Best movies like Basements

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Jackie and Michael are coworkers at a large law firm. They decide to meet at Jackie's for dinner one night.

Somerset Maugham introduces four of his tales in this anthology film: "The Facts of Life," "The Alien Corn," "The Kite," and "The Colonel's Lady."

David Weaver makes his feature debut with this omnibus film in which each tale is told during different points during the 20th century, but in the same hotel room -- room 720. The film opens during the swinging '20s when a beautiful young woman, married against her will to a brutish thug of a man, endures a tension-fraught honeymoon. During the Depression segment, a mail-order bride from China meets her husband for the first time. Following the end of WWII, a soldier returns home to meet his girlfriend and his best friend. During the paranoia of the 1950s, a professor searches for his wife. During the 1980s, a lawyer has too much sex and debt, and during the dawn of the millennium, a woman comes to a newly refurbished room 720 to meet her Internet lover. Such acclaimed Canadian actors as Tom McCamus, Sandrine Holt, and Colm Feore star in this film, which was screened at the 2001 Toronto Film Festival.

Coffee And Cigarettes is a collection of eleven films from cult director Jim Jarmusch. Each film hosts star studded cast of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

A caretaker devotes himself to three demented siblings after their father's death. But then money-hungry relatives show up to usurp their inheritance.

A man and woman meet by chance at a romantic inn over dinner and, although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year—in the same hotel room—and the years pass each has some personal crisis that the other helps them through, often without both of them understanding what is going on.

On his sprawling country estate, an aging writer matches wits with the struggling actor who has stolen his wife's heart.

Fred arrives at the doorstep of his beautiful young mistress Velvet after four years apart, claiming to have finally left his wife. But when she rejects his attempts to rekindle their romance, his persistence evolves into obsession — and a dark history between the former lovers comes into focus.

A mother and daughter spend a night together after the daughter reveals that she will kill herself by the end of it.

Steaming is the final film directed by Joseph Losey. It was adapted from Nell Dunn's play by Patricia Losey and Nell Dunn. It is about three women who meet regularly in a steam room and decide to fight its closure.

A nightclub singer and his partner escape mobsters by fleeing to Cuba with a beautiful heiress, who has inherited a haunted castle on an isolated island. The trio hunt for a hidden treasure and encounter a ghost, a zombie, and a mysterious killer...

Aston, a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies, an old derelict who has been fired from a menial job in a café. In time Aston offers him a job as caretaker of the house. Aston's brother, Mick - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders...

Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention to spruce up their failing marriage. In the second, brash film producer Jesse Kiplinger tries to get his former one-time flame Muriel to see him for what he stands for. In the third, Roy Hubley and his wife Norma try and try to get their uncertain-of-herself daughter out of the bathroom before her approaching wedding.

A young conservative black man, minding his own business, rides a nearly empty subway car. The only other passenger, a blonde vixen looking for trouble, sizes him up. Sexual tension, racial bigotry and righteous fury collide in a razor's edge confrontation between this unlikely pair.

W. Somerset Maugham introduces three more of his stories about human foibles.

Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.

Five strangers board a train and are joined by a mysterious fortune teller who offers to read their Tarot cards. Five separate stories unfold: An architect returns to his ancestoral home to find a werewolf out for revenge; a doctor discovers his new wife is a vampire; a huge plant takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand.

An aging Southern belle's preoccupation with her past and her dreams for her children's futures threaten to smother her painfully shy daughter and her aspiring writer son.

Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant.

The story of woman's change from an innocent teenager to an embittered, disillusioned prostitute and the life tragedies which brought the transformation.

A young wife wants to have children, but her husband neglects her. She confides her longings to a handsome brain surgeon. Complications ensue.

A young writer is interrogated by a sadistic secret policeman. She is accused of embedding political messages in her children's stories. The entire movie takes place in one room, with only the two actors. The movie is set in an unidentified, modern police state.

Carol, a college student, comes to John's office, her professor, to discuss the grade she has received for one of her papers.

A deeply religious black ex-con thwarts the suicide attempt of an asocial white college professor who tries to throw himself in front of an oncoming subway train, 'The Sunset Limited.' As the one attempts to connect on a rational, spiritual and emotional level, the other remains steadfast in his hard-earned despair. Locked in a philosophical debate, both passionately defend their personal credos and try to convert the other.

Three tales, each more terrifying than the last… a woman who is stalked by a crazed serial killer... a man who pays the ultimate price for a beautiful head of hair… and a vision of life — seen through the eyes of a killer!

Fly-by-night producers dodge bill collectors while trying for one big hit.

Jeffrey Haywood wants to marry to Virginia Embrey. However, Virginia refused to marry unless her older sister, the hard-to-please Angelica gets married first. Angelica, in turn, finds every man she knows too dull and predictable, and for this reason prefers to stay single. Jeff then tries to make Angelica interested in the mild-mannered and timid Reggie Irving passing him off as a notorious playboy to intrigue her. He asks his friend Polly to teach Reggie "how to treat a woman right", but he turns to be a disastrous learner.

Adaptation of the award-winning stage musical. The story takes place entirely in a bedroom dominated by a couple's four poster bed, taking them through fifty years of marriage, through happiness and sorrow, through good times and bad, through childbirth, parenthood, and the eventual sadness from the absence of their children. In the end, they face the future together, while remembering their past.

Foxhall Ridgeway, arriving in New York City from the West, stumbles onto a murder in the hotel room next to his. He gets tangled up into the affair, and with the aid of Phoebe, the hotel telephone operator who takes a liking to him, and also Countess Louise Browssiloff, who innocently had left some personal belongings in the murdered man's room and is most anxious to recover the incriminating evidence, Foxhall solves the murder mystery.

The dining room of the Jolly Fiddler has long been presided over by Albert, an aged but very shrewd waiter. A past master of the gentle art of fiddling, he extracts the maximum profit from his job while managing to endear himself to both the customers and staff. Then, there's a visit from Mr Finch, who feels it's time Albert was replaced.

Albert Durant, a young millionaire, poses as a waiter in order to woo an exiled and financially hard up Grand Duchess. She finds him impertinent and clumsy, but also quite fascinating. She takes him into her employ insisting he does everything she asks.

This omnibus release consists of three playlets filmed and aired during television's Golden Age, and starring some of the legends of film and television. The collection originally ran as a two-hour segment on December 14, 1959, on the anthology series The Play of the Week, broadcast locally in New York City via the independent radio station WNTA. Each "tale" in the anthology was adapted from a single tale by the inimitable Sholom Aleichem, regarded by many as the "Yiddish Mark Twain". Included are: "A Tale of Chelm" starring Zero Mostel and Nancy Walker in the story of a bookseller attempting to buy a goat; "Bontche Schweig" about a poor man (Jack Gilford) whose recent arrival in Heaven makes the angels cry; and "The High School" about a Jewish merchant (Morris Carnovsky) persuaded by his wife (Gertrude Berg) to let their son attend a particular high school despite the enforcement of quotas for Jewish students.

In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.

A loud-mouthed lout alienates everyone except his patient wife.