Best movies like A Man without a Shadow

Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

Summertime on the coast of Maine, "In the Bedroom" centers on the inner dynamics of a family in transition. Matt Fowler is a doctor practicing in his native Maine and is married to New York born Ruth Fowler, a music teacher. His son is involved in a love affair with a local single mother. As the beauty of Maine's brief and fleeting summer comes to an end, these characters find themselves in the midst of unimaginable tragedy.

David loves his wife, Gillian. Unfortunately, she died two years ago. David deals with his grief by continuing his romance with Gillian during walks with her "ghost" on the beach at night. While David lives in the past, other family problems crop up in the present in the real world....

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

The Full Monteverdi follows the simultaneous break-up of six couples, from shocking revelation, vengeful anger and erotic longing for reconciliation, as an ensemble film. Vulnerable and disarming, it draws viewers into its emotional journey and intensely moving portrait of contemporary love.

The story of a married American couple who go to the San Sebastian Film Festival. They get caught up in the magic of the festival, the beauty and charm of Spain and the fantasy of movies. She has an affair with a brilliant French movie director, and he falls in love with a beautiful Spanish woman who lives there.

The subject of the film is male-female relationships. Composed of 7 vignettes, "20 Fingers" features Mania Akbari and Bijan Daneshmand as a contemporary Iranian couple. The film is an intense, bumpy series of conversations and sometimes quarrels reflecting the problems facing Iranian men and women and the struggle between modernism and tradition, liberalism and conservatism.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

A recent widow invites her husband's troubled best friend to live with her and her two children. As he gradually turns his life around, he helps the family cope and confront their loss.

Twenty-eight-year-old Margot is happily married to Lou, a good-natured cookbook author. But when Margot meets Daniel, a handsome artist who lives across the street, their mutual attraction is undeniable.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

Renowned Iranian director Jafar Panahi received a 6-year prison sentence and a 20-year ban from filmmaking and conducting interviews with foreign press due to his open support for the opposition party in Iran's 2009 election. In this film, which was shot secretly by Panahi's close friend Mojtaba Mirtahmasb and smuggled into France on a USB stick concealed inside a cake for a last-minute submission to Cannes, Panahi documents his daily life under house arrest as he awaits a decision on his appeal.

After Shideh's building is hit by a missile during the Iran-Iraq War, a superstitious neighbor suggests that the missile was cursed and might be carrying malevolent Middle-Eastern spirits. She becomes convinced a supernatural force within the building is attempting to possess her daughter Dorsa, and she has no choice but to confront these forces if she is to save her daughter and herself.

Víctor is a film director who is overcome by his own misfortunes. He is an alcoholic, unemployed and terribly depressed, largely because of the death of his wife. However, Victor is still the best in one thing: telling fantastic stories to his nine-year-old son, Ingmar. These stories are each of the scripts he dreams of directing in the future, when he gathers all the necessary resources. Victor and Ingmar share a present full of sadness and precariousness, but also full of robots and locations of films they have seen together. Despite forming a great team, their problems will multiply when others begin to question their role as a father.

Tells the story of seven Iranian transgender individuals living in Tehran who live pieces of their own lives on the screen.

Khosro, a pop singer, lives a hectic life with his wife Tina and their son Moez. His life is further complicated when he begins a love affair with a female fan. A terrible event ensues obliging the lovers to each recount their side of the story in pursuit of the truth.

Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.

Two people in love, two apartments - one in Barcelona and another in Los Angeles - and the images of their past, present and future. Can love survive 10,000 km?

The story is about the world of a small family with familiar dreams and not so remarkable problems. The mother is trying to lead everything to save her family, but small events disarrange all her plans.

Filmmakers at the Sundance Film Festival discuss what it is like to be an independent filmmaker, and what Sundance has done for them.

Since the Islamic Revolution in Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break - based on a compilation of true stories and shot inside Tehran's century-old prison - revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim repeatedly fails to show up on the appointed day, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness.

According to the true story of Abdolrasoul Zarrin, he was the Iranian sniper of the Iran-Iraq war, who is known as the best sniper in the contemporary world wars with a record of 3,000 successful shootings with Dragunov weapons.

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

Ali Qavitan, the independent director of the Iranian cinema, has decided to make a film about Sohrab Sepehri, a contemporary Iranian painter and poet, due to his apparent resemblance to him. However, in order to reach Sohrab Sepehri’s thoughts and romances, he travels to Kashan, the hometown of the painter-poet. Inspired by the surroundings, the countryside and the gardens he starts discovering new aspects of the poet’s childhood and middle-aged days, as well as the last days of his life, when he was concerned about completing the story of his book Blue Room.

In Vero Beach, Florida, a trio of couples at various points in their relationships become the subjects of a film about marriage being an antiquated idea that needs a reboot: Why not turn marriage into a seven-year deal with an option to renew?

Marine Life revolves around the choatic family life of June, a middle-aged lounge singer and mother. Aging and twice divorced, lounge singer June Nordstrom tries to cope with her fading beauty, her troubled offspring, her waning career and her young lover, who begins seeing a woman his age behind June's back.

The extraordinary story of General Qassem Suleimani with first-hand accounts of his secret deals and shifting alliances across Syria, Iraq and Lebanon.

The White City tells the story of an emotionally charged love triangle set in the hot political climate of modern Tel Aviv. A young couple take a winter break in Tel Aviv as an opportunity to exercise their creativity. But while Eva writes poetry and parties with friends, Kyle works on a film which expresses his own confused sexuality with Avi, a young ex-soldier; drawing Avi further into the couple’s complex relationship. The White City presents a new slant on the love triangle genre, with the backdrop of Tel Aviv as a cultural counterpoint to the American couple’s life. Cambridge Film Festival 2014 (http://www.cambridgefilmfestival.org.uk/films/2014/the-white-city)

A contemporary evocation of Judas Iscariot trying to escape from his own guilt after betraying his best friend. He wanders into a forest and lost in himself, meets a mysterious young man. The young companion will accompany him on this path of repentance and penance and help him deal with his feelings, understand his guilt and cope with he has done. This is the story of the last three days of a repentant.

Tetsuo (Kiyohiko Shibukawa) is a lowlife. A film director with a small indie hit many years back, yet he has never gotten any further as he refuses to go against his 'artistic integrity'.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

The story of a young poor aspiring filmmaker who is trying to raise money to make a short film about a man who stops trains while having to deal with family issues such as his mother's illness.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.