Best movies like A Simple Case

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

The main characters of the film is a company of students who have recently entered college. They just managed to taste the adult free life away from their parents. Now the world has acquired new colors, and everyday life has become more saturated - filled with entertainment and interesting activities. A stern physical education teacher in a technical school puts a “fail” to the whole group. The reason is simple - truancy. But adolescents cannot stand any morality from the lesson the man taught them and decide to teach him a lesson.

Kastus Kalinovskiy - a feature film. Was released on August 14, 1928. The picture shows one of the heroes of the uprising of the Belarusian, Lithuanian and Polish people against forced Russification and the restoration of Poland's independence in 1863.

A biography of a famous Russian Admiral Pavel Stepanovich Nakhimov.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

A peasant in rural Russia comes to St. Petersburg to escape absolute poverty and find work at the outbreak of the First World War. He comes to stay with his friend, a Bolshevik worker who has organized a strike at his factory. The peasant betrays his friend to the factory's greedy management, leading to the arrest of the striker. Feeling remorseful at his actions, the peasant attempts to plead for his friend’s freedom, but the situation escalates and he is imprisoned without trial and sent to fight in the war. After returning from the front, the peasant joins the revolutionary fight along with the Bolshevik worker.

Mr. West and his faithful bodyguard Jeddie visit the land of the 'evil' Bolsheviks. Through various mishaps, Mr. West discovers that the Soviets are actually quite remarkable people.

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.

A story about a Russian family torn apart by a worker's strike. At first, the mother wants to protect her family from the troublemakers, but eventually she realizes that her son is right and the workers should strike.

Timid old woman Pelageya Nilovna observes the revolutionary activities of her son Pavel Vlasov and gradually comes to realize that his cause is a great and noble one. She involves herself in the movement and finds joy and great courage in her new life as a revolutionary. Based on Gorky's novel, filmed in the silent era by Pudovkin.

Soviet propaganda film about communists plotting a violent attack on a Russian city. A local poet helps the communists and they glorify his poem about Lenin.

In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity.

About Russian space program and missile industry, and it's founder Sergei P. Korolev, from the 1920s to the first man in space in 1961.

The life and career of the brutal Soviet dictator, Josef Stalin.

In a capitalist country, workers are heavily repressed but manage to get a "death ray" to fight back. (A part of the movie is lost.)

A biopic based on the life of Russian literary critic Vissarion Belinsky (1811–1848). The production of the film was completed in 1951, but it was not released until 1953, following the reshooting of various scenes demanded by Stalin.

A biographical film about the fate of the great Russian mechanic and creator of aerodynamics Nikolai Egorovich Zhukovsky.

A Russian scientist spends a year documenting the natural world in Central Asia.

The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Tzar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life -- at the hands of a courageous Bolshevik spy.

"Little School Orchestra" plunges headlong into the mood and atmosphere of Kyiv in the 60s. The lyrical tape tells about a small youth group, where such different boys and girls have one love - music. Life separates friends, but school friendship and music will stay with them forever. The film featured a jazz quintet led by Igor Kondakov. However, in Soviet times, the film was immediately banned due to the accusation of the authors of "excessive" freedom, and therefore the tape was shown to the audience for the first time in 2010.

About the events of the final stage of the Second World War — the defeat by Soviet and Mongolian troops of the selected Kwantung army. Bacteriological weapons were created in the laboratory of Japanese General Ishii Shiro. Experiments were conducted on prisoners of war and political prisoners. Epidemiologist Dmitry Sokolov was assigned to solve the mystery of this laboratory. At the cost of his own life, he completed the task. The march of Soviet and Mongolian formations through the Gobi sands and the Khingan spurs was not only a brilliant military operation, but also a warning of the use of bacteriological weapons by Japan.

Brecht's play Fear and Misery of the Third Reich consists of a series of playlets, portraying National Socialist Germany of the 1930s as a land of poverty, violence, fear and pretence. Nazi antisemitism is depicted in several of the sketches, including "the Physicist", "Judicial Process", and "the Jewish Wife".

The Great Patriotic War. Death in the whistle of every bullet, every shell. Burning buildings, hungry people in the basement. How many people passed through the land of fire - patient, courageous, silent. Cameraman Vladimir Sushkov walked next to them, creating a harsh tale of those who were and were not in the war ...

This drama is about Gilan's downfall in 1920th under onslaught of Iran's shah & English army.

An American scientist invents a new weapon of mass destruction - silver dust. Corporate war breaks out between two military industry giants to own the weapon. The scientist dies and his son makes the discovery public with more consequences.

He did not understand how he got to this strange planet. You need to choose, because it turned out that there is also a certain alien, who in the same time appeared on Earth. But the peculiarity of the situation lies in the fact that between these characters really surprising similarities, which will become the reason for the emergence of a whole series of all sorts of oddities. It is not known whether they can return to their seats, because none of the participants in these events is not how it all happened. And viewers will get a whole lot of emotions and experiences, because to watch it all from the really interesting, as the arisen situation can hardly be called a typical and familiar to modern movies.

Tatyana Prokofievna is an ageing woman with a diva’s behavior, but her life is uneventful, ordinary and dull. To escape the everyday slumber she seeks companionship of young men. She provides shelter and becomes involved in their problems. Her ex-boyfriend has married a younger woman. Tatyana is forced to keep her loneliness hidden because of her role as hostess.

40-year-old housewife Cai has lost track of who she is and who she wants to be. During one of her daughter’s basketball matches, she inadvertently injures an elderly woman. This seemingly trivial event is a catalyst for a life spinning out of control, as past events resurface while she moves into an unknown future. Director Qiu Yang follows a series of multi-awarded shorts with his debut feature, a mesmerizing and intimate drama about a woman forced to confront the wreckage of her life and her longing for change?