Best movies like 3 Fables of Love

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

A collection of sketches that tells the story of prostitution through the ages.

Somerset Maugham introduces four of his tales in this anthology film: "The Facts of Life," "The Alien Corn," "The Kite," and "The Colonel's Lady."

Six separate episodes exploring themes of love, sex and romance in the Italian capital. "Paid Love" offers a glimpse into prostitution; "Attempted Suicide" features would-be suicides discussing their despair; "Paradise for Three Hours" depicts an evening at a provincial dance hall; "Marriage Agency" follows an investigative reporter posing as a husband-to-be; "Story of Caterina" tells the story of a young unwed mother forced to abandon her child; and "Italians Stare" catalogues the girl-watching techniques of Italian men.

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

W. Somerset Maugham introduces three more of his stories about human foibles.

Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.

Eight short films explore the subject of male infidelity. Serial cheaters, Fred and Greg, spend a night on the town doing what they do best, and with absolutely no regrets. The duo play various characters in assorted extracurricular situations, ranging from sexist to the darker sides of carnal desires.

Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

Three stories of murder and the supernatural: A museum worker is introduced to a world behind the pictures he sees every day. When two lifelong friends fall in love with the same woman and she is killed, they are obvious suspects. Is their friendship strong enough for them to alibi each other? When a young politician is hurt by the arrogant Secretary for Foreign Affairs Lord Mountdrago, he uses Mountdrago's dreams to get revenge.

Four short films by four different directors dealing with the principles of modern life.

Four unrelated short comedies by four different directors. "Queen Sabina"chronicles the sexual misadventures of a teenage girl on the road home. "Queen Armenia" centers on a self-serving opportunistic gypsy babysitter who uses her employer's kids for her own gain. The third episode, "Queen Elena" centers on a husband who learns a lesson about the perils of infidelity after he succumbs to the wiles of the seductive wife next door. The last vignette, "Queen Marta" centers on a wealthy woman who, when drunk, uses her butler as an outlet for her lust.

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

A sex comedy anthology containing four stories, each from a different country (England, France, USA and Italy). "An Englishman's Home" "The French Method" "Armando's Notebook" "Skippy"

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live television broadcast hosted by Tommy Handley (as himself).

In three vignettes, two exes, a tour guide and a married couple struggle to overcome a series of misadventures during their vacations.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Three episodes. Episode 1 - The Refrigerator (Monicelli). A married couple of two poor emigrant workers spend almost all their money to buy a refrigerator (a must in the '70s). The purchase is too expensive for their family balance sheet. To earn some money they decide to go for prostitution. The wife is not so unhappy to the perspective. Episode 2 - The Room (Sordi). To celebrate ten years of marriage a couple decides to spend a quick holiday in top luxury hotels in Sardinia. But the fashion luxury VIP world is too hard to enter; they soon will end in prison. Episode 3 - The Lion (De Sica). Two adulterous, Antonio and Giulia, are blocked by a lion, staying on the exit in the place they met. They both have to come back home, but couldn't move because of the lion’s presence. The critical situation soon drives them to their limit, revealing their real essence.

Four different directors present lighthearted stories about married Italian couples and their dilemmas with jealousy, sex and love.

Nine episodes about life in Italy in the period just before its economic boom.

Three episodes about Italian husbands and their relationships.

Three short stories full of absurd Italian humor. Episode 1: Oddjobs man Elia is hired to be a waiter and soon finds himself caught up in a plot to knock off his mistress (in more ways than one). Episode 2: Della is convinced that aliens are on their way to consume the world and before long ends up a guinea pig on a spaceship from the planet Phobos. Episode 3: Roberto becomes a Bersaglieri in the Italian army and nearly causes a war between Italy and Switzerland over a packet of cigarettes.

A film made up of four episodes: a jar repairer gets trapped in a vat because of his hunch; a young unmarried mother is forced to beg to buy herself a fan; Rosario Chiarchiaro appears before a law court for casting spells; the discomfort of an overtight jacket gives a wedding witness the strength to persuade the bridegroom's reluctant parents to bless his union.

The end of a love story, told in fourteen different styles: from comedy to western, from noir to thriller, silent movie and so on.

Film comprised of six vignettes each illustrating one aspect of life in the French capital, each set in a different area of the city.

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.

In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.

Six stories, six films that follow on from each other; this is a glance at the childhood of renowned directors whose style has marked the history of film. A group of young directors focus their cameras on the story of these filmmakers, these childhood stories that sometimes shape an entire life and thus shed light on their cinematic works. The stories overlap to merge into one film about childhood, filled with emotional wounds, frustrations and encounters.