Best movies like Anna Karamazoff

1985 documentary film about Min Yasui, an attorney from Oregon, Gordon Hirabayashi, a Quaker college student in Washington, and Fred Korematsu, a San Francisco welder and how their lives were affected by Japanese American internment during World War II.

At the dilapidated country estate of Anna Petrovna Voinitseva, a group of feckless Russian aristocrats whiles away a summer afternoon. Unbeknownst to their respective spouses, local schoolteacher Platonov and the wife of Anna's stepson, Sophia, are former lovers whose meeting revives both passion and regret. Thrilled to see each other, they are nevertheless haunted by the loss of their youthful ideals.

Intercutting dramatic vignettes with newsreel footage, the story follows the characters from an infantry squad as they make their way from Sicily to Germany during the end of World War II.

A day in the life of an unfaithful married couple and their steadily deteriorating relationship in Milan.

In the summer of 1939, 13-year-old Marie goes with her parents to visit her grandparents in a small town near Avignon. Marie discovers her femininity and falls for a young Jewish doctor, but he prefers Eva, Marie's mother.

Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason for this accusation and to protest his innocence, he tries to look behind the façade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this Kafkaesque nightmare.

A couple's honeymoon trip aboard a yacht leads to a claustrophobic drama when another vessel runs into their voyage, apparently drifting. Shot in a piecemeal fashion between 1966 and 1969 and plagued with production problems, this film never completed principal photography and never entered post-production. The original negatives are now considered to be lost, and the film only exists in two incomplete workprint versions (one color and one black-and-white), which have received isolated public screenings since 2007.

Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".

Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.

Nazi POWs suspected of heinous acts are locked up in a Soviet women's prison run by vengeful female guards. To weed out the guilty, the innocent must pay. Can supposed enemies turn into great loves? Based on a true post-World War II story, this drama stars Thomas Kretschmann, John Malkovich and Vera Farmiga in a bitter game of cat and mouse and a battle between hate and humanity, mercy and revenge.

Part One, "The Last Christmas Dinner," is about the relationship between an old man and an old woman, both homeless. Part Two, "The Electric Floor Polisher," is an opera-like story of a woman who is obsessed with polishing her floors. Part Three is a musical interlude featuring Jeanne Moreau singing "When Love Dies." Part Four, "The Virtue of Tolerance," concerns an old man, his young wife, and how they come to terms when she has an affair with a man her own age.

Ordered to seduce French captain and steal from him classified papers, Mata Hari, an exotic dancer and a spy, instead falls in love with him and blows the cover.

Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, which, despite the prohibitive conditions it was created in, won the admiration of many of cinema's greatest artists, including Francis Ford Coppola and Martin Scorsese.

Aging ex-con tries to stop his daughter from getting involved with shady characters.

An adolescent believes that his widowed mother's suitor may have murdered his father.

Set in the early 1920s after the end of the Russian Civil War, Red Army soldier Nikita returns to his hometown to see his partner Lyuba, both of whom are scarred by the trauma of the Russian Empire of yesteryear.

A man endeavors to collect memories of his grandparents who died in a concentration camp during the Holocaust.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.

While shooting a documentary about all kinds of actresses, the director falls for one of them.

Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.

Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the Bolsheviks get closer to Moscow. Although married, she spends time every day with Victor Pototsky, the film's cameraman. Gradually, it comes to light that Victor uses his job as a cover for filming White atrocities and Red heroism: he's a Bolshevik. He asks her for help, and she discovers meaning in her otherwise flighty and self-centred life. Love blooms. Will the Red forces arrive in time to save them from a suspicious White military leader? Will she find courage?

Director André Téchiné brings his usual obsessions -- including a preoccupation with the fortunes of the bourgeoisie -- to this episodic drama, which serves as a thinly-veiled portrait of France's economic peaks and valleys from the 1930s through the 1970s. Jeanne Moreau stars as Berthe Pedret, a simple laundry woman who marries Hector (Michael Auclair), son of a wealthy, upper class, Spanish immigrant family that owns a successful farm machinery factory. Through a series of vignettes, Techine depicts the passage of years, during which the ambitious working class woman blooms through several bold moves, such as negotiating a workers' strike settlement and using her alliance with the war-time French Resistance movement to increase the enterprise's prestige.

Sisters Jane and Penny are arrested for hitchhiking on their way to Los Angeles when they stop for a quick skinny dip in a rural town. Local agricultural magnate Tropp is a sponsor for a local prison work program and the women get put in the fields to work off their sentence. Tropp is dating the widowed judge in order to ensure a stable supply of cheap labor in order to undercut his competition. The prisoners suffer ill treatment, but the judge's son has signed on as a hired hand and begins to figure out the scam as he begins falling in love with Jane, and Penny dreams of making it big in showbiz.

An aged, wealthy trader plots with his servant to recreate a maritime tall tale, using a local woman and an unknown sailor as actors.

A reporter notices an old man in a border town who may be an important Greek politician who disappeared mysteriously years ago.

A young man takes a succession of odd jobs in order to save enough money to buy himself and his mother a house. He lands a position in a newspaper office and falls in love with the beautiful society editor, who is secretly having an affair with the married managing editor. She returns the young man's affections in order to make her lover jealous, but finds herself falling for him.

Julien Dandieu, leader of the socialist political party PRU is asked to be part of the new conservative government as minister of foreign affairs. However his reputation is somewhat tarnished by his adulterous relationship with Creezy, a fashion model seen on every magazine cover. Ready to sacrifice his family for his career, he is eventually faced with the ultimate choice: his career ambitions or a lifetime with his beautiful girlfriend, who has recently mysteriously disappeared.

Ottavia is left completely alone this summer, but not for long. Walter, who is to change her entire life, now come into it. He is very young, very good looking and cruel.

Sarah, an actress nearing her forties, has invited 3 friends to join her for a holiday in Provence. This is the prologue for what happened a year ago in Paris with a man Sarah had long considered a platonic friend. She had just finished a film, had also finished her relationship with the director and was about to receive an award…

Myriam, a survivor of the concentration camp at Auschwitz, is a filmmaker and journalist who has spent many years living abroad. She takes part in a memorial event at the town hall in Paris commemorating the liberation of the camp, where she wins a flight to Cracow. At first she refuses to accept the prize, then decides to go.

Cet Amour-là is an intimate portrait of a legendary love affair. Set against the beauty of the Breton seaside, it is also a film that revels in the insights that Marguerite Duras' writing affords.

The Story of a Japanese-Canadian woman who finds friendship after her family is interned to a small town during World War II.

Jeanne writes during WW II for a French clandestine journal. She is engaged to resistant leader Victor Devère but has a love affair with the young resistant Marc Hétier. But is Marc really trustworthy?

The story of Joe Ferrill, whose efforts to raise enough money so that his imprisoned father can live comfortably upon release come to naught when the elder Ferrill dies behind bars. Vowing revenge on Society, Joe aligns himself with a bunch of gangsters. He intends to use his mob connections to get even with auditor John Mitchell, the man whose testimony sent Joe's dad to the Big House. But Joe hasn't counted on falling in love with Mitchell's pretty daughter Chris.