Best movies like Black music, from iron chains to gold chains

For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.

A perpetual dreamer talks his wife into moving with him from their home in Australia to South Africa, where he hopes to discover gold and finally become wealthy.

"Notorious" is the story of Christopher Wallace. Through raw talent and sheer determination, Wallace transforms himself from Brooklyn street hustler (once selling crack to pregnant women) to one of the greatest rappers of all time: The Notorious B.I.G. Follow his meteoric rise to fame and his refusal to succumb to expectations - redefining our notion of "The American Dream."

Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.

A struggling young dancer joins forces with two breakdancers and together they become a street sensation.

Sharecropper's son Marvin tries to help his community overcome poverty and ignorance.

Presenting the tale of American founding father Alexander Hamilton, this filmed version of the original Broadway smash hit is the story of America then, told by America now.

Prince Leo, last in the line of rulers of a long-deposed monarchy on continental Europe and jaded with the frenetic search for kicks with the European jet-set, returns to his father's London town house for rest.

In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.

A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player and partner Percival must choose between his love, Angel or his obligations to his father.

Vusi Madlazi returns to the South African village he left as a young boy to bury his father. He meets up with his brother Ernest, who tells him their other brother Stephen couldn't be contacted. Vusi goes to Johannesburg to find him, but at first can only find his neighbor/girlfriend, Karin, a stripper. Vusi proceeds to learn how conditions have changed since the end of apartheid, not always for the better for black men.

Young Kid has been invited to a party at his friend Play's house. But after a fight at school, Kid's father grounds him. None the less, Kid sneaks out when his father falls asleep. But Kid doesn't know that three of the thugs at school have decided to give him a lesson in behavior.

After the death of his younger brother, a troubled 19-year-old street dancer from Los Angeles is able to bypass juvenile hall by enrolling in the historically black, Truth University in Atlanta, Georgia. But his efforts to get an education and woo the girl he likes are sidelined when he is courted by the top two campus fraternities, both of which want and need his fierce street-style dance moves to win the highly coveted national step show competition.

From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.

A black laborer turns preacher after accidentally killing a man.

It is the story of Ted Lewis, popular band leader and clarinettist. The music for the film was written by Harry Akst and Grant Clarke, except for "St. Louis Blues" by W. C. Handy and "Tiger Rag". The film's title comes from Lewis's catchphrase "Is everybody happy?" The film's soundtrack exists on Vitaphone discs preserved at the UCLA Film and Television Archive, but the film itself is considered a lost film, according to the Vitaphone Project website. A five minute clip from the film can be found on YouTube.

The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

Lazy black folks in Lazy Town (Pop. 123½) are napping and attracting flies. They are so lethargic they even fight in slow motion. Then a riverboat arrives with a red hot mama on board. Faster than you can say "Jim Crow", she has everyone moving to a Harlem boogie beat, dancing, scrubbing clothes, and eating watermelon. As the boogie-woogie comes to a close, Mammy hoists her skirt. Her big bottom reads "The End".

Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.

An aspiring DJ, from the South Bronx, and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.

In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.

THUNDER SOUL tells the true story of Conrad O. Johnson and the legendary Kashmere Stage Band. It was afros, pleated pants and platform shoes; James Brown, Sly Stone and Bootsy Collins. It was the ’70s, and an inner-city Houston high school was about to make history. Charismatic band leader, Conrad “Prof” Johnson would turn the school’s mediocre jazz band into a legendary, world-class funk powerhouse. Now, 35 years later, his students prepare to pay tribute to the man who changed their lives, the 92-year-old Prof. Some haven’t played their horns in decades, still they dust off their instruments determined to retake the stage to show Prof and the world that they’ve still got it.

This documentary follows 76-year-old nomadic musician Miguel Del Morales during his travels throughout Cuba, Guantanamo and Trinidad. Amid his journey, he meets up with some long-lost friends and makes brand-new ones. This engaging film was shot with just one hand-held camera and was a Director's Fortnight feature at the 2000 Cannes Film Festival. French filmmaker Karim Dridi directs and co-writes.

Young man just out of college tries to persuade his father, who owns a record company, to start signing up rock 'n' roll acts.

When a rapper-turned-teacher brings hip-hop to a community center in an impoverished area of Casablanca, his tough methods spark an explosion of talent.

Before MTV and the age of television, there were Soundies. First appearing in 1941, these three minute black-and-white films featured artists of the Big Band, Jazz and Swing era, like Duke Ellington, Count Basie, Louis Jordan, Louis Armstrong, Gene Krupa, The Mills Brothers, Les Paul, Cab Calloway, and Fats Waller. The Soundies helped launch the careers of Doris Day, Nat King Cole, Liberace, and Dorothy Dandridge, among others. Viewed for a dime through a special machine called a Panoram, a movie jukebox, these forerunners to the music video could be seen in nightclubs, roadhouses, restaurants and other public venues across the U.S. These classic films remain as glorious time capsules of music, social history, popular culture, and tell the story of a crossroads in our country, when the uncertainties of war, race relations, and emerging technologies combined to write one of the most influential chapters in our nation¹s history.

The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat.

A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.

After breaking ties with the Nation of Islam, Malcolm X became a man marked for death...and it was just a matter of time before his enemies closed in. Despite death threats and intimidation, Malcolm marched on - continuing to spread the word of equality and brotherhood right up until the moment of his brutal and untimely assassination. Highlighted by newsreel footage and interviews, this is the story of the last twenty-four hours of Malcolm X. Featuring the music of jazz percussionist Max Roach.

Set in 1947, Knights of Swing is a feature film that chronicles a group of young jazz musicians whose dream is to form a “really swingin’ Big Band”. Unfortunately, things prove much more complicated when the community objects to the diversity of the band. Alliances form, and lines are drawn. What follows is soul searching, uplifting, and through music, our story illuminates forgiveness, healing and unconditional love.

Bill "Bojangles" Robinson made his movie acting debut in this 1932 film, featuring Putney Dandridge, James Baskett (Oscar winner for "Song of the South"), Cotton Club dancer Anita Boyer, Henri Wassell, Alma Smith, Bob Sawyer, and composer/bandleader Eubie Blake and his orchestra.

In the racially turbulent UK of the early 70s, a group of black musicians came together in South London with a common love of rhythms and a message of peace. Cymande – with the dove as their symbol – combined jazz, funk, soul and Caribbean grooves to form a unique sound. Despite success in the USA they faced indifference in their native Britain, becoming disillusioned and disbanding. But the music lived on, as new generations of artists imbibed and reworked their pioneering sounds in fresh ways. From Soul II Soul to De La Soul, MC Solaar to The Fugees, the Dove had spread Cymande's message far and wide, prompting their return after forty years. This is their story.