A Life for Movies - Lotte Eisner

Philippe Lutcher, an anarchist, fires a shot at Clara Stuart, a famous stage and screen actress, but only wounds her. The star, through affectation and curiosity to know his motives, pleads in his favour at his trial, but he rebuffs her pity. After he has served 18 months in prison, they meet and fall in love.

The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second film, and as his first to move beyond the actuality film genre pioneered by the Lumière brothers and experiment with using the camera to capture a theatrical magic act. (Later in 1896, with his discovery of the substitution splice technique, Méliès was able to begin augmenting his theatrical illusions with new special effects unique to film.) Conjuring can thus be seen as Méliès's first foray into the world of fiction film. The film was released by Méliès's Star Film Company and numbered 2 in its catalogues.

Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.

Works of art are disappearing, stolen by a master thief, a master of disguise. Father Brown has two goals: to catch the thief and to save his soul.

Born into aristocracy, Toulouse-Lautrec moves to Paris to pursue his art as he hangs out at the Moulin Rouge where he feels like he fits in being a misfit among other misfits. Yet, because of the deformity of his legs from an accident, he believes he is never destined to experience the true love of a woman. But that lack of love in his life may change as he meets two women

An autobiographical short film by Werner Herzog made in 1986. Herzog tells stories about his life and career. The film contains excerpts and commentary on several Herzog films, including Signs of Life, Heart of Glass, Fata Morgana, Aguirre, the Wrath of God, The Great Ecstasy of Woodcarver Steiner, Fitzcarraldo, and the Les Blank documentary Burden of Dreams. Notable is footage of a conversation between Herzog and his mentor Lotte Eisner, a photographer. In another section, he talks with mountaineer Reinhold Messner, in which they discuss a potential film project in the Himalayas to star Klaus Kinski.

During the 1970s a student named Gilles gets entangled in contemporary political turmoils although he would rather just be a creative artist. While torn between his solidarity to his friends and his personal ambitions he falls in love with Christine.

Desire Will Set You Free is a feature film that explores life in contemporary Berlin with an often critical and sometimes humorous eye. Based on a true story, the plot follows the relationship of an American writer of Israeli/Palestinian descent and a Russian aspiring artist working as a hustler, offering access to the city's vibrant queer and underground scenes while examining the differences between expatriate and refugee life. Our characters travel through Berlin's layered history and unique subcultural landscape; on their adventures they discover influences and remnants of the Weimar Republic, WWII, the Bowie years, and punk.

Seventy years after his grandfather escapes from Nazi Germany to Palestine, Israeli documentary director Tomer Heymann returns to the country of his ancestors to present his film "Paper Dolls" at the Berlin International Film Festival, and there meets a man who will change his life. This 48-hour love affair, originating in Berghain Panorama Bar, develops into a significant relationship between Tomer and Andreas Merk, a German dancer.

A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.

The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.

The life of Henri de Toulouse Lautrec, famous french painter, who lived, enjoyed, loved in the late 1800s Paris' Montmartre cultural life. He suffered from suffered from congenital health conditions traditionally attributed to inbreeding. His lifestyle and work are a testimony of the late-19th-century parisian bohemian lifestyle, as he was commissioned to produce a series of posters for the Moulin Rouge cabaret opening. As an alcoholic, he was addicted to absinthe. The movie related his love affair with the french painter Suzanne Valadon.

The film tells the cultural story of Berlin during the Weimar Republic through interviews with a number of persons who were involved in literature, film, art, and music during the period. It includes interviews with Christopher Isherwood, Louise Brooks, Lotte Eisner, Elisabeth Bergner, Francis Lederer, Carl Zuckmayer, Gregor Piatigorsky, Claudio Arrau, Rudolf Kolisch, Mischa Spoliansky, Herbert Bayer, Mrs. Walter Gropius, and Arthur Koestler.

The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.

The First part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

Berlin is a 2009 documentary series co-developed by the BBC and the Open University. Written and presented by Matt Frei, the series has three 60-minute episodes, each dealing with a different aspect of the history of Germany's capital city.

Beautiful and naïve Maggy Lunel arrives in Paris completely broke. She becomes an artist's model and the toast of Paris, attracting the attention of Picasso-like painter Julien Mistral, an arrogant and selfish man who places his work above everything. Their paths diverge as Mistral's art catches the eye of a rich American woman who becomes his patroness and eventually his wife. During the war years in France, Mistral collaborates with the Nazis in order to continue with his work, a decision that will come back to haunt him years later. In the meantime, Maggy has a daughter named Teddy who grows up and falls in love with Mistral with whom she has a child named Fauve. As Mistral ages, he comes to terms with his selfish past and wartime betrayal through his art, leaving a beautiful legacy for his daughter, Fauve.

Of all the remarkable events of this century perhaps the most fascinating has been the spontaneous growth, flowering and then decay of a handful of great cities. These cities were places where art, culture and political liberties co-mingled with corruption, brutality and decadence. Everything and just about anyone could be bought and sold. The immigrant would struggle beside the artist. Gamblers, thieves and prostitutes co-habited with soul-savers, the rich and the powerful. The exhilarating combination of the seamy with the sublime made these places a magnet for all the lost souls and refugees of the world. Pushing the limits of tolerance and freedom, they defined the social, political and sexual culture of the 20th century. Their names ring out: Paris of the '20s, Berlin of the '20s and '30s and Shanghai of the '30s.

My Journey Through French Cinema (2017), Bertrand Tavernier’s César-nominated three-and-a-half-hour tour through French film history, was too short to introduce audiences to all that he wanted to share. In this new eight-part series (8x55min), the acclaimed director of such films as Coup de Torchon and ‘Round Midnight guides us through a roster of filmmakers both influential and forgotten, explores how his country’s cinema was shaped by the German occupation and changed again through the New Wave, spotlights little-known female filmmakers, and more. Subjects include: René Clément, Henri-Georges Clouzot, Julien Duvivier, Henri Decoin, Claude Autant-Lara, as well as composers who made movie music an art in and of itself, far from the Hollywood spotlight.

Unique arts series venturing behind the scenes at the world famous museum of art, design and performance, the V&A.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.

A new half-hour program showcases some of the nation’s leading cultural creators -- musicians, playwrights, comedians, costume designers, among many others -- who show us how they turn their visions of the world into art.

Guided Tour is a television and radio program about the treasures of the Portuguese cultural heritage. Treasures with recognized universal value, pieces that any western country would be proud to integrate into its heritage, and little known to the Portuguese. From a silver goblet with Mozarabic decoration and a thousand years old to a cloister that is referred to as a masterpiece of European Renaissance, passing through a collection of African art classified as one of the best in the world, the nature of objects, their context geographic location and historical time vary from episode to episode.

This collection presents some of the world’s great capitals and international megacities (Paris, New York, Tokyo, Buenos Aires, Barcelona, Berlin, London, Los Angeles, Rome and Bangkok) from the unusual viewpoint of their rooftops! Rooftops are highly revealing of the ways in which cities address the twenty-first century’s social, economic, demographic and ecological challenges as well as reflecting the image cities project of themselves and their inhabitants. Rooftops can be places for working, living, and cultivating one’s garden…

This new Australian factual series captures the special relationship between the extraordinary animals and their passionate keepers, at one of the planet's largest and oldest zoos, spread across three stunning locations in Victoria.

The people of Paris loved him, because he took care of the poor, and had no sympathy for the rich

This series investigates the issues related to raising boys in various Brazilian cities. Through poignant stories of families who believe that "those born as boys need to act in a certain way" and of fathers and mothers who are trying to change this scenario, the series questions, provokes, and shakes the pillars of Brazilian society.

Boro's adventure begins in Paris in the late twenties. As a minor employee in a photographic agency, he works for a pittance. However, thanks to his love of life, his handsome appearance and his appeal to women, he leads a varied and turbulent life. In spite of his numerous affairs, the great love of his life is his cousin, Maryika, the famous actress from Berlin. When Boro learns that Maryika is expected in Munich for the premiere of her latest film, he decides to visit her there. Boro is disappointed in his meeting with Maryika; he has to spend the night alone on the couch.

Returning to Paris after exile from Hollywood, Judith is intent of making a comeback with a new movie. However, her 16-year-old daughter falls in love with her much older dance teacher and Judith is forced to deal with personal ambition, maternal anxiety and the demons of her past with humor and disillusion.