Blue Helmet

Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.

Nebraska cop Kathryn Bolkovac discovers a deadly sex trafficking ring while serving as a U.N. peacekeeper in post-war Bosnia. Risking her own life to save the lives of others, she uncovers an international conspiracy that is determined to stop her, no matter the cost.

Two soldiers from opposite sites get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

A long and thoughtful look at those desperate days of October 1970, when Montréal awaited the outcome of FLQ terrorist acts. This film puts the October Crisis in the long perspective of history. Compiled from news and other films, it shows independence movements past and present, and their leaders; it reflects the mingled relief, dismay, defiance, when the Canadian army came to Montréal; and it shows how political leaders viewed the intervention.

A documentary recounting the kidnappings of British Trade Commissioner James Cross and Quebec Vice-Premier & Minister of Labour Pierre Laporte by the FLQ on October 5, 1970 in Quebec.

An uncommon motorcycle club led by Bosnian War veterans finds redemption helping their struggling small town heal and defending the threatened herd of wild horses they first met on the front line.

This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.

A street in Paris. A stranger thinks he is recognized in Joachim a soldier who died in Bosnia on August 21st, 1983, the very day Joachim was born.

As Serb forces close in on Srebrenica a Serbian mother seeks the body of her 11-year old son, who was tortured and killed by Muslims in Bosnia.

The war has ended. Villages of Bosnian Croats have been destroyed, and they are living in the homes of the Croatian Serbs. An old man, a Bosnian Croat, disappears. A policeman Filip, himself living in a Serbian home, investigates the case uninterestedly. Through the relationship with his father, Filip tries to understand the motives of the missing old man. As the film moves towards the end, Filip’s investigation becomes more and more personal.

Sarajevo lived through the longest siege in modern history. The Siege is a film about those who lived through it, about the human experience of the besieged. Through Sarajevo to beyond Sarajevo, it is the story of a surrounded city, of a battle and resistance. It is also the universal story of civilization facing a terrible challenge to its existence, of a struggle for its survival. Sarajevo resisted and survived. The Siege describes a vertiginous descent into war.

Sabina, a divorced mother of two small children, falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong.

Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

The third installment from executive producers Tom Hanks, Gary Goetzman and Mark Herzog, following in the footsteps of critically-acclaimed series THE SIXTIES and THE SEVENTIES, tackles 10 years shaped by exceptionalism and excess. Like its predecessors, THE EIGHTIES intersperses rare archival newsreel footage, interviews, and comments by historians, journalists, politicians, celebrities and others, painting a perspective-rich picture of a vibrant decade. Episodes examine the age of Reagan, the AIDS crisis, the end of the Cold War, Wall Street corruption, the evolving TV and music scene, and everything in between.

Michael Palin explores European countries that were once behind the Iron Curtain.

The Death of Yugoslavia is a BAFTA-award winning BBC documentary series first broadcast in 1995. It covers the collapse of the former Yugoslavia. It is notable in its combination of never-before-seen archive footage interspersed with interviews of most of the main players in the conflict, including Slobodan Milošević, the then President of Serbia. Norma Percy won the 1996 BAFTA TV Award for 'Best Factual Series' for the documentary. However, it has been argued that it presents a potentially slightly biased point-of-view; for instance during the trial of Milošević before the ICTY in The Hague, Judge Bonomy called the nature of much of the commentary "tendentious" (partisan).

Our World War is a gripping factual drama series offering viewers first-hand experience of the extraordinary bravery of young soldiers fighting 100 years ago. Drawing on real stories of World War One soldiers it uses the visual techniques and imagery familiar from modern warfare – POV helmet camera footage, surveillance images and night vision – to immerse the BBC Three audience in life on the Western Front. Each episode is closely based on first-hand testimony, interviews and memoirs that reveal often hidden and sometimes disturbing aspects of the combat experience.

The Lost Evidence is a television program on The History Channel which uses three-dimensional landscapes, reconnaissance photos, eyewitness testimony and documents to reevaluate and recreate key battles of World War II.

The wrenching plight of two Bosnian sisters and their descent into the dark world of enforced prostitution. Their journey is intersected by a British journalist struggling to uncover a conspiracy by American peacekeepers and the machinations of an international charity organization.

Comprised entirely of re-mastered and colorised archive footage from World War II, much of it never before seen, Sacrifice recounts the story of D-Day through the testimonies of those who lived it. These important historical days are seen through the eyes of French civilians and members of the military fighting on both sides. The testimonies of famous individuals like Dwight D. Eisenhower and Erwin Rommel are intertwined with those of anonymous soldiers and citizens, such as film director Samuel Fuller and Eisenhower's chauffeur, Kay Summersby. From the preparations for D-Day all the way through to the liberation of Paris, the accounts of these men and women provide a moving and invaluable retelling of this pivotal time in history.

The real stories that inspired TV movies that have become a part of American pop culture. The program combines cinematic re-creations with first-person interviews with women in peril who recount the jaw-dropping experiences that gave them their turn in the spotlight.

War as never seen before. Soldiers recount their experiences in one of the worst places of Afghanistan through helmet cameras and testimony years after their tour.

The very first submarine, which legend claims lurked beneath New York Harbor during the American Revolutionary War. The small ships that rescued thousands from Dunkirk. The destroyer that forced the easing of the Cuban Missile Crisis. Over the centuries, conflicts have prompted advances to ship designs, making vessels stronger, faster, smarter, and capable of changing the course of wars. Join us as we examine the world's greatest Combat Ships, and reveal how they shaped world history and inspired men and women to acts of incredible courage.

Sam is a true Kansan on the surface but beneath it all struggles to fit the hometown mold. As she grapples with loss and acceptance, singing is Sam’s saving grace and leads her on a journey to discover herself and a community of outsiders that don’t fit in but don’t give up, showing that finding your people, and finding your voice, is possible. Anywhere. Somewhere.

The story of how one company triggered the worst drug epidemic in American history. Look into the epicenter of America's struggle with opioid addiction, from a distressed Virginia mining community, to the hallways of the DEA, and to the opulence of "one percenter" Big Pharma Manhattan.

The great works of the past portray abundant testimonies, and are imbued with secrets and are teeming with mysteries. Beneath the surface of the painting, details awaken, to recount the spirit of the times and the vagaries of History, such as wars, revolutions, economic transformation, scientific discovery, beliefs and schools of thought.

This series takes viewers on a journey in the 1930s, under the roof of the hotel, where the past and the present merge. The focus of the series is business of a prominent Banja Luka family, entangled in numerous intrigues.