Allen Jenkins Movies List

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.

An unsophisticated country girl accidentally joins the army.

Radio singer Glory Eden is publicized as the ideal of American womanhood in order to sell the sponsor's product Ippsie-Wippsie Washcloths. In reality, Glory would like to at least sample booze, jazz, gambling, and men. When the strain of representing "purity" brings her to rebellion, the sponsor and his nutty henchmen pick her a public-relations "sweetheart" from fan mail, who turns out to be a hayseed.

A two-fisted Canadian Mountie leads lawmen in pursuit of the thieves who stole an Edmonton-bound freighter's cargo.

A hustling public relations man promotes a series of fads.

Ralph Bellamy and Margaret Lindsay, stars of Columbia's "Ellery Queen" series, let their hair down and went "screwball" in the Universal comedy-mystery Meet the Wildcat. Bellamy plays a New York gumshoe on the trail of an art thief. His investigation is confounded by the presence of snoopy girl reporter Lindsay.

Shy, destitute Peter Porter meets equally impoverished Nancy Crane at a Florida beach. Inspired by Peter's belief that a person can acquire wealth simply by creating an aura of success, the outgoing Nancy convinces Peter to join her in impersonating a confident and eccentric wealthy couple. The experiment works, and the couple secure a stunning wardrobe and a lavish room at a resort. Peter panics, however, when he gets a fantastic job offer.

The boys get mixed up with a race horse & crooked gamblers

This economy-minded Columbia backstage musical opens with overly fussy director-choreographer Eddie Dolan (wartime star-substitute Fred Brady) in exigent mode, much in the Cole manner. Closing the movie are two archetypal Cole numbers: a perfect capture of his nightclub rhumba routine (using costumes that also appear in Tonight and Every Night) and a backyard tomboy-romp that morphs into a waltz, one of Cole’s oft-repeated themes. -Museum of Modern Art

When spoiled young heiress Maggie Richards tries to charge some gasoline at an auto camp run by Bill Davis, he makes her work out her bill by making beds. Resolving to get even, she pretends to have forgiven him, and sends him to her father to get financing for a plan Bill has. What happens next was not part of her original revenge plan.

Former bootlegger Dutch Barnes pressures neighborhood druggist Jimmy Morrell into making cut-rate knockoff toiletry, cosmetic, and pharmaceutical products.