Best movies like Playmates

A film company hires a gangster to mock himself holding up a bank, but he succeeds too well and makes off with the money. But all ends well.

Satire on radio, built around the supposed feud between bandleader Ben Bernie and journalist Walter Winchell.

A nightclub performer, jealous about the talents of an aspiring singer, tries to sabotage her chances at a professional career.

The Ritz Brothers pretend to be Kentucky hillbillies in order to get a booking on a radio show.

Promoter "Smoothie" King helps a pair of phonies con their way into a movie company. As Wanda heads toward stardom, she turns more and more from King toward the matinée idol. King must decide between his plans and her happiness.

When he loses his lead singer, bandleader Kay Kyser can't find a replacement he likes.

A TV worker has fickle designs on an aspiring singer for whom she arranges an audition.

A painter suffering from amnesia convinces himself that he's a famous bandleader and finds romance with a pretty singer. Comedy with music.

George Cabot Jr., the son of a department store owner, enrolls Kristina Nielsen, the store's sports clerk, at a university to use her as an advertisement for their fashion department. She falls for Larry Taylor, a teacher, and gets expelled.

Russ Matthews, a theatrical agent who is not above pulling off a hoax or two or more to further the career of his clients (and himself), and a newspaper gossip-columnist, Carol Wilson, get involved with gangsters when one of Larry's radio-program future-predicting cons gets out of hand.

Elmer Whippet inherits the Whippet Pickles company and sets out to meet the two stars, Mary Reynolds and John Stowe, of the radio program sponsored by his company, as he thinks their on-air quarreling is real. Two former associates, Jules Kinsey and J.M. Snow cross him up by substituting Susan Blair, an office secretary, for Mary and Elmer thinks the show's writer Paul Stevens is John.

Unscrupulous agent Rush Blake makes singing waiter Buddy Clayton a big radio star while Peggy Cornell, who has lost her own radio show, helps Buddy.

Unable to complete the deal by telephone, advertising executive Roberts sends his assistant Ann to Cuba to lure a Cuban band, led by Desi Arnaz, on to an American radio program. Attracted to Ann, Arnaz and his band come to New York but complications arise when the squeaky-voiced, addle-brained sponsor of the program decides she wants to be the vocalist on the program.

Down-on-his-luck film director Jimmie Dale takes a job at a fly-by-night acting school. He is drawn into the plans of the school's owner to bilk a wealthy young man out of the funds he has supplied to shoot a movie starring pretty student Alice Perkins. But Jimmie hopes to bilk the bilkers by actually completing the movie as ostensibly planned.

The Andrews Sisters headline this musical. They play the lead act at a popular nightclub. The trouble begins when they hire a few students from a financially foundering dance school for their newest production. One of the dancers, a rich young socialite, desperately wants to be in it too, but her prurient maiden aunts refuse to allow her to disgrace their family by becoming a common chorine. She and the club owner (who must have the aunt's permission because the girl is underage) try to convince them, but it's not easy.

A famous singer and matinée idol helps a pretty young theater usher in her dreams of becoming a singer, but when her career begins to take off and she becomes engaged to a wealthy young man, he realizes he's fallen for her and plots to break up her impending marriage.

Joan Daley, a New York booking/press agent, attempts to recruit two local stand-ins, Jinx Terry and Lois Morgan, when the Cuban sister-act, Marianela and Rosita she as booked into the nightclub for which she works fails to materialize. Complications arrive when the real Cuban sisters show up.

As part of their public feud, Bandleader Bernie pretends a girl singer is no good so columnist Winchell promotes her in his column.

Carol Corliss, a beautiful movie star so insecure about her celebrity that she goes around in disguise, meets a rugged outdoorsman who is unaffected by her star status.

An aspiring singer and her lover, a songwriter who has desperately resorted to writing radio jingles, have many conflicts on their road to success...

Caroline Bird, the crotchety and stingy owner of Bird Milk Products, is not amused when her employees at the Dairyville factory, the oldest plant in the company, broadcast a special radio program in honor of her birthday. Employees Lulubelle, Scotty and Vera Vague, fed up with the terrible working conditions at Dairyville, cut into the broadcast, and Lulubelle asserts that Caroline is a "big hunk of cheese." Lane, the factory manager, cannot find the culprit, and so Caroline goes with her secretary, Dale Evans, to Dairyville.

J. D. Forbes, head of the almost-bankrupt Four Star Studios in Hollywood contacts band leader Kay Kyser, who puts on a radio and-live theatre program called "The Kollege of Musical Knowledge," to appear in films. When manager Chuck Deems gets the studio offer, he and band members Ginny Simms, Sully Mason, Ish Kabiddle, Harry Babbitt and the others are all fired up at the prospect of going to Hollywood and working in the movies, but band-leader Kay is all against it and says his old grandmother has told him to stay in his own back yard, but he relents. Once there, Stacey Delmore, a Four Star associate producer left in charge of the studio while Forbes is out of town, discovers that the screenplay writers have prepared a script that has Kay Kyser playing a glamorous lover in an exotic European setting.

Bob Allen, a struggling songwriter poses as a millionaire cowboy to win Broadway star Babs Lee.

When a department store songstress becomes a radio star she keeps her identity secret, as the "Masked Countess", because he estranged husband is a crook.

A radio commentator avenges an old wrong by blowing the whistle on Hollywood scandals

Promoters set up a radio contest to find the average American and use him to sell food, apparel and notions. All goes well until he falls in love with a girl who upsets things.

Rival reporters (George Brent, Joan Blondell) investigate a Hollywood star (Adele Jergens) and the box she receives with a dead man inside.

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

Agent Pete Garland is fired by society singer Monica Barrett after he got her a new radio contract, because she thinks her lawyer friend Teddy Leeds fits in better with her social status. To get even, Pete wants to make an unknown singer into a star. He finds Ruth Allison, drives her hard through rehearsals and makes her a star. But she is worried about her past, something she hasn't told Pete: She's an ex-convict and jumped bail in order to keep her partners in crime out of it. Further she's in love with Pete, but feels that he's still carrying a torch for Monica. When Monica's popularity is decreasing, Pete is able to get Ruth a stint on the program, the result is Monica is fired and Ruth get her job, but Monica takes revenge by revealing Ruth's past. Ruth considers it is best for her to disappear before being arrested, but she has become a star in public opinion. Will she get Pete or will she go to prison again?

A high school bandleader captures the interest of a popular co-ed.

A failed actor finds success as a radio singer.

When amateur songwriter Jill Wright moves from the Midwest to New York City, she is dismayed to discover that Rick Farrell, the owner of Miracle Publishing Co., has claimed as his own the song she submitted to his company. One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes.

Determined to become a radio singer, a young girl runs away from her family. She hooks up with a man who is actually the real voice of a famous radio crooner, who actually can't sing at all.

Airline hostess Ann Parker is fired for being undignified when she sang to calm the passengers during a storm. Mike Connors, publicity man for Frankie Carle's orchestra, invites her to try out as the band's vocalist since the regular singer, Mary Lou, had just quit the band on the eve of an engagement at a swanky New York night club. Encouraged by her boyfriend, Steve Roberts, Ann lands the job and assumes the name of "Mary Lou", a trademark almost for Frankie Carle singers. But the departed Mary Lou shows up and threatens to sue if she is not rehired. Ann returns to her former job. Meanwhile, Steve locates the woman who was the original Mary Lou with the band, and urges Mike to keep the current Mary Lou off the bandstand until he can return with Ann.

A former bootlegger is now the prosperous owner of a popular nightclub. A hustling promoter manages to pass off a young singer as the heir to a fortune and gets her booked at the club.