A Moment of Innocence

The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

A girl reaches the age of nine and is supposed to act as a grown woman according to her family. A girl participates in a bike race against the will of her husband. An elderly woman decides she wants to buy all the things she always wanted but could never get.

An elderly couple go about their routine of cleaning their gabbeh, while bickering gently with each other. Magically, a young woman appears, helping the two clean the rug. This young woman belongs to the clan whose history is depicted in the design of the gabbeh, and the rug recounts the story of the courtship of the young woman by a stranger from the clan.

A wealthy Iranian family struggles to contain a teenager's growing sexual rebellion and her brother's newfound conservatism.

The death of a prince brings a young woman back to the palace where she was born into servitude. The lingering legacy is brought into light from behind frosted windows and velvet curtains.

The subject of the film is male-female relationships. Composed of 7 vignettes, "20 Fingers" features Mania Akbari and Bijan Daneshmand as a contemporary Iranian couple. The film is an intense, bumpy series of conversations and sometimes quarrels reflecting the problems facing Iranian men and women and the struggle between modernism and tradition, liberalism and conservatism.

The satirical commentary on clergymen in post-revolutionary Iran. While in prison, petty criminal Reza (Parviz Parastui) comes across a clergyman, sparking a plan for escape. Reza dons his new acquaintance's clerical robes and makes a bid for freedom. He soon learns that being a clergyman brings little respect from the public. Reza travels to the outlying villages, from where he plots to escape the country. However, his plans must be put on hold when the villagers accept him into their community and expect him to perform religious duties. Will Reza's prison break transform him into an unlikely pillar of the community?

A man contemplates life and compares it to a pear tree in his yard which stops producing fruit.

Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).

The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?

Mohammad is sent to an apartment situated in uptown Tehran to install their satellite dishes, while having satellite TV is illegal in Iran. He arrives there with a girl named Shirin who seems to be his girlfriend and is in need of some money to repair her father's car with which she has had an accident the day before. Each of the house's residents have their own fish to fry and they also want their satellites installed as soon as possible.

A mother of a poor family, has guests coming over, yet doesn't know how to get the dinner party altogether with limited resources.

A corrupted police officer insists on bribing a broke man, so he has to go to everybody and do everything in order to be able to pay him in the very night.

Akbar, 18, has been held in a rehabilitation centre for committing murder at the age of sixteen. Now, Akbar is transferred to prison to await the day of his execution. A’la, a friend of Akbar, tries desperately to gain the consent of Akbar’s plaintiff so as to stop the execution.

The surreal adventures of three anthropomorphic fast food items: Master Shake, Frylock and Meatwad, and their human nextdoor neighbor, Carl Brutananadilewski.

Meet the most beloved sitcom horse of the 90s - 20 years later. BoJack Horseman was the star of the hit TV show "Horsin' Around," but today he's washed up, living in Hollywood, complaining about everything, and wearing colorful sweaters.

Dave Chappelle's singular point of view is unleashed through a combination of laidback stand-up and street-smart sketches.

Historical reenactments from A-list talent as told by inebriated storytellers. A unique take on the familiar and less familiar people and events from America’s great past as great moments in history are retold with unforgettable results.

Due to a political conspiracy, an innocent man is sent to death row and his only hope is his brother, who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out, from the inside out.

A decade after their wild summer as junior counselors, the gang reunites for a weekend of bonding, hanky-panky and hair-raising adventures.

The lives of three families are woven together across three decades in multi-cultural Britain.

The Mokhtar Narrative is an Epic/History television series directed by Davood Mirbagheri, based on the life of Al-Mokhtar. Over 140 actors were cast in it. Mokhtar Saqafi was a Shiite Muslim leader who sets up a rebellion movement in 686 A.D in the town of Kufa to avenge the martyrdom of Hussain (grandson of Islamic Prophet Muhammad).

As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.

Tamar is a Mossad hacker-agent who infiltrates Tehran under a false identity to help destroy Iran's nuclear reactor. But when her mission fails, Tamar must plan an operation that will place everyone dear to her in jeopardy.

Maleki is one of the managers of a successful company run by Rizabadi. Rizabadi instructs him to negotiate a major oil deal with the Norwegians. After signing the contract, the Norwegians want to transfer the contract amount, which is several million dollars to the company's account.

Pete Davidson attempts to work through unique family dynamics and the complexities of fame to form meaningful relationships.

On November 4, 1979, Iranian student activists stormed the U.S. embassy in Tehran, taking over 60 Americans hostage. What was planned as a 48-hour sit-in to protest American imperialism, ballooned into an international crisis and 24/7 media event that would last 444 days. With never-before-seen archival footage and revelatory new interviews with the American hostages and Iranian hostage-takers alike, the series is a gripping chronicle of one of the most dramatic international deadlocks in American history, a deep dive into the geo-political history that led to the crisis, and an exploration of the political fallout that reverberates today.

Today, Israel and the United States are Iran's enemies par excellence. Their reconciliation seems impossible. Is the history of these three countries the chronicle of a war foretold, delayed for decades but inevitable?