Best movies like Ídolos de Buenos Aires

The true story of John Romulus Brinkley, a small-town Kansas doctor who discovers in 1917 that he can cure impotence by transplanting goat testicles into men. And that’s just the tipping point in this stranger-than-fiction tale. With the balls of a P.T. Barnum, the gonads of goats, and the wishful dreams of flaccid men, Brinkley amassed a fortune, was almost elected Governor of Kansas, invented junk mail and the infomercial, and built the world’s most powerful radio station. By the time all of the twists and turns of Brinkley’s story are revealed, Nuts! certainly earns its title.

A young songwriter struggles to make good in New York.

The top brass at a radio station believe their popular new star singer is paying more attention to his love life than to his career.

Honest and straightforward small-town Shirlee Kenyon chucks her boyfriend and heads for Chicago. Accidentally having to host a radio problem phone-in show, it is clear she is a natural and is hired on the spot. But the station insists she call herself Doctor, and as her popularity grows a local reporter starts digging for the truth. Problem is, the more he is around her the more he fancies her.

After discovering a box of old love letters sent to her mother by a mysterious stranger, Anna, a young radio deejay, begins a torrid affair with a married man. Burning attraction brings them together, but the reality does not come close to the passion expressed in the letters.

The story of Washington D.C. radio personality Ralph "Petey" Greene, an ex-con who became a popular talk show host and community activist in the 1960s.

The wisp of a storyline involves two-bit radio station owner Spud Miller, who doubles as the station's sole announcer while his comic partner Smiley serves as the house crooner. On the verge of bankruptcy, Spud is receptive to the wacky notions of George and Gracie, who've just invented a television device which can pick up and transmit any signal, any time, anywhere.

Unscrupulous agent Rush Blake makes singing waiter Buddy Clayton a big radio star while Peggy Cornell, who has lost her own radio show, helps Buddy.

A widowed trucker (Robert Forster) fends off isolation in the company of a dog named Girl, two bickering sisters (Beth Ann Styne, Sherilyn Fenn) try to reconcile their differences and a down-and-out circus clown (Kevin Pollak) and his stripper girlfriend (Penelope Ann Miller) must fight the temptation of crime on the road. Their common companion is an angry disc jockey (Taj Mahal) at odds with a desperate boss (Meat Loaf). All these people will find their lives intertwined by the hand of fate. And before the night gives way to day, some will breathe their last breath... Outside Ozona.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Benjamin tells his ex-girlfriend, Angie, that he joined a cell of left-wing terrorists to get revenge on her former boss, who owns a right-wing radio station. His story blends conceptual artists, amateur theatre troupes, hallucinogenic vinyl record and other magical powers. All that nonsense leave Angie wondering if he made that up only to win her back.

A portrait of the life of Tita Merello, famous Argentinian singer and actress.

When a department store songstress becomes a radio star she keeps her identity secret, as the "Masked Countess", because he estranged husband is a crook.

At age 13, a street kid known as "El Polaquito" makes his living mostly by singing tangos (originally sung by his namesake, the singer "El Polaco") on Buenos Aires commuter trains. He falls in love with a 16 year old prostitute, also working for the Mafia controlling child exploitation in one of Argentina's busiest train stations. He tries to rescue her from this cruel life with no future. But to do so, he must confront the ruthless adult gang leaders, as well as the young kids who protect them, believing that this Mafia is truly their only option. The story is supposedly based on a true story, which happened, and was discovered in Argentina in the late 90s, early 2000s. Written by Guy33134

Promoters set up a radio contest to find the average American and use him to sell food, apparel and notions. All goes well until he falls in love with a girl who upsets things.

When a radio host gets dumped by her boyfriend on-air and soon has her break up exposed even further by a shock jock, she needs to regain her confidence while working with the same man who humiliated her in front of his viewers.

A 38-year-old California trust fund kid tries to save his independent radio station, KZMC Cosmic Radio, from financial ruin when his wealthy father pulls the plug.

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

A teenager whose father is a millionaire radio station owner secretly records a song and plays it on one of his father's stations. It becomes a hit.

In this musical, the second entry in a five-film series, a thrift shop owner sells his business and buys a small time radio station. He begins looking for sponsors. He finds one with a department store owner who will only lend him the money if he will allow his daughter, an aspiring tap-dancer and singer, to perform on the air. This is unfortunate as she is tone-deaf. To compensate, the owner hires a real singer to dub the daughter's voice. The singer and the owner's nephew fall in love and mayhem ensues. Songs include: the Oscar nominated "Who Am I?," "Swing Low Sweet Rhythm," "In The Cool of the Evening," "Make Yourself at Home," "The Swap Shop Song," "The Trading Post," "Sally," "Ramona," "Sweet Sue," "Dinah," "Margie," and "Mary Lou."

Rapper Rodney P. presents the story of Britain's second wave of pirate radio DJs. In the 1980s a new generation of pirate radio stations appeared broadcasting from London tower blocks.

The story of a fire captain who lost eight men in the collapse of the World Trade Center and the editor who helps him prepare the eulogies he must deliver.

Nan Reynolds encourages her copywriter husband Bill to open his own agency. Nearly out of business, he finally gets a client. Former girlfriend Patricia Berkeley writes a very successful commercial for the client and neats up their old romance. Wife and girlfriend struggle over Bill.

Love, passion, disappointment, pain and sadness shape this love triangle between Aniceto, Francisca and Lucía, played by dancers Hernán Piquín, Natalia Pelayo and Alejandra Baldón.

Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a "web camera" which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

A comedy based on NBC's "People Are Funny" radio (and later television) program with Art Linkletter with a fictional story of how the program came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the program while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, always able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."

Two young men from the radio environment dispute for the love of a girl.

The director of a tango set is in love with the singer but she marries another man who eventually abandons her. In their old age, their children will fulfill their dreams.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Helena is a talented singer in Buenos Aires. Just as she and her band get a residency at a prestigious theater in the city, the boyfriend she's mad about coldly announces that he doesn't love her any more. The film is punctuated by intense bursts of tango. Every song moves the story along, providing an insight into the characters and access to the protagonist's feelings: nostalgia, passion, sadness, and joy in turn. The lyrical and musical wealth of tango, brilliantly performed by Eugenia Ramírez Miori, unites the two stories, past and present. 'La cantante de tango' is a poignant auteur film about a woman trying to get back on her feet after a devastating break-up.

Two unfaithful husbands have to win their wives back while they take their revenge on them by going out with other people.

While planning a fundraising event, a small New England town’s radio station manager meets her match in a visiting businessman who can’t seem to see beyond the screen of his laptop computer, until she ropes him into participating in her bachelor bake-off to help save the station.

A late-night radio DJ with a program where people call to tell her real horror stories, soon will find out how far an obsessed fan is willing to go.

A late night radio host is trapped inside the station by a violent storm after being bitten by a rabid bat.