Abdelinho

A woman tries to create a relationship with the soap star who is the object of her obsession.

A popular but naive country singer is elected governor of a southern state and, once in office, decides to dismantle the corrupt political machine that got him elected. Director Daniel Mann's 1961 political drama stars Susan Hayward, Dean Martin, Wilfred Hyde-White, Martin Balsam, Ralph Meeker, Connie Sawyer, William Walker, Ray Teal, Larry Gates and Kathryn Card.

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

Grace, a priest, tracks her missing daughter to a religious community where the strange father Angel is keeping a wooden Jesus figure that sheds actual blood. When the cross is stolen, Grace decides to help out to get her daughter back.

Down-and-out former preacher Bill Hill witnesses stranger Juvenal save a woman from her abusive husband by defusing the latter's anger — and ending his wife's blindness. Determined to profit from Juvenal's mystical powers, Bill asks an old friend, Lynn Faulkner, to sneak into the Alcoholics Anonymous facility where Juvenal works as a counselor, but she finds herself falling for the healer.

A disturbed sculptor assumes the identity of a small town priest and designs a game of divine madness for a unsuspecting town.

An exploration of the intersection between religion and homosexuality in the U.S. and how the religious right has used its interpretation of the Bible to stigmatize the gay community.

A small town girl who has just moved to the big city is pressured by peers at school to lose her virginity.

A man confronts the trauma of past sexual abuse as a boy by a Catholic priest only to find his decision shatters his relationships with his family, community and faith.

Three generations of women in a Mexican American family experience sexual awakenings over the course of a summer.

Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

A recently outed soap opera actor crosses paths with a recently divorced gay marriage activist, forcing them to confront the price of fame and the fickle nature of celebrity within the gay community.

While the rest of the Hebrews bewail their fate, Samson alone trusts in God's promise of liberty. Abimelech, the Philistine satrap of Gaza, enters to mock the Hebrews' God, proclaiming the superiority of Dagon, and the Hebrews are afraid of him. But calls them to show some defiance, so Abimelech attacks Samson with his sword. Samson seizes the sword and strikes him dead. The Hebrews scatter and the High Priest of Dagon appears, cursing the Hebrews. When a messenger reports that the Hebrews are ravaging the harvest, the High Priest forms a plan to use Delilah to overcome Samson's strength. Delilah's beauty is such that Samson can't resist her for long. She begs to know the secret of his supernatural strength, but he refuses, though he says he loves her. Delilah betrays Samson by having some Philistine soldiers seize him and throw him into a prison in Gaza, where his hair is cut off.

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

The residents of Coronation Street are ordinary, working-class people, and the show follows them through regular social and family interactions at home, in the workplace, and in their local pub, the Rovers Return Inn. Britain's longest-running soap.

Dark Shadows is an American gothic soap opera that originally aired weekdays on the ABC television network, from June 27, 1966, to April 2, 1971. The show was created by Dan Curtis. The story bible, which was written by Art Wallace, does not mention any supernatural elements. It was unprecedented in daytime television when ghosts were introduced about six months after it began. The series became hugely popular when vampire Barnabas Collins appeared a year into its run. Dark Shadows also featured werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles; indeed, as actors came and went, some characters were played by more than one actor. Major writers besides Art Wallace included Malcolm Marmorstein, Sam Hall, Gordon Russell, and Violet Welles.

The everyday lives of working-class residents of Albert Square, a traditional Victorian square of terrace houses surrounding a park in the East End of London's Walford borough.

The domestic adventures, misdeeds and everyday interactions of five families living on a cul-de-sac in a small California community.

Follow the lives of a group of young adults living in a brownstone apartment complex on Melrose Place, in Los Angeles, California.

Ryan Atwood, a teen from the wrong side of the tracks, moves in with a wealthy family willing to give him a chance. But Ryan's arrival disturbs the status quo of the affluent, privileged community of Newport Beach, California.

River City is a television soap opera, first broadcast in Scotland on BBC Scotland on 24 September 2002. River City storylines examine the domestic and professional lives of the people who live and work in the fictional district of Shieldinch in Glasgow. The series primarily centres around the residents of Shieldinch, their houses, flats and apartments and its neighbouring streets, namely Montego Street and which encompasses a pub, bistro, community centre, café and various small businesses, in addition to a subway station and basketball court. The series was originally screened as two half-hour episodes per week. Today, one hour-long episode is broadcast each week - usually Tuesday evenings on BBC One Scotland, repeated Sunday afternoons on either BBC One Scotland or BBC Two Scotland. In Australia, River City is screened 11:00am weekdays on Seven's British-oriented multichannel 7TWO.

The daily soap that follows the loves, lives and misdemeanours of a group of people living in the Chester village of Hollyoaks where anything could, and frequently does, happen...

The show's premise revolves around a pair of twin sisters who were separated when they were young, and as adults the younger sister is forced to act as a "replacement" for her wealthy twin who wants to temporarily leave her husband and his family to enjoy a life of luxury with multiple lovers.

Laerte’s obsessive jealousy brings his relationship with Helena to an end on their wedding day. Twenty years later, he meets Luiza, the daughter of his long lost love. The two fall in love and stir up dormant feelings that profoundly affect Helena’s marriage and her relationship with her daughter. Defying everyone, Laerte and Luiza decide to follow their love to the highest bounds, leaving a trail of conflicts and pain along the way.

Rooted in the conflict between characters connected to the deity Santa Muerte and others allied with the Devil, this saga explores an exciting mix of the supernatural and the combustible reality of 1938 Los Angeles, a time and place deeply infused with Mexican-American folklore and social tension.

An unsettling omen washes ashore in the wake of the storm. Later, when the locals gather for a potluck, tragedy strikes – and a miracle occurs.

Seven residents of a beachside community navigate issues of modern LGBTQ+ life including infidelity, open relationships, mental health, family planning, and gender identity

Daily soap featuring the fictional residents of the village of Cwmderi.

The Hamptons is a limited run prime-time soap opera which aired during the summer of 1983 for 5 episodes on ABC. It was produced by Gloria Monty, the producer credited with turning General Hospital from a low-rated daytime serial to a soap phenomenon. The series is set in Manhattan and the affluent Long Island community referenced in the show's title. The cast includes actors with previous experience in daytime and prime-time serials: Leigh Taylor-Young, Michael Goodwin, John Reilly Bibi Besch, etc. The series was shot on videotape rather than film, which gave it a look consistent with most daytime soap operas. The focus of the series was on the wealthy Chadway and Duncan-Mortimer families, who co-owned the stylish Duncan-Chadway department stores. The Chadways were positioned as the noble family, while the Duncan-Mortimers were the schemers. The plots concerned power maneuvers to gain control of the retail corporation, and illicit sexual couplings.