Beehive

Queer Duck and his partner of 18 months (a lifetime in gay years), Stephen Arlo "Openly" Gator, hit a relationship crisis when the fey fowl is wooed by a brassy Broadway broad. Queer Duck wonders if he'd be happier being straight, while Gator the waiter spills his problems to a compassionate Conan O'Brien.

Alpha Male Smith and his Beta, Keith, move to take over a local community. They hook up with restless Female, Denise, igniting a deadly feud in which emotions run high and deep-seated grudges resurface amongst the tribe. Are we not men? Or are we simply beasts?

Penny Morris and Tommy Williams are both starstruck young teens but nobody seems to give them any chance to perform. Instead, they decide to put up their own show to collect money for a summer camp for the kids.

All self-taught dancer Kate Parker has ever wanted to do was perform with the American Academy of Ballet. But when she doesnt make it after auditioning, she learns that it takes more than precision and perfection to succeed in the dance world.

In this feature-length film combining footage from classic Warner Brothers cartoon shorts with newly animated bridging sequences, Daffy Duck, after having induced laughter in an ailing millionaire and forestalled the millionaire's death for a time (as chronicled in Daffy Dilly (1948), is the beneficiary for the deceased millionaire's assets. But the millionaire's will clearly stipulates that Daffy must use the money for the common good, by providing a service, and should Daffy think of pursuing selfish aims, the millionaire's ghost will "repossess" his millions by making them disappear from Earthly existence. Under the pretense of community service, Daffy opens an exorcism agency and employs Porky Pig, Sylvester Cat, and Bugs Bunny to track and eliminate ghosts, ghouls, and other monsters, while Daffy secretly schemes to use his learned "ghost-busting" talents to rid himself of the millionaire's nagging spirit.

Murray is a male fairy godmother, and he is trying to help 8-year-old Anabel to fulfil her "simple wish" - that her father Oliver, who is a cab driver, would win the leading role in a Broadway musical. Unfortunately, Murray's magic wand is broken and the fairies convention is threatened by evil witches Claudia and Boots.

Monty Python perform many of their greatest sketches at the Hollywood Bowl, including several from pre-Python days.

Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.

The famous matinee idol and blackface comedian, Don Wilson, heads out of town to escape adulation. There, calling himself Harry Mann, he accidentally joins a traveling acting troupe, and falls in love with Ginger Bolivar, who runs the troupe and stars in their Civil War melodrama. Don's producer sees the play, and thinks it's a comic masterpiece, and just what Don's Broadway show needs. But when Ginger finds out she's been played for a fool, will she forgive Don?

A little girl's imaginary friends come to life when she goes through her great-grandmother's antique mirror, a la Alice, after she sees it glowing.

Amnesty decided not to present a benefit show in 1978 in order to consider how to make better use of the performing talent so favourably disposed to assist it in raising funds. Peter Luff left Amnesty in 1978 and the organisation's new fund-raising officer, Peter Walker, was deputed to work with Lewis on reconfiguring the show to raise more money and greater awareness of Amnesty. Lewis proposed to Cleese that in addition to the comedy performances the show should feature some contemporary rock musicians. Cleese delegated this responsibility to Lewis who recruited Who guitarist Pete Townshend to perform, as well as New Wave singer-songwriter Tom Robinson.

Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.

The story of the training and adventures of several airline stewardesses.

Two theatrical producers plan to get even with a demanding actress by tricking her into starring in the worst play they can find.

A heartthrob singer, Tony Paige, also known as "America's Boyfriend" decides to wed a Swedish actress. His manager doesn't want this because he is afraid of Tony losing female fans so he takes up a 300 hundred thousand dollar insurance policy if Tony does in fact wed. Tony soon meets a girl name June Delaney on a bus who doesn't swoon over him like other girls. He falls for her but doesn't know her true identity.

Ms. Julie teaches performing arts workshops with the help of her assistant Gus at their Wellspring Center for the Performing Arts.

When genius cybernetics engineer Ted Lawson brings home his top-secret invention, a Voice Input Child Identicant or V.I.C.I., life becomes anything but mechanical for the Lawson Family. With his boss and his nosy family living next door, Ted, his wife Joan and their son Jamie must pass Vicki off as a real child. It is easy for Joan, who cannot help doting on her like a daughter, but harder for precocious Jamie, who uses Vicki to do his homework and to ward off Harriet, the annoying redheaded girl next door.

The show where everything's made up and the points don't matter. Not a talk show, not a sitcom, not a game show, Whose Line Is It Anyway? is a completely unique concept to network television. Four talented actors perform completely unrehearsed skits and games in front of a studio audience. Host Drew Carey sets the scene, with contributions from the audience, but the actors rely completely on their quick wit and improvisational skills. It's genuinely improvised, so anything can happen - and often does.

Fist of Fun was a British comedy television and radio programme, written by and starring Lee and Herring. A lot of the show's comic material was adapted from Lee and Herring's radio programme Lionel Nimrod's Inexplicable World. Each episode of Fist of Fun featured several disparate sketches and situations. Fist of Fun began as a BBC Radio 1 series in 1993, before becoming commissioned as a television series on BBC Two in early 1995. It was broadcast at 9pm on Tuesday nights, and was successful, but not a major ratings-winner. The second series was aired on Friday nights, and although its ratings were relatively good, the show suffered from a lack of preparation and poor promotion. The show was not given a third series, and Lee and Herring went on to write This Morning with Richard Not Judy, for BBC Two. Many other comedians who appeared in the series went on to fame themselves, including Kevin Eldon, Peter Baynham, Ronni Ancona, Alistair McGowan, Al Murray, John Thomson, Rebecca Front, Mel Giedroyc, Sue Perkins, Ben Moor and Sally Phillips.

A half hour, politically incorrect sketch comedy show that showcased the talents of veteran performers John Byner and Bob Einstein as Super Dave Osbourne.

Sheep in the Big City is an American animated television series which ran on Cartoon Network for two seasons, from November 17, 2000, to April 7, 2002. The series' pilot first premiered as part of Cartoon Network's "Cartoon Cartoon Summer" on August 18, 2000. Created by Mo Willems, the bulk of the show follows a runaway sheep, Sheep, in its new life in "the Big City". It also features several unrelated sketches and shorts, similar to The Rocky & Bullwinkle Show. With an emphasis on more "sophisticated" humor, using multiple forms of rhetoric from the characters to the plots, it was more popular with older audiences. It was also unusual in featuring many comic references to film-making and television broadcasting. At the time, the premiere of Sheep in the Big City was the highest-rated premiere for a Cartoon Network original series.

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

Victoria Wood was a series of six one-off situation comedies written by and starring Victoria Wood in 1989, who took a break from sketches, two years after her very successful and award winning series Victoria Wood As Seen on TV. Wood appeared as "Victoria", a fictionalised version of herself, in all six episodes - in The Library it was said that she "worked in TV" and in Over To Pam characters appeared to recognise her celebrity and in the final episode, Staying In, she was taken to a party to perform as a comedienne and was expected to go through her stand-up 'routine'. Her character often broke the 'fourth wall' of TV and spoke directly to the camera, but not in every episode. Bored with the sketch format and with a yearning to recapture previous success as a playwright, Wood came up with six individual sitcoms as a compromise. She admitted to finding the writing difficult. Though Wood was written as the central character, other lead parts were written with specific actresses in mind, like Julie Walters and Una Stubbs. "I want people to like me and the people who play my friends, and not everybody else" she said. Screenonline says of the shows "Modest in ambition and scale but rich in wit and acuity, the six playlets showcase Wood's eye for human foibles and her distinctively eccentric characters.".

Illusionists Penn & Teller throw down the gauntlet to aspiring magicians to perform their most mystifying trick - and fool Penn and Teller. Penn & Teller have no prior knowledge of either the performers or the planned trick. They sit in the audience just like everyone else, watching every move the guest magicians make. If any illusionist fools the professionals, they win a five star trip to Las Vegas to perform as the opening act in Penn & Teller's world famous show at the Rio Hotel & Casino.

Jake and Amir is an American comedy web series created by and starring CollegeHumor writers Jake Hurwitz and Amir Blumenfeld, and set in New York City. The two play humorous versions of themselves: Jake is usually depicted as a sensible "regular guy", and Amir as his annoying, obsessive and odd co-worker, the pair acting as a comic double act.

Comic Brian Regan has become a well-known name on the comedy circuit since releasing his first stand-up album in 1997. In this hybrid series, he blends his trademark observational stand-up with short sketches and audience interaction. Topics range from everyday things that people can relate to -- such as sitting too close to others at restaurants and lost luggage -- to more out-there subjects like being the guy who flew to the moon but didn't get to walk on it.

Established and up-and-coming stand-up comedians perform a surreal reconstruction of their own material. In each sketch the comedian plays the role they were born to play - themselves

Screened on ITV, Saturday nights throughout the autumn and winter of 1978. A total of 12 episodes were broadcast between 7 October and 31 December 1978, with an additional highlights show and a further one off special on 4 April 1980. Despite a huge budget and big name guest stars it was poorly received and was broadly unsuccessful, with Forsyth's former big hit The Generation Game (hosted then by Larry Grayson) winning higher audience figures.

Jonathan Ross' Comedy Club showcases the very best new talents performing in a recreation of the vibe and atmosphere of a small comedy venue, all filmed within Covid guidelines. Each episode sees a new faces perform their short but memorable set alongside more established names who will get the opportunity to try out new material.

After a successful Canadian run as Second City TV on Global and SCTV on CBC, the cast packed up and moved to America (theoretically) when NBC offered them a timeslot under the title SCTV Network 90. With them, they brought their unique, quirky characters, their personalities, and the shows they had appeared on. Dick Blasucci had begun writing for the cast in their second series, SCTV, and joined them here, serving as a recurring straight man for the characters. Tony Rosato and Robin Duke wrote scripts at the beginning of the show as they had before, until quickly leaving to write and perform for Saturday Night Live. The appeal of SCTV Network 90, however, doesn't only come from the writing, but from the sheer wit of its legendary stars.