Best movies like Ballet Mécanique

In a repressive boarding school with rigid rules of behavior, four boys decide to rebel against the director on a celebration day.

A woman and an engineered man are sent in a gigantic sentient starship to search space for a place to start a new life cycle. Raj decides to take a look around the ship. He comes across a gigantic robotic cleaner. Combat ensues.

Young Vincent Malloy dreams of being just like Vincent Price and loses himself in macabre daydreams that annoy his mother.

Witch’s Cradle is an unfinished Maya Deren film made in the Guggenheim Gallery during a surrealist “Art of this Century” exhibit. It was assembled long after her death by staffers within the preservation department at Anthology Film Archives.

A day in the life of the city and citizens of New York as seen through the fantastic eye, and the incredibly distorted optic lenses, of filmmaker Francis Thompson.

Michael Snow narrates a series of Hollis Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate.

In this surreal cartoon that plays with the idea of sound effects, a near-deaf old man finds one of the devil's lost horns and tries to use it as an ear trumpet.

Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.

A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren’s most intriguing works.

The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Centres on Canadian animator Ryan Larkin, who in later years lived on skid row in Montreal following a history of drug and alcohol abuse.

Avery DuPoys is a wealthy businessman, organising a race. He meets one of the competitors of the race, who is in love with DuPoys's daughter. Another competitor crashes into the action, who is also in love with DuPoys's daughter. DuPoys suggests that whoever wins the race will have the opportunity to visit his daughter every Wednesday night. An action-packed race commences, with one competitor doing more than usual to win the race.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.

A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene. Many film critics have interpreted the young man's process of self-mutilation as a metaphor for the self-destructive involvement of the United States in the Vietnam War.

A Corny Concerto is an American animated cartoon short produced by Leon Schlesinger Productions and distributed by Warner Bros. It was directed by Bob Clampett, written by Frank Tashlin, animated by Robert McKimson and released as part of the Merrie Melodies series on September 25, 1943. A parody of Disney's 1940 feature Fantasia, the film uses two of Johann Strauss' best known waltzes, Tales from the Vienna Woods and The Blue Danube, adapted by the cartoon unit's music director, Carl Stalling and orchestrated by its arranger and later, Stalling's successor, Milt Franklyn. Long considered a classic for its sly humor and impeccable timing with the music, it was voted #47 of the 50 Greatest Cartoons of all time by members of the animation field in 1994

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

In an underground city in a dystopian future, the protagonist, whose name is "THX 1138 4EB", is shown running through passageways and enclosed spaces. It is soon discovered that THX is escaping his community. The government uses computers and cameras to track down THX and attempt to stop him; however, they fail. He escapes by breaking through a door and runs off into the sunset. The government sends their condolences to YYO 7117, THX's mate, claiming that THX has destroyed himself. Electronic Labyrinth: THX-1138 4EB is a 1967 science fiction short film written and directed by George Lucas while he attended the University of Southern California's film school.

Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.

In a decaying castle surrounded by a dank, mirrored lake live the morbidly nervous Roderick Usher and his sickly twin sister, Madeline. Their tale is told and dimly comprehended by the unnamed narrator, a boyhood friend whom Roderick has summoned. When Madeline soon dies—or seems to die—they entomb her body. On a stormy night, "cracking and ripping" sounds and a "shriek" from below convince the panicky Roderick that "We have put her living into the tomb!" The shrouded, emaciated figure of Madeline appears at the door of Roderick's book-strewn study, falls upon him, "and in her violent and now final death-agonies, bore him to the floor a corpse."

A man attempts to evade observation by an all-seeing eye.

A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges an old man, dressed as a dandy, who tips his hat to the woman as he walks down stairs grinning. Others leave the same door and walk down the same stairs: a shabby man, a cop, and, several times, the same dandy. The man in blackface hangs himself; the dandy continues to smile. A bell tolls, a grave beckons. In the dark, the dandy plays the piano. Is he Death? The Hearts of Age is the first film made by Orson Welles. The film is an eight-minute short, which he co-directed with William Vance in 1934. The film stars Welles' first wife, Virginia Nicholson, as well as Welles himself. He made the film while attending the Todd School for Boys, in Woodstock, Illinois, at the age of 19.

Roger Daltrey of The Who stars as 19th century genius pianist Franz Liszt in this brash, loud and free-wheeling rock 'n' roll fantasia centered around an imagined rivalry between Liszt and composer Richard Wagner-- painted here as a vampiric harbinger of doom and destruction.

In Paris in 1887, Irène works as a governess to Douce, the grand-daughter of the dowager Countess de Bonafé. Douce believes she is in love with Fabien, the handsome manager of the estate. However she cannot hope to marry him because of their class difference. Douce's widowed father, the Count de Bonafé, has a wooden leg, and is infatuated with Irène. Douce discovers that Fabien is planning to flee to Quebec with Irène, and also finds out that the Count has asked Irène to marry him. So Douce tells Fabien this and convinces him to run away with her, causing consternation in the family.

Professor Stock and his wife Mizzi are uhappily married. The professor, suspicious of his wife, hires a detective to spy on her in hopes of obtaining a divorce. Mizzi sets her sights on seducing Dr. Franz Braun, the new husband of her good friend Charlotte. Dr. Braun's colleague, Dr. Mueller, who has his eye on Charlotte, sees this as his opportunity. Through a misunderstanding, Charlotte thinks that her husband is interested in Miss Hofer, and asks Mizzi to keep him occupied... around and around the circle goes in Lubitsch's refined comedy of mistaken infidelity.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.

Accompanied only by music the film alternates between shots of pilgrims near the tomb of Saint Sergei in Sergiyev Posad, Russia and pilgrims at the Basilica of Guadalupe in Mexico.

People quietly or campily pass the time in an overgrown garden full of statues, while a puritanical, funereal gentleman posts bills prohibiting all leisure activities.

Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.

A look at the last few days of in the life of composer Frédéric Chopin's professional life.

Young Austrian Archduke Paul "Gustl" Gustave is in an arranged engagement but his uncle, the emperor, decides to let Gustl carry on a fling with ballet dancer Lisl Gluck.

Blood on the Carpet is an arthouse musical film written and produced by Bladde. The film follows a lonely character braving a steep mountain attempting to reach its peak. As he journeys the mountain, he is forced to confront a plethora of internal demons. Blood on the Carpet is the debut film work of Bladde, blending together performance art drag elements with arthouse horror qualities. The film features music from a variety of artists and genres including a recurring score borrowed from the work of composer Jacob Abrams.

Paul Bonard an artist, loses his memory when he receives a blow on the head from one of two apaches fighting over Wildcat, a sultry stepper in a cafe. He becomes an apache himself, falls in love with Wildcat and paints her portrait--his masterpiece. Wildcat learns Paul's identity and restores him to his family, though realizing that she will lose him. Surgery restores Paul's memory, but some subconscious force guides him back to the cafe and Wildcat's love.

A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.