A Painful Pair

A depressed white-collar worker tries hypnotherapy, only to find himself in a perpetual state of devil-may-care bliss that prompts him to start living by his own rules, and hatch a hapless attempt to embezzle money from his soul-killing employers.

A searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position.

Due to his indecise nature, Kyoichi, an advertising company employee, repeatedly cheats on his wife. One day, he meets Wataru, an old classmate from university. Wataru reveals that Kyoichi's wife hired him to investigate whether Kyoichi is having an affair. Wataru, who has liked Kyoichi for the past 7 years, takes advantage of the situation and blackmails the salaryman: if he accepts to have a sexual relationship with him, he won't tell his wife about his infidelity.

On the surface, the Kyobashis appear to be a happy family. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

Two friends who work together at a Tokyo laundry are increasingly alienated from everyday life. They become fascinated with a deadly jellyfish.

Newly appointed CEO of Robinson Tech, Wes Robinson, is looking for new ideas to boost the company's sales. Vivian Blair, a program developer, shares a dating algorithm she has been working on called My Perfect Match. Wes sees potential and an opportunity to turn the company around and launches the service. When the pair is challenged to use My Perfect Match themselves to find love, this algorithm shows some interesting results.

With a mistaken identity, a woman stumbles into a dream job and finds love with a co-worker but is afraid she will lose everything if her real identity is revealed.

Ryo Takebayashi’s film about coworkers caught in a time loop is packed with knowing winks and references to the highs and lows of corporate culture.

Adachi and Kurosawa are now in a relationship. While they are happily dating and enjoying their office romance, Adachi is offered a job transfer. Adachi is happy to have the chance to do the work he wants, but the new job is far away in Nagasaki, 1200 km away. Will their love have a happy ending?

Young, ravishingly beautiful girl (Ran Masaki) accepts a lucrative job as a secretary. Pretty soon company boss makes a pass at her in an abrupt manner. When outraged girl slaps him in the face, the man deliberately plans a revenge. Soon the unsuspecting girl falls into a trap and is forced to become his sex-slave! Long accustomed to S&M practices, the boss (we can properly call him "Master" from now on) will stop at nothing to humiliate the poor girl and to make her feel like the common animal.

A female office worker grows tired of her popular and attractive colleague's office affairs, and releases explicit footage of her as revenge.

Teruko is a 28-year-old office worker. 5 months ago, she fell in love with Mamoru at first sight. Since that time, she has not cared about her work or her friends. She then loses her job and her friends look at her coldly. Yet, Teruko is happy as long as she is with Mamoru. Meanwhile, Mamoru thinks Teruko is an easy woman for him to not love. Teruko’s unrequited love grows deeper.

Korean photographer Baehwan and gay japanese hotel employee Ryu work together on a series of photographs. Their relationship crosses uneasily between friendship and love, while they also battle their own internal scars. Their salvation comes by their photographs which helps them find the meaning of their lives.

Sayo is running a travelling BDSM show with her husband, where she plays the bottom, and gets increasingly bored with her life. During their tour in Kyoto, they are arranged by a well-off couple who ask for a private show, without knowing that they will eventually be forced for the "real thing". Scripted by Chiho Katsura using the pseudonym Eizo Uji.

An urban office worker finds that paper airplanes are instrumental in meeting a girl in ways he never expected.

The everyday lives of office employees in the Scranton, Pennsylvania branch of the fictional Dunder Mifflin Paper Company.

Nightmare boss. Tedious colleagues. Pointless tasks. Welcome to Wernham Hogg. Fancy a tea break with David Brent? Classic comedy from the archive.

Minami is a 27-year-old female office worker in an advertisement agency. Though she has a boyfriend, she spends the majority of her time working and appears to feel ambivalent about the relationship at best. When the boyfriend finally breaks up with her, it's the push she needs to start a social life with her co-workers. In-office romances soon follow. Much of the story is told through Minami's thoughts, which are full of self-doubt.

Oomae Haruko is an A+ Temp worker who never cracks a smile or minces words, and leaves work on the dot. But her cynical nature indicates she has something painful to hide. Satonaka Kensuke has just been promoted to head S&F's new Marketing Division. Saddled with a rag-tag group of subordinates, he is struggling to lift his division off the ground. When Oomae is placed in Kensuke's department, she finds herself doing more work than she's ever done before. This is a timely drama that examines the different attitudes toward temp workers and regular employees, and the ways to overcome frictions in interpersonal relationships. This follows an October report on labor conditions by the Labor Ministry, which showed that, after regulations were relaxed, the proportion of regular employees to Temps had doubled compared to that of eight years ago.

A group of university students who belong to the same tennis club, Shino Yuta, Sakurada Miki, Sasaki Rinka, Takano Natsu, Fueki Mana, Tachibana Satsuki and Sakurada Wataru, go on a graduation trip to a cottage in the mountains in winter. Although the seven members seem to be good friends, each of them actually has secrets which they cannot tell anyone about; hidden feelings of love and jealousy. Yuta, the cool and brilliant president of the club, is attracted to the sociable and trusting Miki, and intends to tell her about his feelings on this trip, but things do not work out the way he wants. Miki is dating Yuta’s good friend, the free-spirited Natsu and is so into him that she is blind to her surroundings. The seven friends have conflicting positions and when love starts to go down the tubes, a murder occurs like a bolt from the blue. Amid the fear and doubt, hidden emotions begin to come into the open through exchanges which probe each other’s intentions.

As Haru emigrates from Japan with her family to the coffee plantations in Brazil, Natsu is left behind in the care of spiteful relatives. Losing all contact, each must make her own way in an unforgiving world. Hardships abound in the struggle to survive in war-torn Japan and in the face of anti-Japanese sentiment in Brazil, financial ruin, familial pressure, abandonment and lost love. However they also experience the precious joy of survival and success. Now, after 70 years, Haru comes back to Japan to find her estranged sister.

Lady Girls is a poignant romantic comedy portrays the lives of three single, 40-year-old women as they search for happiness and love while longing to stay always-a-girl-at-heart regardless their age.

A war veteran turned private detective operates out of a tiny office in London’s Denmark Street. Although wounded both physically and psychologically, his unique insight and background as a military police investigator prove crucial in solving complex crimes that have baffled the police. Based on the bestselling novels written by J.K. Rowling under the pseudonym Robert Galbraith.

Matsuo Ryo works at a gardening company. He thinks women are annoying. At a client’s office, he meets Satogawa Akane who works as a CEO’s secretary. She is admired by the male employees due to her attractiveness and smarts, but, due to a bad experience, she is not interested in finding love. She only has sex with married men. A new male employee, Kinosaki Haruto, approaches Akane. One evening, Matsuo Ryo’s boss asks him if he is interested in marrying his daughter Tanno Ayaka and eventually taking over the gardening company. But, Ryo is embarrassed by the suggestion. He views Ayaka as a sister. Meanwhile, Ayaka works at a construction site during the day but works at a girl's bar at night. She has lost her sexual identity. While working at the girl's bar, female customer Kuroda Azusa approaches Ayaka.

Natsu Takato is a 35-year-old popular screenwriter. She lives with her husband Shogo in the outskirts of Saitama. Shogo used to work as a TV station director, but he now supports Natsu by doing housework and working as her business manager. Natsu doesn't have a lot to complain about in her life, but she has a strong sexual desire that she cannot suppress. She spends nights with theater director Shizawa. Meanwhile, Natsu Takato senses her husband interfering with her script and trying to control her. Natsu Takato leaves her home and begins to live alone in Tokyo. She gets involved with two men.

The drama is based on a blog written by Bakarhythm between 2006 and 2009 where he posed as a OL nicknamed Masuno Kakū, who supposedly worked in a bank and wrote stories about the daily feelings of a OL from her perspective and the people around her.

One day, Anzu went to a drinking party with her best friend Yuka. Anzu got really drunk and saw a handsome man before she left in a hurry. However, fate appears when Anzu reunites with the handsome guy who is one of the two new employees in the company.

Hinako is the executive assistant to the CEO of Relation Gate, a startup company growing at breakneck speed. Apt to listen to his gut feelings, her boss bombards her day in and day out with tall orders he concocts on a whim. Life is far from chill for Hinako, who hasn't had a boyfriend in six years. She barely even has time to sit and think carefully about her future. Each long workday ends with the same toxic thought, "I find no meaning doing this!" as she clutches a beer and lets out a huge sigh.

39-year old Nozue is facing a mid-life existential crisis. Can Togawa, his reliable, younger subordinate, come up with a plan to help him out? With the aid of lunch, dessert and a little love, there may yet be hope.