Adiós Buenos Aires

John J. is a seasoned hit man sent on a job to Argentina. When the General he's sent to kill delays his return to the country, John passes the time with Manuela, a beautiful dancer who becomes his teacher and guide into Argentina's sensual world of the tango.

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.

A Texas oil millionaire, after failing to secure oil lands in Argentina, seeks out a famous racehorse in Buenos Aires and orders his representative to buy the nag at any price. The representative, Tim Kelly, has a love affair with Lolita O'Shea, the beautiful daughter of the prize horse's owner.

"The young Susan seems doomed to a life of toil. She lives with her faither in a lodging house and together they earn their living by dancing as a tango couple in a seedy nightclub. Since mother left them, the two have had an incestuous relationship. Father is on the booze. When his alcoholism eventually lands him in jail, Susan decides to become a prostitute: it is the only way she can earn enough money to get her father out of jail. She meets another prostitute, Lili, who personifies everything that Susan is afraid of: physical decay and failure. Despite this fear, a bond develops between the two women. When Susan gets an influential lover, it looks as if she will be able to escape her sad existance. But her past continues to haunt her." - IFFR

Between Berlin and Buenos Aires. between love, life and family.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Three American expats living in Buenos Aires decide to steal a large sum of money so they don't have to return home. But what starts as a game soon turns violent and they find themselves on the verge of consequences none of them expected.

Adolf Eichmann, one of the Third Reich's worst war criminals escapes to Argentina. With his wife and three sons he lives undiscovered in a German community in Buenos Aires until he his kidnapped by Israelis and tried for his crimes.

Marcus and his brother Antoine head to Argentina for their cousin’s wedding. They plan to explore all that Buenos Aires has to offer before making the trip to Mendoza in the west. Marcus is thrilled to be on the road and determined to have fun, while Antoine is depressed after being dumped by his wife, who refused to come with them at the last minute. Marcus will do anything it takes to cheer up his little brother. After a very caliente evening in the capital, they hit the road, discovering Argentina vineyard’s and making unlikely encounters –with a crackpot receptionist, a divine beauty, a pregnant ewe, and a guy afflicted by Stendhal syndrome –until, at the end of their journey, the two brothers find peace.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

A long night's journey into day: Victor, a street hustler in the Santa Fe and Pueyrredón neighborhoods of Buenos Aires, from the evening of November 1, All Saints Day, to the dawn of November 2, All Souls Day. Victor's odyssey takes him from clients to friends to a gay gym then a hotel room and an all-night café. He plays pick-up soccer with kids whose parents are going through trash or waiting in parks. A vendor gives him a chrysanthemum. It seems he's being followed, and on the night streets, death is close at hand. Can Victor survive until dawn?

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Buenos Aires is invaded by the living-dead.

Epitafios is a 2004 13-episode, Argentinian crime fiction TV mini-series with the tagline: El Final Está Escrito ... The End Is Written. The series, which takes place in an unnamed South American city, was shot in Buenos Aires. The series was produced by HBO Latin America and Argentinian TV/film company Pol-Ka Producciones. It was written by Marcelo Slavich and Walter Slavich and directed by Alberto Lecchi and Jorge Nisco. Although all of the actors were Argentinian, a neutral Spanish was used instead of the local Rioplatense Spanish, avoiding colloquialisms such as the local vos in favor of the more common tú. The series debuted in Australia on SBS in May 2007 under the title If The Dead Could Speak. It premiered in Poland on Cinemax on November 6, 2008. In Germany, it premiered on November 6, 2009 on pay TV channel FOX under the title Epitafios - Tod Ist Die Antwort.

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