As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

Every choice has a consequence. But what if the flip of a coin could trigger two separate but parallel destinies? Bobby and Kate are a young New York couple at a crossroads whose lives are about to take very different directions. A seemingly ordinary July 4th is cleaved in two by the flip of a coin. One path leads them to gentle discoveries about family, loss and each other on a visit to Brooklyn, and the other plunges them into an urban nightmare of pursuit, suspense and murder in Manhattan.

In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBTQ+ representation in the media. He went on to write "The Celluloid Closet", the first book to critique Hollywood's portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990.

An epic portrait of the New York avant-garde art scene of the 60s.

On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

In 1970, hundreds of hippies followed Stephen Gaskin on a journey from San Francisco to Tennessee, where they founded a legendary commune known as the Farm. Within this self-sustaining society based on non-violence, vegetarianism and respect for the earth, members willingly took a vow of poverty, lived in converted buses, grew their own food and home-delivered babies. Born and raised in this alternative community, filmmakers and sisters Rena and Nadine return for the first time since leaving in 1985. Finally ready to face the past after years of hiding their upbringing, they chart the rise and fall of America’s largest utopian socialist experiment and their own family tree. The nascent idealism of a community destroyed, in part, by its own success is reflected in the personal story of a family unit split apart by differences. American Commune finds inspiration in failure, humour in deprivation and, most surprisingly, that communal values are alive and well in the next generation.

A meticulous essay on the presence and representation of children in the history of cinema, in which cinematographies from all over the world are analyzed.

This film is a compilation, with narration by Steve Allen, of comedies from the old Mack Sennett silent studio. Sennett, himself, appears in a cameo at the end of the film.

Lisa's life is a movie. Everything she experiences she captures on film. Recording every memory, every step, everyone she meets. As Martin's and Lisa's relationship fall apart, the exhibitionist Lucas makes an entrance in the view-finder.

In this 1957 biography film of the jazz-great Louis "Satchmo" Armstrong, he and his band tour the world as American good-will ambassadors bring jazz at its best to the people of the world. Within the film, the life of Louis Armstrong is portrayed through the music. One of the outstanding scenes in this "biography/docudrama" shows blind songwriter W. C. Handy, with tears streaming down his face, as Armstrong, backed by Leonard Bernstein leading the New York Philharmonic Orchestra, play Handy's immortal "St. Louis Blues."

An inside look at the life of Patrick Swayze as told by the people who knew him best.

Complete strangers meet in a room to act out their sexual desires.

Archie Bunker's Place is an American sitcom originally broadcast on the CBS network, conceived in 1979 as a spin-off and continuation of All in the Family. While not as popular as its predecessor, the show maintained a large enough audience to last for four seasons, until its cancellation in 1983. In its first season, the show performed so well that it knocked Mork & Mindy out of its new Sunday night time slot.

Chris is a teenager growing up as the eldest of three children in Brooklyn, New York during the early 1980s. Uprooted to a new neighborhood and bused to a predominantly white middle school two-hours away by his strict, hard-working parents, Chris struggles to find his place while keeping his siblings in line at home and surmounting the challenges of junior high.

The story of the romantic and creative partnership between Bob Fosse and Gwen Verdon. He was a filmmaker and one of theater's most influential choreographers and directors; she was the greatest Broadway dancer of all time. Together, they changed the face of American entertainment — at a perilous cost.

The daily mishaps of a married woman and her semi-dysfunctional family and their attempts to survive life in general in the city of Orson, Indiana.

Tots TV is a British children's television programme, produced by Ragdoll Productions and Central. The programme featured three ragdoll friends: Tilly, a French girl, with red hair, who speaks in basic French, Tom, a blue haired boy with glasses, and Tiny, the youngest Tot, who is smaller than the others and has green hair. Tots TV was written by two of its puppeters - Robin Stevens and Andrew Davenport with Tilly played by three actresses - initially Veronique Deroulede, then Claire Carre and Alexandra Hogg. The series won two BAFTA awards for its producer Anne Wood and director Vic Finch. Originally broadcast in the UK on the ITV network, CBeebies, the BBC's television channel for young children,pick up the series from 2004. The Series was also broadcast in the United States on the PBS network from 1996 with 'Tilly speaking Spanish, instead of French. In 2000 Discovery Kids broadcast the series throughout Central and South America, the Caribbean and the Falkland Islands.

The series stars Gary Coleman and Todd Bridges as Arnold and Willis Jackson, two African American boys from Harlem who are taken in by a rich white Park Avenue businessman named Phillip Drummond and his daughter Kimberly, for whom their deceased mother previously worked. During the first season and first half of the second season, Charlotte Rae also starred as the Drummonds' housekeeper, Mrs. Garrett.

A minor league defenseman's journey from obscurity to national fame as the opinionated commentator on Hockey Night In Canada, and undoubtedly one of the most recognized faces in the country.

Delve into the secret underworld of the American Mafia, as told by the criminals who lived it and the law enforcers who hunted it. This dramatic six-part series chronicles the true-life story of the modern Mob in America, as former mobsters, informants, and FBI agents expose the takedown of the deadliest and most infamous organized crime ring in U.S. history. A combination of recently declassified files, first-person accounts by federal officials and the mafioso themselves, and rare archival footage sheds a new light on the raw, violent, and corrupt underworld that gripped America for decades.

The story of the legalization and subsequent rise of the porn industry in New York’s Times Square from the early ’70s through the mid ’80s, exploring the rough-and-tumble world that existed there until the rise of HIV, the violence of the cocaine epidemic and the renewed real estate market ended the bawdy turbulence of the area.

Documentary series exploring how each of the four seasons transforms the planet.

As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.

An archivist takes a job restoring damaged videotapes and gets pulled into the vortex of a mystery involving the missing director and a demonic cult.

After he's shot in 1968, Andy Warhol begins documenting his life and feelings. Those diaries, and this series, reveal the secrets behind his persona.

Interviews with friends, family and Sally McNeil herself chart a bodybuilding couple’s rocky marriage — and its shocking end in a Valentine's Day murder.

We recall classic matches and memories from the WWE past.