Opera composed in 1823 but not performed until 1988. It is set in a medieval world and based on La Chanson de Roland and the legend of the love between Eginhard and Emma. Live performance from 2007 at the Opernhaus Zürich.

Richard Strauss's opera, from the Royal Opera House, Covent Garden.

Live performance, part of Monteverdi cycle staged by Oper Zürich with Nikolaus Harnoncourt conducting the Zürich Opera House Monteverdi Ensemble. Staged and directed by Jean-Pierre Ponnelle. Filmed 28 March – 20 April 1978 in Vienna, sound recorded 1 – 25 December 1977 in Zürich.

1982 revival of 1974 John Copley production.

Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.

The star singers in this revival of the 2006 production were Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel; the Royal Opera Chorus and the Orchestra of the Royal Opera House were under the baton of Antonio Pappano, the Music Director of the Royal Opera House. The pageantry of church ritual, the darkness of a brooding study with its hidden torture chamber and the false optimism of the light of a Roman dawn - all throw into relief the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia. Drama, passion and fabulous music.

The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.

Live performance at Opernhaus Zürich in 2006. Nello Santi conducting Orchester der Oper Zürich and Chor der Oper Zürich. Directed for the stage by Gilbert Deflo.

Wolfgang Sawallisch conducts this acclaimed staging of Paul Hindemith's ambitious opera of the goldsmith Cardillac, whom fortune seems to favor and then abandon, featuring Donald McIntyre and Maria de Francesca-Cavazza in the starring roles. Filmed in 1985 at the Bavarian State Opera and directed by the legendary Jean-Pierre Ponnelle, the production captures every nuance of Hindemith's powerful tale of love, suspicion and betrayal. Opera Performance, recorded at 16-25 September 1985 at the National Theater in Munich.

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

This was a 1988 revival of a 1971 production that teamed Domingo (Vasco da Gama) and Verrett (Selika - both then very much in their prime) in Meyerbeer's discursive swan-song. Seventeen years on, they are more statuesque than sexy, but both give larger-than-life performances that contain moments of completely thrilling vocalism. The casting is very strong, with the exception of Justino Diaz's Nelusko, which has strong presence but not much vocal allure. As Inez, Vasco da Gama's fiancee and rival for Shirley Verrett, Ruth Ann Swneson sings with great beauty and has impressive stage presence, very much holding her own in the confrontation with Verrett in the last act. Domingo is refulgent of tone and dramatically convincing, and he and Verrett strike sparks. She really comes into her own in one of the most preposterous mad-scenes in all opera, where she is slowly poisoned by the scent of a giant tree, contriving to make this dramatically truthful and even moving.

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

Starring Angela Gheorghiu as the celebrated French actress Adriana Lecouvreur and Jonas Kaufmann as her lover Maurizio, Count of Saxony, Cilea s verismo drama explores celebrity, romance, jealousy, and death. The trio of sublime voices is completed by Russian mezzo-soprano Olga Borodina as Adriana s jealous rival, the Princess de Bouillon. David McVicar s hit production the first performance of the opera at the Royal Opera House, Covent Garden for more than a century presents the life of the French actress as a blurring of the distinction between fantasy and reality. The action revolves around a life-size Baroque Theatre, taking us from the bustle and colour of the first act backstage at the playhouse, to the bare final scenes as the drama reaches its fatal climax.

Both Florez and Diana Damrau brought their bel canto expertise and superb vocalism to the service of Verdi's music. The Rigoletto, Zeljko Lucic, ran the gamut from tenderness with his Gilda to thundering fury with everyone else. I also liked the production. At first, when Rigoletto was putting on his grease paint during the overture, I was afraid that it might be a typical "Euro-trash" production, with a bit of warmed over I Pagliacci. But the sets and dramatic action really served the music and libretto. I would have to say that I came to a deeper understanding and appreciation of the story and characters as a result of seeing this performance.

Samantha Bee breaks up late-night's all-male sausage fest with her nuanced view of political and cultural issues, her sharp interview skills, her repartee with world leaders and, of course, her 10-pound lady balls.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

Lloyd in Space is an animated television series, created by Joe Ansolabehere and Paul Germain, and released in 2001 on ABC-TV on Saturday mornings. The pilot was written by Ansolabehere, Germain and Mark Drop. The characters were designed by Eric Keyes.

The strongest vocalists from across the United states compete in a blockbusters vocal competition, the winner becomes “The Voice.” The show's innovative format features four stages of competition: the blind auditions, the battle rounds, the knockouts and, finally, the live performance shows.

Attention please! Are you ready for an adventurous tour through the human body? With a lot of humour, our physical appearance is being introduced from head to toe along cells and organs in an educational way. The heart, blood, nerves and kidneys, each single one is a miracle which renders life possible.

Since premiering in 1976, the landmark series has sought to democratize the world of the performing arts by making Lincoln Center's historic concerts and events available for public broadcast across the country. And it continues to push the boundaries, both technical and creative, of what is possible in the realm of stage performance capture.

Tohru Honda is 16 year old orphaned girl who gets invited to live in the house of her classmate, the handsome boy Sohma Yuki, and his cousins, 16 year old Kyo and 27 year old Shigure. However, these young men and parts of the rest of their family (both close and distant) hold a curse; if they are hugged by the opposite gender, they transform into animals of the Chinese Zodiac. Everyday is an adventure for sweet Tohru, as she gets to know everyone in the large family better (especially Yuki and Kyo), in both common and bizarre situations. But, the Sohma Family curse is certainly no laughing matter... it also holds horrible cruelty and heartbreak.

The Heart, She Holler is a live action television series produced by PFFR for Adult Swim. The series, described as "Southern Gothic drama" and "an inside-out blend of soap opera and politically incorrect surrealist comedy," is about the long-lost son of the Heartshe dynasty – played by Patton Oswalt – returning to run the town and being locked in conflict with sisters Hurshe and Hambrosia. The show premiered on November 6, 2011, and its 14-episode second season premiered on September 11, 2013. The title of the series is a play on words, in that the name of the family which controls the town is "Heartshe", and "Holler" is an Appalachian pronunciation of the word "hollow", meaning small valley, essentially making it "The Heartshe Hollow".

Growing up with an abusive father, Utsutsu is highly protective of his younger sister Yume. One day, she contracts the strange Pupa virus and begins to sprout grotesque wings and attack both animals and humans.

A Vicar's Life goes behind the scenes of the lives of country vicars at the heart of the rural community in the stunning Herefordshire countryside. From opening fêtes to marrying local couples, vicars are knitted into the fabric of country life, acting as a pillar of support in times of crisis and personal sorrow. Each episode features stories from across the county giving a closer perspective on rural life, as seen through the eyes of the church. Village fetes, shooting drives, and local issues - all served up with a heavy dose of humour, charity, and inspiring local leadership.

Every Sunday, Hasan Minhaj brings an incisive and nuanced perspective to global news, politics and culture in his unique comedy series.

I never thought I would see him again. Aki Terada said goodbye to her first love long ago. When her current boyfriend is caught cheating on her, Aki moves out of her apartment and into a sharehouse, where she's reuinted with her first love. When things get heated between them, he drops a major bomb… Heart and body and everything in between intersect in this fresh new adult love story.

The Metropolitan Opera and PBS have joined forces to create a new series of live opera performances.

An annual event concert celebrating African Americans and other American minorities in music, acting, sports, and other fields of entertainment over the past year.