A Wicked Woman

Harry Kilmer returns to Japan after several years in order to rescue his friend George's kidnapped daughter - and ends up on the wrong side of the Yakuza, the notorious Japanese mafia.

Famed onnagata (a man who plays women's parts in Kabuki) Tamasaburo Bando follows up on the success of his directorial debut, Gekashitsu, with this soft-focused romance about love and obligation, based on a novel by Kafu Nagai. Set during the Meiji period (1868-1912), Kaede (Sayuri Yoshinaga) is the former mistress of a wealthy merchant. When he dies, she is forced out on the street and forced to give up her young daughter to the merchant's family. The film opens with her working in a high-class brothel abutting Tokyo Bay. Though she has passionate affection for a drug wholesaler, whom she loves as well, Kaede is swamped with not only debts to the bordello and family obligations -- she is expected to support her parents and her sister -- but also guilt over losing her child. This pain is only increased when Kaede learns that her daughter is being abused. She does the only thing she can: She buys back her child by signing on at the brothel for a longer stint.

A silk factory worker is persuaded to support her son's education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.

In 1868, after the Bakumatsu war ends, the ex-assassin Kenshin Himura traverses Japan with an inverted sword, to defend the needy without killing.

Shishio sets sail in his ironclad ship to bring down the government. In order to stop him, Kenshin trains with his old master to learn his final technique.

A young man has an affair with an older woman. He is very jealous of her husband and decides that they should kill him. One night, after the husband had plenty of sake to drink and was in bed, they strangle him and dump his body down a well. To avert any suspicions, she pretends her husband has gone off to Tokyo to work. For three years the wife and her lover secretly see each other. Finally, suspicions become very strong and people begin to gossip. To make matters worse, her husband's ghost begins to haunt her and the law arrives to investigate her husband's disappearance.

Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...

An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.

A man's body is found under the statue of a winged kirin in the Nihombashi area of Tokyo. A suspect named Yashima has a car accident and falls unconscious while he is attempting to run away. Yashima's lover Kaori comes from Fukushima and tells detectives that he is absolutely not a criminal. Meanwhile, Detective Kyoichiro Kaga's (Hiroshi Abe) investigates and uncovers a point of contact between the dead body and Yashima. A hidden fact of the victim is revealed which even his children did not know about...

A man and a woman committed double suicide in Kanazawa City. Immediately after the incident, Yoshiko Shiota, a woman living in Tokyo, contacts the local newspaper of Kanazawa, saying she wants to read the novel serialized in it by Ryuji Sugimoto. How did this woman know the novel is serialized in the newspaper? And why does she want to start reading it in the middle of the story? Which article was she actually interested in? Sugimoto cannot help making his own investigations about Yoshiko, but the more he searches, the more astonishing facts come to light...

A Tokyo cop is sent to Los Angeles to help an LAPD detective break up a yakuza ring operating in the city.

An alcoholic civil servant wakes up under a cherry tree in Tokyo next to a bar hostess with whom he's impulsively made a suicide pact. Though he's now changed his mind, he agrees to travel with her to Hokkaido, her preferred site for ending it all.

Based on Noda Satoru's manga, set in late-Meiji in Hokkaido where an ex-army soldier who aims for a huge amount of buried treasure left behind by the Ainu. In early 1900s Hokkaido after the Russo-Japanese war, Saichi Sugimoto tirelessly pans for gold. Nicknamed "Sugimoto the Immortal" for his death-defying acts in battle, the ex-soldier seeks fortune in order to fulfill a promise made to his best friend before he was killed in action: to support his family, especially his widow who needs treatment overseas for her deteriorating eyesight

The stage of this work is Saitama, a suburb of Tokyo in the early Heisei period. Immediately after the bubble burst gangster countermeasures law, there were gangsters who defended the last territory and young people who freely controlled the city. The youth conflict escalated day by day and became a force that surpassed the yakuza, and the runaways were sent to juvenile prisons one after another, where exclusive rules awaited.

In a small town on the Kasumigaura coast in the early Showa period, the Masukawa clan from Tokyo is trying to take away the interests of the local Isetoku family. Setsuko, the adopted daughter of the Isetoku family, falls in love with Seijiro, a travelling raven she meets on a whim. However, Koide, a businessman connected to the Masukawa clan, wants Setsuko to become his mistress... Setsuko puts aside her love and her regrets and bets on the greatest female challenge of her life!

A first-hand account of the Tokyo Metropolitan Police beat following Jake Adelstein, an American journalist who embeds himself into the Tokyo Vice police squad to reveal corruption. Based on Jake Adelstein’s non-fiction book of the same name.

The murder of a young girl shocks a small Japanese village, and the victim's mother is distraught when the classmates her daughter was playing with all claim not to remember the identity of the killer. In her anger, she puts a curse on them.

The Meiji Era was one of great renewal for Japan, where swords and killing were outlawed. However, many survivors from the time of Revolution still live, lurking in the shadows and waiting for a chance to use their killing blades again. Only Kenshin Himura, formerly one of the most brutal of killers, hopes to keep his swordsman's honor and still live in the new era.

When swords were outlawed in the eleventh year of the Meiji era, the mighty samurai population began to dwindle. Those who rejected the ban on blades rebelled, causing violent unrest to erupt throughout the countryside. To combat the rise in criminal activity, an inescapable lake prison was constructed. Three young men, born of the Kumo line, were given the duty of delivering criminals to their place of confinement – but could there be more to their mission than meets the eye?

Towards the end of the Edo era, in the town of Kyoto, there lived a wealthy merchant by the name of Imai Tadamasa. He was blessed with 3 children, Hatsu, Asa and Kyutaro. His eldest, Hatsu, was a traditional girl who loved to play the koto and sew. Whilst his second daughter, Asa, was an impish hoyden who loved sumo wrestling. Asa was engaged to be married to the second son of a distinguished family who ran a money changer business in Osaka, Shirooka Shinjiro. Although Asa was furious when she had first heard about the betrothal, when she met up with Shinjiro for the first time, his charisma greatly attracted her and she fell in love with him in no time.

Nakane Kyoko (Ono Machiko) grew up in a wealthy family and was raised by her strict father Shigekazu (Tachi Hiroshi) who did not see learning as a necessity. At 19, Kyoko was introduced to Natsume Soseki (Hasegawa Hiroki) as a prospective marriage partner. The two of them were drawn to each other and got married. Soseki took up a post in Kumamoto as a high school teacher and this was the beginning of their new married life. Although Soseki was an extraordinary intellectual, he did not know the warmth of family because he was given up for adoption as a child. In an attempt to understand her husband, Kyoko tried to read what he read, interacted with his friends and joined difficult conversations. But she was not exactly successful. Then she miscarried their first child and her attempted suicide because of loneliness caused a commotion. How would husband and wife overcome this crisis?

Freelance writer Harada Ririko and former lecturer on folklore Shimano Hitoshi go around to Tokyo’s hidden spots with horror stories. They encounter many apparitions in places that everyone knows about in the 23 wards. There is the office lady who wanders the subterranean drains of Shibuya ward in search of her missing mother. The mistress who hides a dead body in Koto ward’s Yume no Shima. The riddle of the Ikebukuro woman and romance in old age. The secret of the female CEO who encounter an apparition in a late night taxi plying Minato ward. The doctor’s wife whose fate is at the mercy of Itabashi ward’s tree which is supposed to severe ties between man and woman. The mystery of a woman and the Suzugamori execution grounds related to a crime scene in Shinagawa ward.

Soulful thriller set in Tokyo and London, exploring the butterfly effect of a single murder across two cities. A dark, witty and daring examination of morality and redemption.

It is the end of the Meiji Era. The genius poet Ishikawa Takuboku, who’s struggling financially, starts a detective business out of his lodging in response to a certain murder case. He calls it the Woodpecker Detective’s Office. “The ghosts of the Twelve-Story Tower in Asakusa,” “the man-eating figure who wanders the streets on snowy nights”… Takuboku involves himself in one bizarre case after another with his hometown acquaintance, Kindaichi Kyosuke, as his assistant. Other literary men such as Nomura Kodo, Yoshii Isamu, Hagiwara Sakutaro, and Wakayama Bokusui are also dragged into Takuboku’s exploits as he races all around Tokyo at the height of Westernization!

A former samurai, a yakuza bodyguard, a devious spy, and a geisha assassin try to find their place in the rapidly evolving Meiji-era while escaping the sins of their pasts.

45-year-old Mitsuo Komae works for an advertising company. He gets demoted from the head office in Tokyo to a branch office in the province. He has to leave his wife and daughter in Tokyo to work at the branch office. There, Mitsuo Komae begins work as the branch office manager which only has 2 employees. Needing to pay for the mortgage on his house and support his student daughter, he seeks ways to increase sales. One day, Mitsuo Komae receives a phone call from a client. The client is CEO Ryuzaki. Mitsuo Komae’s branch office made leaflets for CEO Ryuzaki's company, but a silly mistake was done in the leaflets. CEO Ryuzaki is furious. Making things even worse, CEO Ryuzaki is a yakuza. Mitsuo Komae is in big trouble.

The year is 1931. Prince Tokugawa Yoshinobu holds absolute control over Japan. Remnants of the Meiji era’s culture can be seen around the city, but scientific technology and Japanese esoteric cosmology Onmyodo are also developing. Yet lurking behind the glitz is Kuchinawa, a dissident group planning the assassination of the prince. Tasked to extinguish these dissidents is Nue, the government’s secret executioner group. Sawa Yukimura, who works for this organization, suffered at the hands of the Kuchinawa boss. Her entire family was murdered and she dedicated her life to avenging their death.

Miyo's abusive family deems her worthless – but together with her powerful husband-to-be, her true self and hidden powers slowly begin to shine.

Ten years have passed since the end of Bakumatsu, an era of war that saw the uprising of citizens against the Tokugawa shogunate. The revolutionaries wanted to create a time of peace, and a thriving country free from oppression. The new age of Meiji has come, but peace has not yet been achieved. Swords are banned but people are still murdered in the streets. Orphans of war veterans are left with nowhere to go, while the government seems content to just line their pockets with money.