Best movies like Несравненная

In a small Russian town at the turn of the century, three sisters and their brother live but dream daily of their return to their former home in Moscow, where life is charming and stimulating meaningful. But for now they exist in a malaise of dissatisfaction. Soldiers from the local military post provide them some companionship and society, but nothing can suffice to replace Moscow in their hopes. Andrei marries a provincial girl, Natasha, and begins to settle into a life of much less meaning than he had hoped. Natasha begins to run the family her way. Masha, though married, yearns for the sophisticated life and begins a dalliance with Vershinin, an army officer with a sick and suicidal wife. Even Irina, the freshest, most optimistic of the sisters, begins to waver in her dreams until, finally, tragedy strikes.

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat – a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him

Cissy, Reggie, and Wilf are in a home for retired musicians. Every year, there is a concert to celebrate Composer Giuseppe Verdi's birthday and they take part. Jean, who used to be married to Reggie, arrives at the home and disrupts their equilibrium. She still acts like a diva, but she refuses to sing. Still, the show must go on, and it does.

Stage hand Harold falls in love with the leading lady of a visiting theatrical troupe.

In this sequel to The Jolson Story, we pick up the singer's career just as he has returned to the stage after a premature retirement. But his wife has left him and the appeal of the spotlight isn't what it used to be. This time Jolson trades in the stage for life in the fast lane: women, horses, travel. It takes the death of Moma Yoelson and World War II to bring Jolson back to earth - and to the stage. Once again teamed with manager Steve Martin, Jolson travels the world entertaining troops everywhere from Alaska to Africa. When he finally collapses from exhaustion it takes young, pretty nurse Ellen Clark to show him there's more to life than "just rushing around".

Stefan and Dolly Oblonsky have had a spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet.

One fateful night in a small English regional theatre during World War II a troupe of touring actors stage a production of Shakespeares King Lear. Bombs are falling, sirens are wailing, the curtain is up in an hour but the actor/manager Sir who is playing Lear is nowhere to be seen. His dresser Norman must scramble to keep the production alive but will Sir turn up in time and if he does will he be able to perform that night? The Dresser is a wickedly funny and deeply moving story of friendship and loyalty as Sir reflects on his lifelong accomplishments and seeks to reconcile his turbulent friendships with those in his employ before the final curtain.

On July 31, 1970, in Las Vegas, Nevada, Elvis Presley staged a triumphant return to the concert stage from which he had been absent for almost a decade. His series of concerts broke all box office records and completely reenergized the career of the King of Rock ‘n’ Roll.

Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.

Opera singer Prudence Budell, overhears truck driver Johnny Donnetti singing opera, and persuades her opera company to give him a chance in her new opera. They fall in love, but on meeting his colleague Mary while visiting Johnny's work, Prudence becomes convinced Johnny is in love with her.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Seen by over 120 million people worldwide, Les Misérables is undisputedly one of the world’s most popular musicals. Coinciding with its 35th triumphant year in London’s West End, Cameron Mackintosh produced a spectacular sold-out staged concert version at the Gielgud Theatre featuring an all-star cast including Michael Ball, Alfie Boe, Carrie Hope Fletcher, Matt Lucas, and John Owen Jones. Featuring a cast and orchestra of over 65 and including the songs "I Dreamed A Dream," "Bring Him Home," "One Day More," and "On My Own," this sensational staged concert is not to be missed.

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

Broken hearts in Ireland. Sean is a great tenor, in semi-retirement, living in a village close to Mary, the woman he’s always loved. Mary’s aunt convinced her to marry a man for his money; he has recently deserted her, leaving her penniless. She and her two children, Eileen and Tad, move in with the selfish and austere aunt. Eileen is falling in love with Fergus, a young man who’s off to Dublin to seek his fortune. Sean is drawn out of retirement and goes on tour in America. At his first concert, he’s nervous and out of sorts until the last song, when peace descends on him like a gift. What has happened, and can family life be set right?

The film concerns a family vaudeville troupe headed by patriarch Pete Monahan. Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy and Patsy love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale.

In 1898, composer Sid Barnett manages to get his sweetheart, Adeline the beer-garden singer, to sing the lead in his new Broadway operetta; this infuriates Elysia, the erstwhile star. But Sid frets as Adeline spends increasing amounts of time with the dashing Major Day.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.

In a series of vignettes, New York bachelor Bobby learns about the perils and pleasures of love, marriage, dating and divorce from his married friends.

In 1939 Gracie Fields, the 'Queen of Hearts', is at the height of her success as a singer and actress and the whole nation seems to wish her a speedy recovery from cervical cancer. When World War Two breaks out, Gracie sings for the troops despite poor health, to the dismay of her fussy husband, film director Monty Banks, an Italian, born Mario Bianchi. With Italy's entry into the war Monty is in danger of being interned so Gracie consents to his moving to America whilst she tours Canada, fund-raising for the war effort. She is accused of deserting the country which made her famous and booed offstage, though she later tours battlefields as a singer. With the war over she regains popularity, performing 'Take Me To Your Heart Again' at the London Palladium. Banks dies in 1950 and, though still a successful singer, Gracie never regains her pre-war iconic status.

In 1987, to capitalize on his growing success in Europe, Prince toured extensively to promote the album of the same name and sales increased accordingly. However, the United States remained resistant to his latest album, and sales began to drop; it was at this point that Prince decided to film a live concert promoting the new material, for eventual distribution to theaters in America. Featuring the band that accompanied Prince on his 1987 Sign o' the Times Tour, including dancer Cat Glover, keyboardist Boni Boyer, bassist Levi Seacer, Jr., guitarist Miko Weaver, drummer Sheila E. and former member of The Revolution keyboardist Dr. Fink, the film sees the group perform live on stage (although "U Got the Look" is represented by its promotional music video).

A snobby musical theater camp is terrorized by a blood-thirsty killer who hates musical theater.

The romantic story of Hungarian pianist Franz Liszt, whose scandalous love affair forced him to abandon his adoring audiences.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

The award-winning show is re-imagined as a live concert event, featuring an all-star cast of recording artists, set during the last week of Jesus' life as he deals with betrayal, love and jealousy, and told from the perspective of Judas.

Set 10 years later, the Phantom has escaped from Paris to New York where he lives amongst the joyrides and freak shows of Coney Island. He has finally found a place for his music to soar, all that is missing is his love Christine Daaé. In a bid to win back her love, the Phantom lures Christine, her husband Raoul, and their young son Gustave from Manhattan, to the glittering and glorious world of Coney Island... they have no idea what lies in store for them... You truly haven’t experienced Andrew Lloyd Webber’s Love Never Dies until you see this spectacular new Australian production, filmed at Melbourne’s iconic Regent Theatre.

Sex Drugs and Aids... This controversial musical follows the lives of recovering addicts and people dying of aids in 80s new York in-between two Christmases after Collins is Involved in a race attack and left on the street to die he is saved by angel a trans woman and drag queen as their relationship builds the scary reality creeps in. In the lot Mark and Roger struggling artists can't afford to make RENT as relentless landlord and former friend Benny makes life hell for them all the while Marks ex girlfriend Maureen is protesting the eviction of the homeless on that same lot and her new girlfriend Joanne handles the law side of things. Finally Mimi is a 19 year old in love with Roger but she is addicted to cocaine and the former heroine addict wants nothing to do with her after his last girlfriend committed suicide.

A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.

A thrilling concert film that documents Jeff Lynne’s ELO playing their triumphant concert for a massive audience at Wembley Stadium on June 24, 2017. We see Lynne and his remarkable musical ensemble filling Wembley Stadium with one of the greatest rock & roll spectacles of all time, complete with bells, whistles and spaceships, and most importantly, many of the most beloved songs of our lifetime.

Giacomo Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for video, further illuminating the fascinating interaction of Puccini's characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline.

Taped live at the Mariinsky Theater in St. Petersburg, Valery Gergiev conducts this landmark production of Giuseppe Verdi's operatic masterpiece. This opera premiered at the Mariinsky Theatre in 1862, and is performed here in its original St. Petersburg version using reconstructions of the magnificent painted scenery.

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

Paul Czinner recorded, using a multiple cameras technique, the performance of prima ballerina Galina Ulanova of the Russian Bolshoi, doing "Giselle, " while the troupe was on tour in England in 1956.