Movie Documentary TV Movie
The story of the short film from the beginning of the movies in the 1890s, when all movies were shorts, through the 1950s when short subjects virtually disappeared from theaters.
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We Work Again
The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.
The Nifty Nineties
Mickey courts Minnie in the Gay Nineties: they take in a vaudeville show and go for a drive in his horseless carriage, to the strains of "While Strolling Through the Park" and "In the Good Old Summertime". Goofy rides by on a penny-farthing bicycle, and the whole Duck family rides by on a bicycle built for five.
One Froggy Evening
A workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he's spent his life savings on.
Flagpole Jitters
The stooges are taking care of their invalid friend Mary who is confined to wheelchair. At their jobs in a theater, where they hope to earn money for an operation for Mary, they witness a hypnotist, doing his act. The stooges become subjects for his show and are hypnotized into walking out on a flagpole high above the ground. When they come out of their trance and realize their predicament they fall into a window and foil a robbery in progress thus earning reward money to pay for Mary's operation.
Frank Film
A compilation of images co-creator Frank Mouris had collected from magazines interwoven with two narrations, one giving a mostly linear autobiography and the other stating words having to do with the images, the story the first voice is relating, or neither.
Gerald McBoing-Boing
The story of a little boy who would only talk in sound effects. With story by Dr. Seuss (and Bill Scott of Rocky and Bullwinkle fame) this cartoon won the Oscar for best short subject (animated) for 1950.
Sex and Buttered Popcorn
Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.
Puss in Boots
A boy falls for a princess, his cat for hers. But her father does not like the idea of a commoner marrying a noblewoman and kicks him out. After seeing a Rudolpho Valensino movie at the local theater his cat has the idea that he could try impressing the king as bullfighter, to win his daughters hand. Bullfighting is relatively easy, when you can hypnotize the bull, but why does his cat need new boots ?
Terror in the Aisles
A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.
This Is Cinerama
This is Cinerama is a 1952 full-length film designed to introduce the then-new widescreen process Cinerama, which broadens the aspect ratio so the viewer's peripheral vision is involved. This is Cinerama premiered on 30 September 1952 at the New York Broadway theatre, in New York City. The film includes scenes of the roller coaster from Rockaways' Playland, then moves on to a scene of the temple dance from Aida, views of Niagara Falls, a Viennese choir, scenes of the canals of Venice, a military tattoo in Edinburgh, a bullfight, more from Aida, a sound demonstration in stereo, scenes from the amusement park in Cypress Gardens, Florida for a water skiing sequence, and the playing of America the Beautiful as scenes are shown from the nose of a low flying B-25.
A Story of Children and Film
A meticulous essay on the presence and representation of children in the history of cinema, in which cinematographies from all over the world are analyzed.
That's Sexploitation!
Before the advent of modern-day pornography, a vast and rapidly-paced world of smut peddling was the norm, complete with its own secret history. This documentary reveals the untold story of American cinema's gloriously sordid cinematic past. Starting in the 1920s, expert exploiteer David F. Friedman and Henenlotter navigate us through more than five salacious decades of skin flicks. It's the true story of dirty movies, traced in elegant detail from the bizarre locations where these nudie shorts were screened to the ongoing legal battles fought by their promoters. And of course there are the stories of the innovators themselves, people who often risked their own security and livelihood to make these films, believing in some way that what they were doing wasn't a 'bad' thing - and that it could rake in some dough.
Complicated Women
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
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Julie's Greenroom
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The Ray Bradbury Theater
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Trapp Family Story
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Mob City
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The Story of Film: An Odyssey
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The Fifties
Archival footage and interviews with historians mark this fascinating documentary on the 1950s, based on David Halberstam's bestseller. Among the subjects covered: work and the family; the impact of TV; the Cold War; and the beginnings of the civil-rights movement and the sexual revolution.
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Five Came Back
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The Last Drive-in with Joe Bob Briggs
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