Best movies like Adimakal Udamakal

Varavelppu is a 1989 Malayalam film directed by Sathyan Anthikkad. The film stars Mohanlal, Revathi Menon, Murali and Sreenivasan in lead roles. The film depicted trade union problems plaguing Kerala in a satirical dark comedy

A newly promoted plant supervisor finds himself in the position of having to announce a layoff of his fellow workers.

With Babies and Banners: Story of the Women's Emergency Brigade is a 1979 documentary film directed by Lorraine Gray about the General Motors sit-down strike in 1936–1937 that focuses uniquely on the role of women using archival footage and interviews. It provides an inside look at women's roles in the strike. The film was one of the first to put together archival footage with contemporary interviews of participants and helped spur a series of films on left and labor history in the US utilizing this technique. The film was also important in helping bring into view the history of American women being active in the public sphere, particularly in union and labor actions. The film was, further, ground breaking because it was produced and directed by women. It was nominated for an Academy Award for Best Documentary Feature.

Somnath (Somu) lives in a shanty house in a Delhi slum with his widowed mom, and unmarried sister, Sarla. He is friendly with Calcutta-based wealthy Vikram (Vicky) Maharaj. When Vicky's dad, Damodar, has a heart attack and is advised to take bed-rest for two months, Vicky fills in his father's shoes, has a confrontation with a senior employee and union leader, Bipinlal Pandey, which results in a strike.. Damodar starts a chain of events that get out of control, events that may well see the death of one of the friends at the hands of the other. Will Vicky's and Somu's friendship see them through or will it also be a casualty?

A string of mysterious murders happen in an aristocratic mansion. The owners of the mansion seek CBI officer Sethurama Iyer's help to find the person responsible for the deaths.

The story of the NHL's early years, focusing on the battle between the players, led by Hall of Famer Ted Lindsay, and the owners, over issues of benefits, pensions and the like.

Fisherman Dutch marries cannery worker Hattie. After he is kicked out of his union and fired from his job he leaves Hattie who steals money for him and goes to jail. He gets a new job, foils a plot to dynamite the ship, and promises to wait for Hattie.

Kaalia - A name that spells terror in the minds of people and the police, but Kaalia was not always like this. Years ago he was a mere simpleton. Living simply in a shanty chawl with his elder brother, Shyamlal, Bhabhi (Sister- in-law), whom he adored and their daughter Munni. Apart from them there is no one else in Kallu's little world until one day, an enemy in the guise of Shahani Seth appears. Shahani shatters the happiness in Kallu's life. That same day the young Kallu dies, and the dreaded Kaalia is born. Kaalia's main motive in life becomes wealth, and to destroy Shahani. This path of violence leads Kaalia to inspector Raghubir Singh's jail. Outside of jail, Shahani starts reclaiming his power, and inside jail, Kaalia clashes with Raghubir Singh.

Aa Divasam is an action film where lead players hunger for revenge.

The story of "The Tolpuddle Martyrs". A group of 19th century English farm labourers who formed one of the first trade unions and started a campaign to receive fair wages.

William Castle directed this Sam Katzman production, a gritty crime thriller about a newly-discharged sailor who gets a job as a longshoreman in The Big Easy. He swiftly discovers mob corruption throughout the docks, and when a friend is killed by the gangsters, he convinces the police to let him go undercover and take matters into his own hands. Filmed on location on the docks and in the French Quarter.

Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and finally senator Madison starts a campaign to find the truth about the alleged connections with the Mob.

The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.

When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.

Detroit’s story has encapsulated the iconic narrative of America over the last century – the Great Migration of African Americans escaping Jim Crow; the rise of manufacturing and the middle class; the love affair with automobiles; the flowering of the American dream; and now… the collapse of the economy and the fading American mythos.

A rookie assistant DA is assigned to investigate the murder of a longshoreman, killed for exposing gangster involvement on the piers, and meets up with a "code of silence" amongst all potential witnesses.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.

Naive Stanley Windrush returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management as well as the trade union use him as a tool in their fight for power.

Gil and Hank are two independent truckers who run into problems when they are forced to pay off traffic managers to get loads. They also have to pay off highway cops when their rigs are overweight and bank loans but consider themselves lucky just to be able to keep up the interest payments. Add to that a small, frizzy-wigged highway hooker named Janice, who tempts them with her lurid charms.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA.

Laadla is the story of the kind-hearted Raju, who lives with his disabled mom. One day Raju, on his way to a job interview, saves the life of a rich textile mill owner who offers him a job in his factory. The mill is run by his ambitious daughter Sheetal, whose competitive attitude and open insults have made her many enemies. Raju and Sheetal clash often, until Sheetal tries to get the upper hand by forcing Raju to marry her, even though he has already fallen in love with Kaajal.

After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The second of these was 'The Mother and the Law', which demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers help ruin the lives of marginal Americans.

A power-mad union boss resorts to murder to eliminate witnesses scheduled to testify against him. The eclectic cast includes Mickey Rooney, Mamie Van Doren, Mel Torme, Jay North, Vampira, Charles Chaplin Jr., Jackie Coogan and Norman Grabowski.

Midhunam movie is all about Sethumadhavan (Mohanlal) who has plans to start a biscuit factory near his house. But the bureaucracy and the corruption of the officials are the hurdles in front of him. Along with that he has to solve the problems in his family, which his brother (Innocent) and brother-in-law (Jagathy Sreekumar) creates. he marries his long-term fiancée Sulochana (Urvashi) who always cribs that he doesn't have love towards her, which he had shown before their marriage. How sethumadhavan succeeds in his life beating all the odds against him forms the rest of the story.

A Kentucky woman whose mine-worker husband is nearly killed in a cave-in, and whose father is slowly dying of black lung disease, joins the picket lines for a long, violent strike.

Circumstances force the union leader of a factory to marry his own boss, a rich and arrogant lady who has ulterior motives.

A vicious loan shark ring has been preying on factory workers. When several workers at a tire factory suffer violence at the hands of the loan sharkers, a union leader and the factory owner try to recruit ex-con Joe Gargan to infiltrate to the gang. At first Joe does not want to get involved, but changes his mind when his brother-in-law dies at the hands of a savage loan shark hood. Joe works his way into the mob, but in order to keep his cover, Joe can't tell anyone what he is up to. This results in him being disowned by his sister and girl friend.

Dr. Roy is a surgeon who works in a private hospital. He falls in love with his colleague Dr. Annie. When Annie discovers a frightening organ-smuggling operation in her hospital, it proves to be a turning point in the story.

Ashamed of his bad behaviour towards his family, Chellappan decides to set things straight. However, he gets the shock of his life after learning that his wife is in a relationship with another man.

A remake of the 1973 Bollywood classic 'Yaadon Ki Baaraat', the movie stars Mammootty, Mohanlal, and Devan as long-lost brothers. In the end, they reunite to take revenge for their parents's death.

A hot-blooded student union leader falls for a state-level cricketer but his anger management issues and violent streak threatens to derail their love story .

Prasad (Mohanlal) and Rajesh (Captain Raju) are brothers and police officers tasked to take down a smuggling ring. Taradas (Mammootty) and his uncle Tarasankar (Ummer) outwit the efforts of the police. Things take a twist when Rajesh realizes that his wife Tulasi (Seema) was the ex-girlfriend of Taradas.

A pioneering ceramic artist Clarice Cliff roares to prominence in the 1920s while working in Britain’s Stoke-on-Trent pottery industry.

Pakshe movie is all about Balachandran (Mohanlal) who had to sacrifice his childhood love (Shobhana), to marry into a rich family who only wanted his IAS Status, in order to save his poor family, lives a life of regret and despair for his decision.

Alex is a comrade and an active communist leader. Due to some unfortunate events, Alex gets arrested and is imprisoned but is compelled to come out on Parole to solve a mystery he left behind.