Best movies like Крушение империи

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.

British agent working in Russia is forced to remain longer than planned once the revolution begins. After being released from prison in Siberia he poses as a Russian Commissar. Because of his position among the revolutionaries, he is able to rescue a Russian countess from the Bolsheviks.

A soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists.

Previously filmed in 1932, and remade a third time in 1961, this second film version of Fannie Hurst's novel stars Margaret Sullavan as a fashion designer in love with a married banker (Charles Boyer). Directed by Robert Stevenson, the film also stars Richard Carlson, Tim Holt, Frank McHugh, Esther Dale and Cecil Cunningham.

A British mercenary arrives in pre-Revolution Cuba to help train the corrupt General Batista's army against Castro's guerrillas while he also romances a former lover now married to an unscrupulous plantation owner.

The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.

During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.

A peasant in rural Russia comes to St. Petersburg to escape absolute poverty and find work at the outbreak of the First World War. He comes to stay with his friend, a Bolshevik worker who has organized a strike at his factory. The peasant betrays his friend to the factory's greedy management, leading to the arrest of the striker. Feeling remorseful at his actions, the peasant attempts to plead for his friend’s freedom, but the situation escalates and he is imprisoned without trial and sent to fight in the war. After returning from the front, the peasant joins the revolutionary fight along with the Bolshevik worker.

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

The film centers mostly around the personal and professional life of Thomas "Stonewall" Jackson, a brilliant if eccentric Confederate general, from the outbreak of the American Civil War until its halfway point.

The film portrays MacArthur's life from 1942, before the Battle of Bataan, to 1952, the time after he had been removed from his Korean War command by President Truman for insubordination, and is recounted in flashback as he visits West Point.

Wastrel son of a railroad magnate, Jack's father becomes frustrated with his son's wild ways. To prove himself, Jack goes to work in the railroad yard as a laborer. An escaped convict, Silent Bill Brachley, steals Jack's car, and the chase leads to a meeting between Jack, the engineer of the Midnight Express, and the engineer's pretty daughter, Mary. As he is led back to jail, Brachley swears revenge.

A story about a Russian family torn apart by a worker's strike. At first, the mother wants to protect her family from the troublemakers, but eventually she realizes that her son is right and the workers should strike.

In 1911, a widow with two children leaves New York City for territorial Arizona and becomes a ranch hand and later gets herself elected sheriff. A gambler and a rancher become rivals for her affections.

Directed by Edvin Laine and Viktor Tregubovich, Trust (1976) is a Finnish-Soviet historical drama film that follows the relations between Finland and the Soviet Union. In December 1917, the Finnish delegation, composed of Chairman of the Senate Finance Department P.E. Svinhufvud (Vilho Siivola), Senator Carl Enckell (Yrjö Tähtelä) and State Secretary Gustaf Idman (Yrjö Paulo) arrive in St. Petersburg to meet V.I. Lenin (Kirill Lavrov) to gain recognition for the country's independence.

An Englishman falls in love with a Russian spy.

The movie is set during the last days of a foreign intervention against Soviet Russia. Police are searching everywhere for a Bolshevik named Brodsky but cannot find him. Meanwhile, a man named Michel Voronov serves as a teacher to a rich woman's son, Zhen'ka.

Adventures of three Red Army soldiers. Misha, Duniasha and Tom Jackson, an afro-American boy, are fighting against enemies.

Timely yet terrifying, The Flood predicts the unthinkable. When a raging storm coincides with high seas it unleashes a colossal tidal surge, which travels mercilessly down England's East Coast and into the Thames Estuary. Overwhelming the Barrier, torrents of water pour into the city. The lives of millions of Londoners are at stake.

An unexpected romance occurs for a female Red Army sniper and a White Army officer.

Tasia (Dolores del Río), a beautiful dancer lower class of Russia, falls heir to the throne Prince, Grand Duke Eugene (Charles Farrell), but only admired from a distance. At the outbreak of the Russian Revolution, the Duke falls in captivity and this allows Tasia be near him.

In Mexico, a mad general is leading his own war against the Church. Priests are rounded up, churches burned down and religion outlawed. The suffering of one pious catholic priest could bring the tide of change however.

Revolutionary uprising of Georgian laborers in 1905.

This film is based on the book about Vasili Ivanovich Chapaev (1887 - 1919) who was in real life the Commander of the 25th Division of the Red Army. Chapaev is an uneducated peasant and a decorated hero in the World War I and later in the Russian Civil War, that followed the Russian revolution. This man of action is fighting on the side of the poor people. His troops consist of peasants, just like him. Unable to write, he can brilliantly demonstrate various battle tactics by moving potatoes on the table. He is street smart. He never lost a battle against the experienced Generals of the Tzar's Army.

Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the Bolsheviks get closer to Moscow. Although married, she spends time every day with Victor Pototsky, the film's cameraman. Gradually, it comes to light that Victor uses his job as a cover for filming White atrocities and Red heroism: he's a Bolshevik. He asks her for help, and she discovers meaning in her otherwise flighty and self-centred life. Love blooms. Will the Red forces arrive in time to save them from a suspicious White military leader? Will she find courage?

Russia, 1917. After the abdication of Czar Nicholas II Romanov, the struggle for power confronts allies, enemies, factions and ideas; a ruthless battle between democracy and authoritarianism that will end with the takeover of the government by Vladimir Lenin and the Bolsheviks.

A former Imperial Russian general and cousin of the Czar ends up in Hollywood as an extra in a movie directed by a former revolutionary.

A portrait of the era of "Red Terror" during the civil war that followed the Bolshevik revolution, The Seventh Companion offers a character study in General Adamov (Andrei Popov), a law professor in the tsarist army, who is incarcerated by the Bolshevik secret police along with many other members of the bourgeoisie. Finally released into the new world of the Soviet Union, the resigned officer finds that he has lost everything from his old life except a mantel clock that he carries through the night from place to place, until he ends up back where he started.

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' captures its haunting grotesquery.

Ukraine, 1919. Bolshevik counter-intelligence agents work to stop an uprising by White Russian nationalist-monarchist counterrevolutionaries. A young countess finds herself caught between her family and class allegiance and burgeoning Communist sympathies inflamed by a chance meeting with a handsome young Ukrainian chekist. The movie was filmed in Soviet Ukraine at the Alexander Dovzhenko Film Studio in 1982.

In 1917, the people of the Russian Empire are no longer willing to fight Germany, but the bourgeois government of Alexander Kerensky is unwilling to defy its imperialist allies and stop the war. Only Vladimir Lenin's Bolshevik Party is resolute in calling for peace. In the front, the soldiers of one battalion elect three delegates to travel to St. Petersburg with donations the troops collected for the Pravda newspaper: Gudushauri, Panasiuk and Ershov. The three arrive in the capital and describe the horrendous conditions in which the soldiers live to Joseph Stalin, Lenin's trusted aid and colleague. They join the Bolsheviks and take part in the storming of the Winter Palace, led by Stalin and Lenin. Stalin announces that the great dawn of revolution has broken.