Best movies like No, No, Nanette

Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a club in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.

Trusting country girl Marie Downey falls in love with touring stage-actor Clifford Dudley. As he becomes a matinee idol on Broadway, she turns a chorus girl.

The story of aging chorus girl Frankie Arnette, who'll do anything for publicity. Fiercely ambitious, Frankie even promises that if she is given a leading role in an upcoming Broadway musical, prominent producer Morgan Andrews will be allowed to enjoy the "attentions" of her own daughter Marilyn. But Marilyn is in love with likeable Ray Joyce, and wants no part of her mother's intrigues.

Rebecca Butler, tired of poverty, takes a job in a Broadway chorus line and determines to marry a millionaire.

A series of misunderstandings leads to a chorus girl traveling to Paris to represent the American theater, where she falls in love with a befuddled bureaucrat.

In 1915, Atlantic City is a sleepy seaside resort, but Brad Taylor, son of a small hotel and vaudeville house proprietor, has big plans: he thinks it can be "the playground of the world." Brad's wheeling and dealing proves remarkably successful in attracting big enterprises and big shows, but brings him little success in personal relationships. Full of nostalgic songs and acts, some with the original artists. Reissued in 1950 as "Atlantic City Honeymoon".

Mavis (Liza Minnelli) was a chorus line dancer on Broadway. Just as she was on the verge of getting more prominent roles, she fell in love. Her full-of-himself boyfriend moved them to Buffalo, far from the theater scene. As a musician, he plays with a band in the local clubs, often with the very talented Mavis singing at his elbow. But, they are just two bit players, mostly because of his total lack of ambition. On the side, Mavis runs a dance studio for ordinary folks. In her classes, among others, are a lovely nurse, a librarian, a lady with an overbearing husband, a lady with an unemployed son, a bossy middle aged housewife (Julie Walters) and a lone, divorced, very shy male. The studio pianist is a strong-willed senior (Shelley Winters). One day, a woman who operates a more prominent dance school in Buffalo invites Mavis and her class to perform a number in a charity dance recital.

Moore plays the "dual" role of a French singer in America who was originally an American chorus girl in France to acquire a new persona.

Things get tough for Carol and her showgirl pals, Trixie and Polly, when the Great Depression kicks in and all the Broadway shows close down. Wealthy songwriter Brad saves the day by funding a new Depression-themed musical for the girls to star in, but when his stuffy high-society brother finds out and threatens to disown Brad, Carol and her gold-digging friends scheme to keep the show going, hooking a couple of millionaires along the way.

A romantic comedy, focusing on the love triangle between Bob Jones, Alysia Potter and Polly Meachum. Originally engaged, Bob and Alysia elope to Bowling Green, Connecticut, where they meet Silas Meachum, a campaigner against motion pictures, and his daughter, Polly. The eloping couple’s family arrive, chasing them, and persuade them to wait to get married. Polly goes to New York to join the Ziegfeld Follies, but is ultimately replaced by Alysia. As Bob consoles Polly, Alysia breaks off the engagement, and Bob and Polly may now marry.

Philandering husband George Montfort purchases railroad tickets for a weekend tryst in the mountains with his latest paramour. When his wife Yvonne finds the tickets, George hastily explains that they were bought as an anniversary present for her. Yvonne doesn't believe George, but she decides to use her ticket anyway, while George remains behind in Paris on "business."

An aspiring dancer fakes her own kidnapping as a publicity stunt. Her new found fame causes trouble with her boyfriend.

An actor and two songwriters become rural con men.

The famous matinee idol and blackface comedian, Don Wilson, heads out of town to escape adulation. There, calling himself Harry Mann, he accidentally joins a traveling acting troupe, and falls in love with Ginger Bolivar, who runs the troupe and stars in their Civil War melodrama. Don's producer sees the play, and thinks it's a comic masterpiece, and just what Don's Broadway show needs. But when Ginger finds out she's been played for a fool, will she forgive Don?

Guy Jones (Irons) moves to a small British town and joins the local amateur dramatics society as a way to meet people. However he soon finds the drama offstage far outweighs those onstage.

A detective goes undercover as a producer to investigate an actor's murder, which occurred during the performance of a play...

A professor gets mixed up with chorus girls in a Broadway musical.

Three Broadway chorus girls seek rich husbands.

Stephen Lee doesn't want his nephew Wally Sanders to marry chorus girl Violet Dayne, because he believes all chorus girls to be ruthless gold diggers, always chasing after the men's money. Violet's friend Jerry La Mar decides to 'gold dig' Stephen, to show him what a nice and unselfish girl Violet is, but then she realizes that she's really in love with Stephen Lee....

A Broadway show is forced to bow to the whims of a talentless, whacky, but rich, Broadway actress with a contract.

A crooked producer makes money from Broadway flops by selling more than 100% interest to multiple parties. He only fails if it makes a profit.

Peter Jones is a young man who arrives on Broadway from Chillicothe, Ohio, hoping to invest $20,000 in a play and turn a profit sufficient to buy a local hotel back home. He is conned by Joe Lehman and Jack McClure into backing their play with a 49-percent stake. The play opens out-of-town in Syracuse and bombs. Lehman and McClure want out, and Jones buys them out

Ralph Norton, man-about-town and wealthy favorite in Broadway society circles, is attracted to Helen Tremaine, but her flirtatious behavior causes him to reject the superficial life of his set.

Show girl Jill Deverne is married to song writer Fred Deverne, and everyone is involved in the Broadway night life and endless parties. Jill is being pursued by a gangster, and she leaves her husband after he spends the night with a floozie. Jill ends up as the gangster's moll, but she soon gets tired of the lifestyle.

Dee is a naive chorus girl living in a boarding house full of low-paid actors. Dee and Billy are in love and he helps her to move from chorus girl to star. Things run afoul when jealousy, misunderstandings and sleazy men enter the picture.

Finding herself in dire circumstances, the widowed Sylvia Darling determines that her son, Stephen, will complete his college education and develop his supposed literary talents; thus, she accepts a contract as singer in a Broadway nightclub, billed as "Dearie," and becomes an immediate sensation.

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

A songwriter leaves his chorus girl sweetheart to join the US Army in WWI. In France he falls in love with French singer Madelon. He is crippled in action. Back in the States, his girl friend there leaves him. But Madelon can't forget him and comes to the USA to work there as singer. Per chance she meets the songwriter, and he is cured. Singing one of his love songs, he knows that he has found the right girl.

This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.

A small-town girl who goes to New York hoping to become a Broadway star falls in with a fast crowd.

Daisy, a clerk at Woolworth's, loves to sing. She meets Bill, a guard on the subway, at a party and they're both attracted to each other, but each tells the other that they have a different job than they actually do. Bill later finds her handbag on the subway, returns it to her and invites her to dinner. They dine at the swanky Mayfield Club, where owner Lawrence Mayfield is also attracted to Daisy and offers her a job there as a singer. Bill is not happy, although Daisy is.

The Great White Way

Bertie and Marian Lenox are children of a wealthy family, and their mother intends that they marry "within their class". They, however, have different plans--Bertie is in love with chorus girl Sally O'Neil and Marian loves Henry Morgan, the family chauffeur. The family finds out about the impending marriages and determines to stop them. Complications ensue.