Best movies like New Old

A surreal and disturbing distillation of Western Civilization, Necropolis is the unhinged vision of Italian director Franco Brocani. Pierre Clémenti is Attila the Hun, naked and on horseback, while Warhol superstar Viva is a drunken and abusive Countess Bathory. A pop pastiche for the psychedelic generation, Necropolis features a soundtrack by Gavin Bryars.

Jack and Julie live in a bare flat in Paris. At night, Jack drives a taxi while Julie wanders around the city, and in the day they make love. One day Julie meets Joseph, the daytime driver of the taxi, and soon Julie is spending her nights with Joseph and her days with Jack.

A self-styled "urban guerrilla" in Greenwich Village is sent on various assignments across the country by a mysterious "commander."

Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.

The life of a great city (Paris) from dawn until dusk, including the beautiful and the ragged, the rich and the poor.

A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren’s most intriguing works.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.

A psychiatrist secretly films his female patients as an experiment; he pushes both him and his customers in ways that induce his own mental breakdown.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.

Footage of John Giorno sleeping for five hours.

The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

Catherine, a nun with a unique form of narcolepsy, attempts to lose herself in the worlds of religion, adolescent fantasy, and finally masochistic devotion to a man. Her husband, a plastic surgeon, has evolved from a yeti-like creature to accommodate her masochism with increasingly extreme and bizarre rituals. With an experimental and ground-breaking format, The Three Trials incorporates surreal narrative, music video, and abstract imagery. The viewer is left to interpret what is real, what is dream, and what is false narrative in this feverish, pitch-black comedy with a smorgasbord of sexual fetishes.

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.

A young gay boy, from his birth to his teenage years, in which he experiments his sexuality and his own boundaries, to the day he finally meets his father. In three acts: Act I — L'Annonciation or The Conception of a Little Gay Boy (2011); Act II — Little Gay Boy, ChrisT is Dead (2012); and Act III — Holy Thursday (The Last Supper) (2013).

Four travelers encounter menacing phenomena while camping in a remote stretch of the Mojave Desert.

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.

The fictional town of Villa Romero is the set upon which the events of Spain's civil war play out. Villa Romero is home to Vandale (Mariangela Melato) a witch, count Cerralbo (Bento Urago) a powerless land baron, and his four sons. Three of Cerralbo's sons are ruthless sadists who pillage the countryside, but the fourth, Goya (Ron Faber), is an artist challenging authority and the church.

Bassley, a Nigerian footballer living in Vietnam, has been unable to make a living since he broke his leg. He and four middle-aged women he sometimes works for decide to escape the disappointment of their daily lives. They go to an old house where together they create a special world for themselves. But this intimate utopia cannot last forever.

A self-destructive womanizer falls for a girl with mysterious intentions.

Frig — a film in three parts (Love, Shit and Sperm) — is an experimental drama beginning with the end of a love affair. Love and the resulting experience are presented as a metaphor that goes beyond the personal and into a deeper consideration of life’s cycles, ultimately becoming a reflection on life, death and rebirth. Opening with a personal poem and accompanied by fragmented images, the film plunge into Sade’s universe in “120 Days of Sodom” and charts the descent into one’s own, personal hell, revealing the hidden face of society.

A wealthy bourgeois, bored in her immense property, to pass the time engages a gigolo to answer all her wishes, from the most unfulfilled to the most hidden... But when the young man takes an interest in the sister of his boss, the latter becomes very jealous.

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

“Ixe (written X and pronounced EEKS – as it is pronounced in French –, like a scream, a wound) is an imploded, crucified film. Made to be projected on four screens at once, X is drawn and quartered. At the four points of the compass, at the four ends of the cross, War, Sex, Religion and Drugs, the double exposures, the colliding glimpses the eye barely recognizes, the skilful repetitions of themes, remind us that Sex is also the war of bodies, and the pope, the Drug of the people. And the story of this young man, shooting up in order to experience all the horror of the world in front of his TV set, reminds us that the heroin orgy is indeed the subjective locus of the monsters of the modern unconscious.” - Guy Hocquenghem

Province of Quebec, Canada, the Maple Spring, 2012. Driven by frustration and the desire to find a new life, Klas Batalo, Ordine Nuovo, Tumulto and Giutizia form a counter-cultural group, a radical cell guided by a deep hostility to the established order that they manifest through terribly ambiguous political expressions, Molotov cocktails and guerrilla tactics, seeking to sow mayhem in Montreal as a prelude to the overthrow of the government.

300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.

Set in a post-apocalyptic future, the story finds a handful of ragged survivors attempting to communicate with dolphins, while another cadre of survivors have made it their crusade to destroy all the world's religions.

Dreamwood narrates the oniric quest of a modern argonaut in a mysterious island located somewhere on the borders of the unconscious.

Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

The faded and fragmented memories of a relationship that's perpetually under sedation.