Best movies like A Virus Knows No Morals

In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBTQ+ representation in the media. He went on to write "The Celluloid Closet", the first book to critique Hollywood's portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990.

A reflective look at the arrival and impact of AIDS in San Francisco and how individuals rose to the occasion during the first years of the crisis.

Neurosia is the autobiography of the director Rosa von Praunheim. The movie begins with Rosa presenting his autobiography in a movie theater. Before the film begins, he is shot. But - his body gets lost. A female journalist from a TV station begins researching the life of Rosa. In the course of the movie she speaks to lots of aquaintances, shows short clips from Rosas old movies. Her main aim is to provide sensational and shocking details from Rosas life. It turns out that nearly everybody had some reason to kill Rosa. At the end of the movie, she discovers Rosa at a boat where he is kept prisoner by some of his old enemies. She frees him, and the movie ends.

The story of the onset of the HIV-AIDS crisis in New York City in the early 1980s, taking an unflinching look at the nation's sexual politics as gay activists and their allies in the medical community fight to expose the truth about the burgeoning epidemic to a city and nation in denial.

The Other Side of AIDS takes us behind the hype and headlines and into the heart of a brewing controversy over the cause and treatment of AIDS. Through candid interviews with doctors and scientists representing both sides of the issue and HIV positives on and off the drugs, the film opens minds and much-needed dialogue. Informative without being instructive, it raises fundamental questions about what we think we know. Its surprising and sometimes shocking revelations inspire us to take a closer look at HIV and AIDS and the systems that support our current views.

When James admits to his mother that he is gay it strains her liberal attitude. A San Diego businesswoman, Audrey believes she is a modern, open-minded mother, but the news sends her reeling. However, the real shock comes when James asks her to travel to Arkansas and inform his lover's estranged mom, Luanne, that her son has AIDS. As Audrey and Luanne learn to put aside their prejudice toward each other, they soon discover how to share their thoughts, hopes and fears for their sons.

Erik, a loner, finds a friend in Dexter, an eleven-year-old boy with AIDS. They vow to find a cure for AIDS together and save Dexter's life in an eventful summer.

During the summer of 1981, a group of friends in New York are completely unprepared for the onslaught of AIDS. What starts as a rumor about a mysterious "gay cancer" soon turns into a major crisis as, one by one, some of the friends begin to fall ill, leaving the others to panic about who will be next. As death takes its toll, the lives of these friends are forever redefined by an unconditional display of love, hope and courage.

When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century

Controversial documentary about gay men purposely contracting the AIDS virus.

Three handicapped losers who form a band ask famous writer Dries to be their drummer. He joins the band and starts manipulating them.

Different experts make a stand against today's putatively criminal and harmful health system, focusing on Anthony Fauci and his role in the shaping of the AIDS and COVID-19 epidemics. The Real Anthony Fauci - based on the book by Robert F. Kennedy Jr.

A story of two coalitions – ACT UP and TAG (Treatment Action Group) – whose activism and innovation turned AIDS from a death sentence into a manageable condition. Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time.

Danny, dying of AIDS, returns home for his last months. Always close to his mother, they share moments of openness that tend to shut out Danny's father and his sister.

Nick, a gay, HIV-positive architect, begins to display severe symptoms of AIDS and makes preparations to kill himself before he is unable to function normally. He arranges a party to reconnect and say goodbye to his closest friends and his confused parents. But when his ex-partner, Brandon, a television director who left Nick when he was diagnosed with HIV, shows up, what was supposed to be a celebratory event becomes much more difficult for everyone.

Six gay friends discuss love, friendship and infidelity over the course of three significant evenings

Gay Londoners Marc and Fred plan for a weekend of mischief, baiting the Christian owner of a remote Christian B&B. Events take a deadly turn when another guest arrives, who they think might have something more sinister in mind.

A gay jewish man speaks out about living with and dying from AIDS. He also discusses how being gay has affected his identity as a jew and his relationship with his parents.

When 25 year-old gay yuppie David volunteers to be a "buddy" to an AIDS patient, the gay community center assigns him to Robert, a 32 year-old politically impassioned gay gardener abandoned by his friends and lovers. Throughout his visits to Robert's hospital room, the two men become friends.

America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.

Successful lawyer Michael Pierson is gay, but he has always hidden this part of his life from his mother, Katherine, father, Nick, and grandmother Beatrice. But when Michael discovers he has AIDS and is dying of complications from the disease, he must open up to his parents and the rest of his family. Though fearful of their reactions, he introduces them to his longtime lover, Peter, and looks to them for support.

The ghost of "patient zero", who allegedly first brought AIDS to North America - materialises and tries to contact old friends. Meanwhile, the Victorian explorer Sir Richard Burton, who drank from the Fountain of Youth and now works as Chief Taxidermist at the Toronto Natural history Museum, is trying to organise an exhibition about the disease for the museum's "Hall of Contagion".

After attending his 23rd funeral for a friend with AIDS, Troy and his friends hatch a plan to steal the HIV drugs that they need. One sucessful heist leads to another and another until they have so much inventory they decide to begin their own community distribution program.

The film follows a simple structure, and shows the drug-related degradation of five youths (Jake, Tracey, Jessica, Alice, Oreo) during the course of three years. The film depicts drug-related crimes and diseases: prostitution, male prostitution, AIDS, and lethal overdoses.

Sex Positive explores the life of Richard Berkowitz, a revolutionary gay S&M hustler turned AIDS activist in the 1980s, whose incomparable contribution to the invention of safe sex has never been aptly credited. Mr. Berkowitz emerged from the epicenter of the epidemic demanding a solution to the problem before the outside world would take heed. Now destitute and alone, Mr. Berkowitz tells his story to a world who never wanted to listen.

Two years into the outbreak, SICK roam the land and the remaining survivors struggle day-to-day trying to rebuild civilization. With the SICK more active at night time, three people need to seek shelter in an empty home.

Frank, a HIV infected former Lufthansa steward, goes back to Rio from Germany with a film crew to look for Mario, a young man with whom he had a one night stand. Before Mario departed the morning after, he left a message scrawled in soap on the bathroom mirror: 'Welcome to the AIDS club'. Frank and his director hire a fast talking hustler named José (Guilherme di Padua) to help them to find Mario who seems alway to have just left whenever they arrive. Via Appia is the nickname of a Rio district where male prostitutes hang out...

In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, a nude art dancer/drug addict/scandalous figure of post-WWI Berlin. (Berber died of tuberculosis in 1928, having achieved significant success and recognition throughout the dance world.) Frau Kutowski is placed in a mental hospital, where in her own mind she acts out Berber's final days, including in her fantasies the hospital's staff and patients, to represent Anita's friends and associates.

With stars like Angie Stardust (also music credits), Judith Flex, and Joaquin La Habana, director Rosa von Praunheim has fashioned a film about the teeming flip side of life in Berlin centered on eccentric characters of almost every imaginable sexual orientation, or disorientation -- most are American performers drawn to the city of "lost souls" as a place where they can give full rein to their creative natures.

Lars, a male nurse from Saarbrücken, moves to Berlin with his lover, Roland. They begin to renovate an apartment and their happiness seems almost complete. What Roland doesn’t know is that, while secretly checking out Berlin’s night life, Lars is also experimenting with a deadly poison.

The story of the extraordinary final chapter of Freddie Mercury’s life and how, after his death from AIDS, Queen staged one of the biggest concerts in history, the Freddie Mercury Tribute Concert at Wembley Stadium, to celebrate his life and challenge the prejudices around HIV/AIDS. For the first time, Freddie's story is told alongside the experiences of those who tested positive for HIV and lost loved ones during the same period. Medical practitioners, survivors, and human rights campaigners recount the intensity of living through the AIDS pandemic and the moral panic it brought about.

Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.

Rosa von Praunheim is an icon in the scene: gay activist, loving provocateur and a very special filmmaker from Berlin for decades. His curiosity for people and their fates runs through his extensive film work. For his 70th birthday he has now made 70 new short films. In the first part of the big project, he confronts Thilo Sarrazin with the mayor of Neukölln, Heinz Buschkowsky, and the Turkish lawyer and women's rights activist Seyran Ates; shows a homosexual hustler in Bucharest; gossip reporter Andreas Kurtz, who knows everything about Berlin's celebrities; Rosa's neighbors who live with her dependent brother; Esther Bauer, who survived Auschwitz, and the Berlin comedian Ades Zabel. High on the roofs of Berlin, the gay chimney sweep Alain Rappsilber tells him about his fetish leather meeting Folsom.

“I am a hypochondriac”, admits Rosa Von Praunheim, the icon of the gay movement, right at the beginning at the film. The director, who turned seventy in 2012, is afraid of cancer, and he actually suffers from glaucoma, with osteoarthritis in his big toe. Von Praunheim is interested in alternative medicine and goes on a foray into the scene.

On the eve of 1987's Second National March on Washington for Lesbian and Gay Rights, surviving families and friends of people who have died of AIDS prepare panels to be added to a large-scale memorial quilt project. Drawing from the sea of names memorialized, director Robert Epstein focuses on the lives of six people. Alongside the intimate profiles offered, through news footage and interviews, Epstein puts the AIDS crisis in the larger context of social and government response to the disease.