Baxter, Vera Baxter

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

An unexpected affair quickly escalates into a heart-stopping reality for two women whose passionate connection changes their lives forever.

After a job interview gone wrong, Lulu sets sail leaving her husband and three children behind. But being an adventurer is easier said than done.

Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.

Determined not to turn into her parents, or be drawn into any relationship longer than a one night stand, Zoe constantly struggles with her failing business and love life. Then she falls in love for the first time with Paul. But there's one problem: Paul is married.

Luisa is called to the bed of her dying mother Edith at Karlstein Castle. Before she dies, she tells Luisa that the Karlsteins are a family of vampires and that her ancestor, the original Count Karlstein, lies buried in the crypt. Afterwards, Luisa goes and finds the count's coffin and discovers that he is undead. As she takes Karine, her cousin as her lover, a police inspector, Ptuschko investigates a series of killings around the town, dismissing the locals who insist these are being caused by vampires.

An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.

Ernesto, a seven-year-old boy who has the body of a thirty-year-old man, decides, upon attending his first day of school, that he no longer wishes to attend, because he does not wish to be taught matters that he does not know.

A man and his sister meet at a seaside village to discuss their relationship.

Axèle is a photographer, Camille is a writer. They have been awarded an arts residency at the Villa Medicis in Rome. Camille is accompanied by her husband, the famous writer Marc Landré. When a strange rivalry takes shape between them, Camille bonds with Axèle. But who is Axèle really ? A total artist, who never compromises and confuses herself with her oeuvre ? Or a ghost ? This year at the Villa Medici, where bodies and souls free themselves, no one will come out unscathed.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude.

In a secluded hotel circumscribed by a dense forest Max and Alissa Thor meet Stein and Elisabeth. Max, a professor of future history and an aspiring author, is immediately attracted to the brooding wife of industrialist Bernard Alione, Elisabeth, who is recovering from a miscarriage. Stein, a German Jew and potential writer, is infatuated by Alissa, Max's young wife and former student. During their sojourn the guests' identities gradually meld.

The Affair explores the emotional effects of an extramarital relationship between Noah Solloway and Alison Lockhart after the two meet in the resort town of Montauk in Long Island. Noah is a New York City schoolteacher with one novel published (book entitled A Person who Visits a Place) and he is struggling to write a second book. He is happily married with four children, but resents his dependence on his wealthy father-in-law. Alison is a young waitress trying to piece her life and marriage back together in the wake of the tragic death of her child. The story of the affair is told separately, complete with distinct memory biases, from the male and female perspectives.

The murder of a young boy in a small coastal town brings a media frenzy, which threatens to tear the community apart.

This riveting and provocative drama series explores issues of intimacy within the lives of three couples and the therapist they share.

Anthology series wherein each episode, Jacqueline Stone reads a letter sent in from women recounting their erotic experiences.

When Emily Thorne moves to the Hamptons, everyone wonders about the new girl, but she knows everything about them, including what they did to her family. Years ago, they took everything from her. Now, one by one, she's going to make them pay.

The remarkable true story of Edwardian writer Vita Sackville-West and her husband Harold Nicolson.

A happily married woman receives anonymous email claiming that her husband is having an affair with a secretary in his office. At first totally skeptical, she gradually is drawn to the malicious emails because they seem to have more than a grain of truth. Both she and her husband become entangled in a murder web, each doubting the others innocence. But, who is pulling the strings? Who is the real murderer? Was the husband really unfaithful? A cast of other characters adds depth and mystery. It has a charm of its own and keeps you guessing until the end.

In 1970s New York, jaded record exec Richie Finestra tries to resurrect his failing label and fractured personal life while keeping his finger on the pulse of the city's new sound.

Act of Will is a 1989 mini-series directed by Don Sharp. It the third mini series based on a Barbara Taylor Bradford novel he had directed and was an early lead role for Elizabeth Hurley.

The follow-up to A Woman of Substance with Emma Harte at age eighty in the last winter of her life and dealing with her granddaughter Paula, as well as her respected advisor Henry Rossiter and Blackie O'Neill.

Survivors and first responders share personal stories of anguish, kindness and bravery that unfolded amid the Paris terror attacks of Nov. 13, 2015.

A 1950s housewife goes to Rio de Janeiro to meet up with her husband, only to learn he's deserted her, but decides to stay and open a bossa nova club.

A woman's daring sexual past collides with her married-with-kids present when the bad-boy ex she can't stop fantasizing about crashes back into her life.

The story follows Kate, a woman who discovers that her husband is having an affair during a luxurious holiday somewhere in the Mediterranean. The troubled couple are sharing a villa with four of Kate’s closest friends, one of which is the adulterous partner, but she doesn’t realise that the guilty party could be prepared to kill in order to keep their secret safe.