Best movies like Aarti

When a difficult man falls blind, he alienates his family and caretakers even further.

A family is plagued by the vengeful spirit of a murdered man who uses the body of an innocent child to enact his revenge.

Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.

The wealthy doctor Shashikant marries a servant girl, the much-loved Gauri. When an old flame makes makes contact with Shashikant, pride jeopardizes their marriage and the lives of their children.

Sunanda will not hear of her son marrying a poor villager's daughter, and she convinces him that Gauri should get married to Govind. Although her father is opposed to his daughter marrying a senile man, Gauri accepts Govind and marries him. She finds out that she and Govind have no status in the household, which is run on the whims and fancies of Sunanda, her maid, Chintamani, and Niranjan. Niranjan is misguided by a dancer, Mallika, and Amirchand who are after his wealth. Gauri must now decide to have her own life or be chained down.

The Munim (Clerk) in Ranimaa's family lives with his son, Kaushal and daughter, Madhavi. After he passes away, Ranimaa brings up both children as her own, along with her only son, Rajesh. Years later, Rajesh has grown up and is of marriageable age. He meets with beautiful Bhanu Saxena and both fall in love with each other. Shortly thereafter, in a boating accident, Kaushal passes away, leaving behind a devastated Madhavi, Rajesh, who blames himself for his death, and Ranimaa. A few months later, Rajesh gets married to Bhanu and she moves in with them. Bhanu dislikes Madhavi and would like her out of the way, she goes to the extent of accusing her of having an affair with her husband.

A violent man Rayudu tries to redeem himself to impress the love of his life, until he gets pushed into a situation that forces him to act.

Homi Mistry (Ashok Kumar) has been a widower for several years now, and looks after his four sons, their small house, and a job at the factory. Nargis Sethna has been widowed; is a housewife, has two sons and a daughter, and a large house. Then Soli (David), Nargis' and Homi's friend, suggests that the two get married, then at least the children will have a mother and father, as well as a larger house. They do get married, and hilarious chaos results, as the family and the children try to accomodate each other and fit in with their new family and surroundings.

Thakur Suraj Singh lives a wealthy lifestyle with his wife; three sons - Kishore, his wife Laxmi & two children Pappu and Laali; Vijaykamal, & Mohan; and an unmarried daughter, Radha. Kishore looks after the family business, while Vijaykamal is a renowned poet, and Mohan is studying law in the city. Vijaykamal is in love with lovely Sapna, but she is forced to marry Bihari, and kills herself on the night of the marriage. Vijaykamal witnesses her death and loses his mind. The family decide to keep him under lock and key on the terrace of their house. Unable to admit Vijaykamal to a mental asylum, Suraj brings home a young courtesan, Chand, who he hopes will cure Vijaykamal, and she does succeed considerably, but is traumatized, sexually assaulted by Vijaykamal, and abused by the rest of the family.

Nirmala Gupta runs her household and family in a very strict and authoritarian manner. While most of her family resents this, they do obey her and carry out her instructions, so as to be on her good side. Things start to change after her second son gets married to Anju. Manju, Anju's sister, comes over to stay for a few days with the Gupta family, and is accepted by everyone except Nirmala. Nirmala's third son intends to marry Manju. But Manju does not like the manner in which his mom bosses everyone, and feels some changes are needed in the Gupta household

Roma (Amrita Singh) leaves Ravi (Jackie Shroff) at the alter in pursuit of her bigger ambitions. Her sister Reema (Juhi Chawla), a pale reflection of Roma, steps in and saves the day for her family, having secretly been in love with Ravi all her life. The newly weds start building a life together till suddenly Roma returns, determined to get back what she thinks Reema stole from her.

Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.

Mohan Kumar's diligence and honesty lands him in trouble with Balwant Singh Kalra, Jugal Kishore Ahuja, and Mr. Bhandari. Together the trio frame and imprison Mohan and make him watch helplessly as his wife is killed. Years later, Mohan Kumar is released from prison, his only goal in life is to avenge his humiliation and wrongful arrest at the hands of the trio. With the help of Dinesh Verma, he establishes himself again, and starts the process of bringing death and destruction to the trio. The trio are well aware of his presence, and decide to send one of their men, Ravi, to spy on him. Ravi falls in love with Verma's daughter, Roma, and decides to change sides to help Verma and Mohan, but Mohan will not have anything to do with Ravi, and asks him to leave. Ravi then becomes a target by the trio and their men, and has to save himself, and the only way he can redeem himself is by turning the tables over Mohan, who is none other than his own father.Duniya

When Aarti's father disapproves of Ajay's poor status, Ajay goes away from her life. When she finally meets him, he claims to be Vijay. Meanwhile, Vijay's policeman brother makes a shocking discovery.

A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."

The son of a wealthy family, Monish falls in love with Deviyani, a girl from a considerably less privileged background. When Monish leaves to study abroad, the lovers plan to reunite, but desperate financial straits force Deviyani into a marriage with a philandering drunk instead. Deeply unhappy, she flees, taking her infant daughter with her and vanishing into thin air. Does fate have more than misery in store for the unfortunate Deviyani?

Seth Dhanpath Rai (Sanjeev Kumar) is the country's most powerful smuggler who is surrounded by his fortress of power and money. Then one fine day, his daughter Sonia (Poonam Dhillon) falls in love with Ravi Malhotra (Shashi Kapoor), a police officer and wants to marry him. Dhanpath Rai very soon realizes that his son Vicky (Randhir Kapoor) has also taken a path that goes against the one he travels. Vicky has been engaged with a pretty but poor girl (Swaroop Sampat). Now the question begins to haunt Seth Dhanpat rai - "What is more important? His children's happiness or what he is, i.e. power and money.". Dhanpath Rai's question is answered soon. At the end Seth Dhanpath Rai finds true wealth in his life.

Shankar (Manoj Kumar), his lovely wife Geeta (Nanda) and Deepak (Master Satyajeet) are a poor but happy family. Tragedy strikes one day, when Deepak wonders over to the railway tracks. When Geeta rushes in to warn and rescue him, she is run over by the train and is instantly killed. Deepak loses his vocal chords and cannot speak. Shankar takes Deepak to see a doctor (Raj Mehra), who examines Deepak, and tells Shankar that Deepak can recover his voice after a surgerical operation, which may cost around 1000 to 1500 rupees. Shankar is unable to afford this but is determined to find the money to cure his son. Shankar's mom (Kamini Kaushal), sister (Naaz), Khan Badshan (Prem Nath), Rani alias Raat ki Rani (Jaya Bhaduri) offer support. And Shankar takes part in a grueling tournament that puts his very life at risk.

A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

A talented artist falls in love with a doctor. He loses his eyesight in an accident and wounds up a prisoner of a cruel princess. He escapes, and is helped by another man, who nurtures and allows him to recuperate. When the artist returns home, he find that the girl he wants to marry is engaged to the man who helped him recover.

Old woman Anandi moves to the city with her relatives and finds out their material side. She develops fondness for two rival street gangs of unemployed youth. These gangs are headed by two former friends turned foes in a time when society, politics and education are all losing their bearings in 1970s India.

Dr. Dharmesh (Rajendra Kumar) and Sita (Meena Kumari) are in love, and hope to marry on Dharmesh's return from abroad. When Dharmesh returns, he is devastated to find that Sita has married someone else. He then decides to devote the rest of his life at a cancer clinic. One of his patients is Ram (Raaj Kumar), who is critically ill, and has to be operated upon. Things progress well, until Dharmesh meets Ram's wife - none other than Sita. Dharmesh now has to battle with his conscience, and his medical ethics to save Ram or to let him pass away, so that he can marry Sita.

Gumrah is a 1963 Hindi film produced and directed by B. R. Chopra. The film stars Sunil Dutt, Ashok Kumar, Mala Sinha, Nirupa Roy, Deven Verma and Shashikala. The film's music was composed by Ravi while were by Sahir Ludhianvi. The film was remade to Malayalam as Vivahita (1970) done by super actress Padmini, Prem Nazir and Satyan. Malayalam version was also a superhit.

Amar and Malti live an idyllic, loving life with their son Raja. However, Amar makes enemies in his job and is killed, forcing Malti to remarry.

After her widower dad, Kedarnath, passes away, Shobha goes to live with his friend, Charandas, and his wife, Shanta, who had their son go missing as a child. Years later Shobha is now matured and Charandas scouts for a suitable groom. A wealthy man, Sunder, would like to marry Shobha, but the family detests him.

A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.

Vikram Singh is the Maharaja of Pratap Nagar and is very impressed with his Senapati Sangram Singh for years of loyal service. He decides to make him a Maharaja and agrees to marry his daughter, Anuradha, with his son, Pratap. Years later, Vikram sends his now grown-up Anuradha to visit the coronation of Rajkumar Pratap Singh and approve of him as her husband, and she sets off without any escort with just her maid-servant, Kalavati, for company. Shortly thereafter, Vikram is informed that Kalavati has been abducted by a bandit named Suraj Singh, he accordingly rushes over to Sangram's and this is where he discovers to his shock that Kalavati is posing as Anuradha, and it is his daughter that has been abducted by Suraj. Watch what happens when Suraj is arrested and lodged in a dungeon, and preparations are set forth for the coronation of Pratap and his subsequently marriage with Anuradha.

Karan hires Lata as his secretary and asks her to move to one of his cottages with her family. However, things take a turn when she is accused of stealing a valuable necklace.

Multi-millionaire Balwant Rai is a widower who lives with his daughter Uma and a school going son Amar alias Munna. Since Uma is of marriage-able age, Balwant decides to get her marry to Sunderlall's son Raghuveer and they all move in to live with Balwant at his estate. In order to take cover of Balwant's entire property Sunderlall and Raghuveer first have him killed, locked up Uma in a den and attempt to kill Munna who is saved by a village boy named Mangal. Years later Mangal and Munna have now matured, and Munna has decided to make his friend Mangal the managing director of the entire Rai group of industries much to the disappointment of Sunderlall who has all time been the M.D of Rai industries.

Mumbai-based Saxena family consists of Professor Nirbhay, his wife Preeti, their school-going daughter Ritu and Nirbhay's college-going brother and sister, Vijay and Suman respectively. Vijay meets with fellow collegian Honey, and after a few altercations, they fall in love with each other. Vijay is introduced to Honey's maternal uncle, Bhagwandas, and he approves instantly. Honey's long-estranged brother, Kanhaiya, re-enters her life and asks her not to see Vijay anymore. Then the lives of the entire Saxena family change drastically when money allotted for Suman's marriage is stolen, and Vijay accepts a contract to kill a man named Gulla - not knowing that he is being set up to kill none other than Nirbhay himself.

Thakur Saab and his wife Jankidevi belong to a rich and royal family. They have an ancestral necklace which is very precious and very expensive. The necklace is always worn by Jankidevi. Their Dewanji is behind this necklace and also Thakursaab's property. But Jankidevi somehow escapes from him and secretly gives the necklace to a Adivasi. She tells him to give it back to her when she returns. Till then, the necklace is worn on Adivasi's Kuldevi. A hunter, Surya Prakash (Pradeep Kumar) tries to save Jankidevi but she is killed by Dewanji's men. Dewanji (Utpal Dutt) tells Thakursaab that a hunter has taken away his wife's life for the Rajkamal necklace. After many years Kavita (Poonam Dhilon), daughter of Thakursaab and Raja (Jeetendra), who is the son of hunter Surya Prakash meet and fall in love with each other. But as her father comes to know that he is the son of Surya Prakash he disagrees to the marriage. Raja formulates a plan to prove his fathers innocence.

Peter (O. P. Ralhan) and Kitty (Helen) love each other, but due to Peter's poverty, they are unable to marry each other. One day, during a secret rendezvous, Peter accidentally overhear a conversation between one Mahesh Jetley and his paramour, where Mahesh tells her that he is soon going to bump off his wife on a certain date. Peter and Kitty decide to foil this man's plans. However, there are 2 problems: 1 - They have not seen Mahesh or his paramour's face. 2 - Even if they had, no one would believe their story. Hence, the lovers decide to do a little investigation on their own. They find three Mahesh Jetleys. On some snooping, they find that each man is married and each of them has a miserable married life. To find their suspect, they devise a plan whereby they will stage an attack on each man's wife. Whoever the culprit is, will freak out and his identity will be revealed.

Thenali suffers from panophobia and seeks doctor Kailash's help but the latter denies his request. Later, when Kailash goes on a vacation with his family, Thenali joins them and charms his sister.

Brothers Peddodu and Chinnodu are unemployed and do not get along well due to their contrasting natures. They have problems marrying the women they love before an accident changes their lives.

On the day of her marriage, the bride goes missing. She ends up in a brothel, compelling her wealthy husband to pretend that all is well to keep the family's honor intact.

Kindly Dr. Gupta (Ashok Kumar) is preparing to retire, and hopes to marry his daughter Jyoti (Zarina Wahab) to his associate Dr. Anand (Parikshit Sahani). Anand does not have time to romance, or assist Dr. Gupta on his large egg farm, so he hires a college friend as property manager, Mukesh (Vijayendra). Jyoti is entranced by Mukesh, and against her fathers wishes decides to marry him. Mukesh has his eyes set on the good life, but unknown to Jyoti he is already married to Geeta (Sarika), whom he abandoned with a child when he found out she was Anpadh (illiterate). Dr. Gupta has an accident one night, injuring a woman named Geeta and brings her home to recuperate. He teaches her how to mingle with high society, dress and eat properly, and ensures the education of her son. In return for his decency and compassion, Jyoti prepares to marry Dr. Gupta. When her father arrives for the festivities, he recognizes Mukesh.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

After the passing away of her father, a local physician, Aarti takes it upon herself to dispense medicine, as well as sew clothes, and looks after a child named Kundan who has lost his legs to paralysis. She has a admirer in Arun, who secretly loves her, would like to marry her, but knows that he is poor and will be unable to afford a family, as he is a mere painter. Then an elderly man enters Aarti's life, he is ill, she offers to look after him until he gets better and leaves, but he does not leave, as he has nowhere to go, and she allows him to stay. Then good luck smiles on them as Arun sells one of his paintings, and he is able to get artificial legs for the child. What Arun and Aarti do not know is that the elderly male is really a very wealthy man named Ambarprasad, who had run away from his home when he was accused of having sex with his protégé, a young woman, who he had brought up. The question is what is Ambarprasad up to now?

Fatakdi is determined to avenge her father's death by trying to manipulate the murderer's son into revealing the truth and takes help from a local policeman named Bavlya.

In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.

Fed up of Dilip's involvement with gold digging actress Nayantara, Dilip's uncle pretends to be gravely ill in hopes of guilting him into marrying a decent girl. Dilip convinces reluctant Kiran to pretend to be his fiancée. Dilip and Kiran soon fall in love, and Nayantara decides to intervene.

Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.

Drama about a large Indian family coping with revelations about the fathers past.

Anoop loves Roopa D'Souza, and will do anything to marry her. But Roopa has some doubts about him. Eventually, he does manage to convince her that he is worthy of her love, and she consents. Shortly after that Roopa's mom, Rosy, passes away; Roopa is involved in an accident, and hospitalized. When Roopa returns home, Anoop comes to visit her, and is shocked to find her in bed with Ravi. Roopa refuses to clarify, and it is up to Anoop to wait for Roopa to change her mind, or to marry someone else.

At the very moment of her birth, ill-fated Chhaya's mother passes away, her dad loses his job, and their house burns down. She is shunned since then by children her age as well as their parents. Her dad brings her up with a lot of love, and even arranges her marriage with a young man, whose mother, uncle and nephew approve of Chhaya. But when the uncle finds out about Chhaya's past, they reject her. This news kills her dad, and Chhaya re-locates to live with her friend, Leela Lal, who lives a middle-class lifestyle with her husband, Murari, and her mother-in-law, who is very superstitious and never lets Leela out of her sight. Murari and Leela introduce her to Prakash, an airline pilot, and both eventually fall in love with each other. When Prakash takes her with him to meet his mom, Chhaya finds out that she is the same woman who rejected her and abruptly leaves without meeting anyone.

Teenage love story of a Catholic girl from Goa and a Hindu boy.

Sibling rivalry abounds in this film about two privileged brothers, Anwar and Nawab, and the women who come between them. Nawab, although a married man and father, engages in frequent secret rendezvous with his mistress, Benazir. Meanwhile, Anwar declares his love for a woman named Shahida, whom he desires to wed. So when Nawab witnesses Anwar in the arms of the lovely Benazir, he's outraged -- and puzzled -- by the brotherly betrayal.

Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena. He works for Avinash Gupta, however, when differences occur, he is framed by Gupta for breaking and entering, arrested by the police, tried in Court, and exiled from the town for a period of 12 months. After he leaves, the family is almost destitute and are exploited by Gupta. Then some months later, a young man, Anand, comes to visit them, informing them that Navendhu has sent him. He gives them some money for day to day expenses, gets some clothes for everyone, and a wheelchair for Mohan. He arranges the marriage of Rajni with her boyfriend, Ajay, despite strong opposition from Gupta, and falls in love with Leela. What the Kumar family do not know is that Anand is a fugitive on the run from the police in Bombay, and he harbors a dark secret that will change their lives forever.

Prakash (Ashok Kumar) is returning home after eleven years from UK, and is now on a train for his journey back home. He meets a young man, also called Prakash (Ramesh Gupta), on the train who befriends him. The train meets with an accident and Prakash loses his memory. While Prakash is wandering around trying to regain his memory, the man from the train thinking that Prakash (Kumar) is dead, pretends to be Prakash and reaches his house.