Best movies like Anna

Returning home after a night of love spent in a woodman's hut with Orsola, Pietro is arrested by the police for a crime he did not commit. His mother and youngest sister, Rosaria, go to Orsola begging her to provide Pietro with the alibi that will clear him. But Rocco, Orsola's brother, dreading a family scandal, constrains Orsola to silence. Condemned despite his innocence, Pietro escapes from prison, but the police track him down and kill him, and his mother, before the eyes of Rosaria. Years pass, and one day Rocco stumbles upon a half-frozen young woman lying in the snow. He takes her home and confides her to the care of Orsola. Later, yielding to the pleas of Orsola, Rocco and Rocco's son, Salvatore, the girl stays on in the house, and Salvatore falls in love with the beautiful stranger, who is careful to keep the family members from learning she is Rosaria, the grown up sister of Pietro seeking revenge for the deaths of her brother and mother.

After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.

Six separate episodes exploring themes of love, sex and romance in the Italian capital. "Paid Love" offers a glimpse into prostitution; "Attempted Suicide" features would-be suicides discussing their despair; "Paradise for Three Hours" depicts an evening at a provincial dance hall; "Marriage Agency" follows an investigative reporter posing as a husband-to-be; "Story of Caterina" tells the story of a young unwed mother forced to abandon her child; and "Italians Stare" catalogues the girl-watching techniques of Italian men.

A prostitute goes on vacation to a beach resort with her young daughter (who's being schooled by nuns). Everything is cheerful and pleasant at the seashore; the customers at the hotel think she's a poor widow - she always wears black - and treat her like a lady. But when one of her former clients arrives, her carefree days on the beach are numbered.

Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder.

A blackmailer is murdered, and those who witnessed the scene agree to keep quiet; the complication is that the scene is also witnessed by a young artist, a victim of blackmail as well. (BFI Website)

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

Sister Mary presides over a convent where a convicted murderess, who is being escorted to Death Row, is stranded by bad weather. She is slowly becoming convinced that Valerie is innocent so Sister Mary sets about to clear the girl and bring the real killer to justice.

A novice leaves a Spanish convent to follow a 19th-century British soldier she loves.

The myths of the sixties are satirized in 20 episodes.

The young Uguccione is mistaken for Rascelito Villa called "C6", a dangerous revolutionary, and then immediately sent to Parazuela where he leads the insurrectionist troops.

A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

A young and poor Venetian woman is invited to a masquerade ball by a charming count.

Catania, Sicilia 1854. A serious epidemic of cholera is hitting the region. Maria a 16 years old novice leaves her convent and returns her home to avoid contamination. Here she finds a difficult situation, in fact her stepmother and her half-sisters prevent Maria to live the normal life of a teenager. In their minds Maria is the promised "bride of God" and a regular life for her is inappropriate. Nino, her handsome neighbor, falls in love for Maria who isn't indifferent to him. But when Maria comes back to her convent the way to become nun is compelled. Now Maria can understand Sister Agata, and realizes she became mad cause a lost and impossible love like the one between Maria and Nino.

A young officer in the army of Empress Catherine of Russia is on his way to his new duty station at a remote outpost. During a blinding snowstorm he comes upon a stranger who was caught in the storm and is near death from freezing. He rescues the man and eventually brings him back to health. When the man is well enough to travel, the two part company and the man vows to repay the officer for saving his life. Soon after he arrives at his new post, a revolt by the local Cossacks breaks out and the fort is besieged by the rebels. The young officer is astonished to find out that the leader of the rebellious Cossacks is none other than the stranger whose life he had saved during the storm.

When she can't support her illegitimate child, an abandoned young woman puts her up for adoption and pursues a career as a torch singer. Years later, she searches for the child she gave up.

In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).

Kay Parrish, a society girl, finds she is penniless when her father dies. However she persuades Terry Gallagher to give her a hostess job at his New York City clip-joint, which he operates on the theory that if the suckers want it he'll give it to them, albeit he does apply some principles regarding the matter. A Broadway playboy, Greg Emerson, falls in love with Kay and proposes but his high-society parents object strongly. Terry. although he also has fallen in love with Kay and doesn't realize she feels the same about him, sets out to provide a happy ending for the couple.

An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate have it in him to go against impossible odds, in the name of the Italian people he represents?

Tough torch singer Petey Brown, visiting her family, finds a nest of troubles: her sister, brother, and the neighbor's wife are involved in various ways with shady nightclub owner Nicky Toresca. Petey has what it takes to handle Nicky, but then she meets San Thomas, formerly great jazz pianist now on the skids, and falls for him hard.

Gerardo, an aspiring actor, trying unsuccessfully to cross over from comedy to tragedy, is involved, due to his ability to mimic dialects of Italy, in a scam concocted by Lallo against a rich cloth-merchant.

Silvio refuses to fight for the fascists and joins the resistance with Elena. After the war, his vitriolic newspaper articles cause him to be sentenced to imprisonment.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

A group of nuns become possessed by demons and are then tortured in a dungeon of horrors during the inquisition.

Remake of the famous 1960 "La Ciociara" movie.

Three couples are involved in a murder at Montecarlo.

Sister Germana, a beautiful woman who took the vows following the death of her fiancé Guido, is forced to return from Libya, and becomes the mother superior in a hospital in Lombardy. A young Communist, pretending to be sick, has established himself in the hospital where he has been for some time now, though he tries to make himself useful in whatever way he can. Realizing that the nun does not tolerate his presence, the young man leaves the hospital, and in order to make a living, busies himself as a ‘nurse’ in the town. During the course of a strike, he is wounded. He is brought to the hospital where he is reconciled with the mother superior...

Agnese has many men who woo her and live with her cousin Cesira, who has the opposite problem with men and wishes she would also have men woo her.

Wealthy teenager Guendalina is a child of divorce. Oberdan, likewise a teenager, is a boy from a blue-collar family. Escaping from the tribulations of her home life, Guendalina creates a dream world of her own, casting Oberdan as her personal Prince Charming. Despite parental objections, girl and boy fall in love. Interestingly enough, the relationship between Guendalina and Oberdan remains pure and chaste throughout their film, which is more than can be said for their parents. their respective parents behave with marked laciviousness.

March on Rome (Italian: La marcia su Roma) is a 1962 comedy film by Dino Risi with Vittorio Gassman and Ugo Tognazzi, aimed at describing the March on Rome of Benito Mussolini's black shirts from the point of view of two newly recruited, naïve black shirts

During the year 1673, Rome was besieged by poverty and violence. The rich Mr. Argante has two servants to look after him, while his wife is only waiting to see him dead to inherit.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

A police officer meets a girl who is near to falling into the net of shady individuals. To prevent this, he invites her into the police station and tells her a story.

The nun tells the priest about her past and then a long flashback begins...