THEY MADE THEIR OWN RULES... and played for keeps!
John Payne is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Payne falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
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Documentary focusing on the contributions to the American war effort of African-American soldiers.
Chasing Madoff
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Chicago Syndicate
An ex-military accountant is recruited by the FBI to infiltrate the mob in Chicago in an attempt to break open the rackets. To complicate his job, two women stand in his way, each with their own agenda.
The Miracle Woman
After an unappreciated minister dies, his daughter loses her faith in God, prompting her to open a phony temple with a con man. Can the love of a blind aviator restore her faith and happiness?
Undertow
Undertow stars Scott Brady as a gambler just out of wartime military service. No longer interested in wagers and speculations, Brady wants only to open up a mountain vacation lodge. Before this can take place, Brady is framed for murder, and forced to hide out in the home of Peggy Dow. With the help of Dow and a policeman friend, Brady searches for the real murderer. Watch carefully in Undertow and you'll spot new Universal contractee "Roc" Hudson as a plainclothes detective.
Flaxy Martin
Attorney Walter Colby has ties to the mob, but he begins to regret his criminal affiliations. When his girlfriend, showgirl Flaxy Martin, who also has shady connections, becomes a suspect in a murder, Walter takes the fall. However, on his way to prison, he escapes, determined to bring the real killer to justice.
Looking for Trouble
Joe and Casey trouble-shoot for the phone company. They try to prove that Joes's girl Ethel's boss Dan is a crook but are trapped by criminals and left in a burning building.
The Boss of Big Town
Quality was seldom a consideration in the low-budget films of PRC Studios; still, the company was a welcome harbor for character actors who aspired to occasional leading roles. In Boss of Big Town, veteran supporting player John Litel is top-billed as crusading city market official Michael Lynn. When a criminal gang muscles in on the local food distribution markets, Lynn vows to throw the rascals out. First, however, he pretends to join the villains as a paid government stooge, the better to find out the identity of the "Mister Big" behind the distribution racket. The exposure of the "mystery villain" will come as a shock to fans of the 1927 Cecil B. DeMille epic The King of Kings--but not to dyed-in-the-wool movie buffs.
The Come On
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The Power and the Prize
An ambitious executive jeopardizes his career to marry a European refugee.
A Christmas Visitor
The Boyajian family learned of 18-year-old John's death in the Persian Gulf War on Christmas Eve eleven years earlier and have not celebrated Christmas since. They have been so consumed by his death that they have forgotten the joys of the holidays, until a mysterious visitor enters their lives and rekindles the spirit of the season.
God Bless the Broken Road
The story of a young mother who loses her husband in Afghanistan and struggles to raise their young daughter in his absence.
That Other Woman
A secretary by the name of Emily Borden comes up with a convoluted plan to get her boss to marry her which backfires after some bad advice.
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Julia
Julia is an American sitcom notable for being one of the first weekly series to depict an African American woman in a non-stereotypical role. Previous television series featured African American lead characters, but the characters were usually servants. The show stars actress and singer Diahann Carroll, and ran for 86 episodes on NBC from September 17, 1968 to March 23, 1971. The series was produced by Savannah Productions, Inc., Hanncar Productions, Inc., and 20th Century-Fox Television. During pre-production, the proposed series title was Mama's Man. The series was also unique in that it was among the few situation comedies in the late 1960s that did not use a laugh track; however, 20th Century-Fox Television added them when the series was reissued for syndication and cable rebroadcasts in the late 1980s.
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