Juliette Faber Movies List

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Posted by filmography 8mo

Find the perfect Juliette Faber movie for your movie night. This Juliette Faber movie list contains a wide range of Juliette Faber movies from Crime to Drama.

This list of the most popular Juliette Faber motion pictures includes such films as The Temptation of Barbizon (1946), Picpus (1943), Par-dessus le mur (1961), Justice Is Done (1950), Shop Girls of Paris (1943), Strangers in the House (1942), The Truth About Bebe Donge (1952) and more.

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Love Marriage

Pierre, who is a Fine Arts student, and Denise, who is a chemistry student, work for a department store where, wearing wedding suits, they distribute flyers to passers-by. The store manager, Bernard, falls in love with Denise and arranges to take her to an inn not far from Paris, run by the handsome Robert. This one opens Denise's eyes who ends up returning to her home. After a fight between Pierre and Bernard, Denise ends up choosing to stay with Pierre.

The Temptation of Barbizon

Daniel Gelin and Juliette Faber star as a blissfully happy honeymooning couple. They are so happy that they arouse the jealous attentions of Satan. The Dark Prince sends an emissary to beak up the romance, but his advocate is promptly challenged by a representative from "up above."

Picpus

Picpus is a street and a subway stop where a number of murders have been committed. Maigret tries to find the killer.

Justice Is Done

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

Shop Girls of Paris

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu (Michel Simon) faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu (Blanchette Brunoy), sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

Strangers in the House

Loursat, a lawyer, lives with his daughter Nicole in a sinister and vast bourgeois residence. Abandoned for nearly twenty years by his wife, the brilliant lawyer has sunk into alcoholism and his relationship with his daughter is virtually non-existent. However, one day the corpse of a stranger is discovered in the residence of Loursat. Nicole, who frequents a gang of young people who escape boredom by stealing cars and other objects, is immediately suspected.

The Truth About Bebe Donge

François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.

We Are All Murderers

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

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