Best movies like Boris Godunov

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of York, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.

The film is based on the great Russian poet Alexander Pushkin’s poem of the same name. In the midst of the wedding party of Prince Ruslan and Ludmila, daughter of Prince Vladimir, the girl is kidnapped by the evil sorcerer Chernomor and the witch Naina. Three former suitors for her hand set out, as does Ruslan, to rescue Ludmila...

Russian monk Grigori Rasputin rises to power, which corrupts him along the way. His sexual perversions and madness ultimatly leads to his gruesome assasination.

When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over an eastern Russian city, Alexander stages his stand at Novgorod, where a major battle is fought on the ice of frozen Lake Chudskoe. While Alexander leads his outnumbered troops, two of their number, Vasili and Gavrilo, begin a contest of bravery to win the hand of a local maiden.

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

One day, King Yeremei decides to go on a long hike in order to consider all his areas and compile their register. A well appears on his way home, but as soon as the sovereign bent over him, he was seized by the underwater king Chudo-Yudo and demanded an unusual ransom for his release — that which is in the state of Yeremei, but which he does not know about. The tsar is forced to agree to these conditions, because he thinks that each blade of grass was taken into account in the inventory — he still does not suspect that in his absence the Queen gave birth to him an heir.

A scientist builds a time machine and accidentally sends his apartment complex manager and a petty burglar to 16th century Moscow, while Tsar Ivan the Terrible travels to 1973.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

The twisted Richard III is haunted by the ghosts of those he has murdered in his attempt to become the King of England.

The story of Prince Stepán Kasátsky discovering his fiancée was the mistress of the Czar, so he then becomes a monk.

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Based on a famous fairy tale, in verse, by Alexander Pushkin, this ravishingly beautiful fantasy is about love, magic, betrayal and abandoned family. Driven from the Russian court by her sisters' scheming, the young Tsarina is thrown into the sea in a cask with her infant son. Surviving the storm-tossed voyage, the mother and her now magically-adult son land on a remote island where he falls in love with a Swan Princess in human form, and longs for reunion with his estranged father, Tsar Saltan. Merchants come to the island with news of the tsar, and the prince sends word back to him, but the sisters continue their campaign of lies and trickery to keep them apart.

The social ferment in late 19th century Russia which led to the 1917 Russian Revolution is movingly portrayed in this lengthy historical drama, which is very faithful to the 1907 novel The Mother by the celebrated Marxist writer Maxim Gorky (1868-1936). In the story, "the mother" (Inna Tchourikova) has no other recourse than to watch her decent, kindly husband turn into an animalistic, drunken brute as a result of working in the inhuman conditions of a steel mill in the town of Sormovo. When he begins to express his suppressed rage by beating her, she is defended by her teenaged son Pavel (depicted Viktor Rakov as an adult, Sacha Chichonok as a boy). After his father's death, Pavel is forced to go to work in the same factory. However, Pavel and his friends begin investigating Marxism and socialist thought, and work to organize their fellow workers.

Tale - this is what is everyone from childhood. Give yourself a chance to once again return to the magical world created by Alexander Pushkin. Adventures brave Tsarevich Guidon, beautiful Swan-Tsar Saltan reminded of that love, loyalty and the spirit always wins!

Adaptation of 'Prince Serebrenni' by A. K. Tolstoy.

The story of corrupt, power-hungry, manipulative Grigori Rasputin's influence on members of the Russian Imperial family and others, and what resulted.

A small provincial town is home to two rival teenage gangs, one devoted to loose living and punk music and the other a collection of narrow-minded bodybuilders obsessed with order and convinced of their own moral rectitude. However, this cosy state of affairs is upset by the arrival of two strangers dressed like Pushkin, the famous early 19th century Russian poet, who proceed to found their own organisation, dedicated ostensibly to the memory of the great writer and the "salvation of Russia". Gradually, they begin to assume control of the town...

Set in the early 1920s after the end of the Russian Civil War, Red Army soldier Nikita returns to his hometown to see his partner Lyuba, both of whom are scarred by the trauma of the Russian Empire of yesteryear.

In 1668 Polish colonel Michael Wolodyjowski, who recently retired to a monastery, is recalled to active duty and takes charge of Poland's eastern frontier defenses against invading Tatar hordes and Ottoman armies.

Early XI century. Envoys of Henry, King of France, arrive to Kiev and ask Prince Yaroslav for the hand of his youngest daughter Anna. Rich, young and beautiful Anna Yaroslavna, accompanied by the envoys and warriors, sets off to Paris to meet her groom the King of France. But the Byzantine diplomats would do anything to prevent the alliance from happening.

A film adaptation of the novel of the same name by Leo Tolstoy. The main character of the film is Prince Stepan Kasatsky, an officer, an ardent, proud young man — a big fan of the tsar. Kasatsky is going to marry, but at the last moment he learns from the bride that she was the mistress of the emperor. The prince is deeply disappointed in social life, he takes a monastic vow and leaves the capital. Faith in God was to save the soul, but passions and worldly temptations don't leave Kasatsky.

Late 17th century. With no access to the sea, Russia suffers great losses in foreign trade. Peter tries to capture the Turkish fortress of Azov, but with no success: he can win only if he has a fleet. Peter’s ukases provoke the Boyars’ indignation. Europe looks in amazement: the Russian tsar begins to work at a Dutch shipyard learning the subtleties of shipbuilding?! But his training is cut short. Peter has to return to Russia in order to brutally suppress the Streltsy rebellion organized by his sister Sophia.

Based on the novel by Charles de Coster "The Legend of Thyl Ulenspiegel and Lamme Goedzak, and their Adventures Heroical, Joyous and Glorious in the Land of Flanders and Elsewhere." First part: "The Ashes of Claes". XVI century. The freedom-loving and cheerful people of the Netherlands under the rule of the Spanish king: persecution, torture, bonfires of the Inquisition, encouraging scammers. The fearless Thyl Uhlenshpiegel and his faithful girlfriend Nele have to go through many trials. Second part: "Viva Beggars!". The people of the Netherlands, tormented by cruel royal decrees, taxes, heresy, torture and executions, began a war of liberation against Spanish rule. Many feats will be performed by the national hero Tilbert (Thyl) Ulenspiegel and his friend Lamme Gudzak before peace returns to their homeland.

Adventurous movie based on classical Robert Louis Stevenson novel.

This Soviet film is a biography of the Georgian primitive artist Nikoloz Pirosmanishvili (1862–1918), better known as Pirosmani, who died of starvation and sold his paintings to bars and restaurants for food and drink. The film experiments with color control techniques based on the painter’s style.

The years of the tsar’s adolescence and youth were permeated with deadly danger coming from some of the Boyars, the rebellious Streltsy and Tsarevna Sophia who aspired for power. But already at that early time Peter demonstrates a profound, bright intellect, a strong will and the sense of purpose, which help him disarm both his open and secret enemies.

This, the first Soviet depiction of Peter the Great, set the stage for what would become the post-Revolutionary line concerning the early Romanovs. Rulers like Ivan the Terrible and Peter the Great were widely admired for their dedication to Russia and their absolute determination to enhance her position in the world. But praise for the hated later Romanovs conflicted too heavily with the very beliefs that had brought about the Revolution in 1917.

The first film of a four-part adaptation of Leo Tolstoy’s 1869 novel. In St. Petersburg of 1805, Pierre Bezukhov, the illegitimate son of a rich nobleman, is introduced to high society. His friend, Prince Andrei Bolkonsky, joins the Imperial Russian Army as aide-de-camp of General Mikhail Kutuzov in the War of the Third Coalition against Napoleon.

Based on a true story, set in the late 19th century: Lord Tichborne, the ninth richest nobleman in England, disappears after a South American shipwreck. Some years later his erudite Afro-English valet, Bogle, is sent to investigate rumors that Tichborne survived and settled in Australia. An alcoholic ruffian answer's Bogle's inquiries claiming to be the lost heir. Bogle suspects fraud, but conspires with the claimant to split the inheritance should the latter succesfully pass himself off to friends, family and the courts. As the claimant returns to England to continue his charade, enough people confirm his identity to make both the claimant and Bogle believe that he just might be the rightful heir after all.

In the old days it was called hypochrondria, or black melancholia. Now, apparently, it's termed the Asthenic Syndrome. Whatever it is, Nikolai, a teacher of epicly indifferent pupils, has got it, and it's not much fun.

Serebryakov, a retired professor and his beautiful, much younger second wife, Yeléna, visit their country estate, which funds their urban lifestyle. Vanya, brother of the Professor's first wife, who manages the farm estate, and the local Doctor Astrov, both fall under Yelena's spell, while complaining of the endless ennui of their provincial existence. Astrov is an experienced physician who performs his job conscientiously, but has lost all idealism and spends much of his time drinking. Sofya, the Professor's daughter by his first wife, who works to keep the estate going with her uncle Vanya, meanwhile suffers from lack of esteem over what she sees as her own lack of beauty, and from an unrequited love for Dr. Astrov. Matters are brought to a head when the Professor announces his intention to sell the estate, Vanya and Sofya's home, to achieve a higher income for himself and his wife.

Modest Mussorgsky's opera in prologue and four acts is performed by the Kirov Opera with performances from Olga Borodina, Alexei Steblianko and Sergei Leiferkust. Boris Godunov has obtained the throne of Russia by murdering the rightful heir Dmitry. An old monk, Pimen, witnessed this, and convinces his apprentice Grigory to avenge Dmitry's death. In the following years Grigory poses as Dmitry, raising an army against Boris, who is now convinced that he is being punished for the murder. Filmed in Russia during the collapse of the Soviet Union, this particular production of Mussorgsky's 1872 tale of political upheaval is considered a highly unique and historical moment in opera. Robert Lloyd stars in the title role of Boris Godunov.

This bleak late soviet-era drama follows the career of Malyanov, a young medical school graduate who has been sent to work in Turkmenia. Here he runs into a hodge-podge of people of differing ethnicities, all of them victims of the government's earlier mania for relocating and eliminating whole ethnic groups and classes of people. These desperately unhappy people are unable to find any pleasure in this diverse companionship, but instead are antagonistic to it, and often resort to desperate measures in their doomed attempts to ease their pain.

Peter the Great takes a Russian man of African heritage - Ibrahim Petrovich Hannibal - under his wing as the tsar builds his grand navy. After having a disastrous affair in France, Ibrahim vows to never fall in love again, until he sees the daughter of a wealthy boyar. Peter the Great insists the two be married, but Ibrahim goes against the tsar's wishes, refusing to force her to marry him since she doesn't consent. When another man tries to marry her, however, Ibrahim's loyalties and generous nature are put to the test.