Best movies like Boundary

The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.

During the 1971 liberation war of Bangladesh, in a remote village, a landlord collaborated with the Pakistani army. After the death of his brother, he married his sister-in-law who had a young son. A teacher in the village, with a widowed daughter, taught the young man had a daughter. When the war broke out, the young man joined the Bengali guerrillas, shattering his innocence. In the village, the landlord's action get worse and worse, until he kills the teacher and compels the daughter to marry him. Now the young man must return to his village with new determination.

Intertwined story of a group of friends living together and their romantic complications.

In 2100, when humanity has abandoned the earth, a colony of extravagant creatures still thrives in the deepest abyss of the ocean.

Rahul Roy returns to his city of joy Kolkata after 6 long years from USA. He has turned out to be one of the well known flirtatious guys.Gunja is his childhood friend who has always saved him from all his mischievousness. Gunja being a simple middle class innocent girl always helps him out of her love for him which she fails to express.In such a situation Rahul falls in a very difficult yet funny situation and is unable to come out of it. Gunja too denies to help him this time.

Rahmat, a fruit seller from Kabul, comes to Bengal Province to hawk his merchandise and becomes friend of a small girl Mini, daughter of a Bengali writer.

A young man moves to a new town after experiencing a tragedy and becomes involved with a gang of Satan-worshipping teens who believe they have supernatural powers. But by the time he realises he’s in too deep, it may be too late to escape.

Sangam is a Pakistani Urdu film released in 1964, directed by Zahir Raihan starring Rosy Samad, Khalil, Haroon Rashid and Sumita Devi. This is the first full-length colour movie made in entire Pakistan. This was the fourth film by Zahir Raihan (1935-1972) who later went on to direct more films in Urdu and Bengali during the 1960s. Zahir Raihan became one of the most important filmmakers of East Pakistan, which later became Bangladesh in 1971. Although Sangam was an Urdu film, but most of the cast, playback artistes and crew were from the Bengali-speaking Eastern province.

In this hard-hitting cinematic document, ex-followers reveal secrets of life under the domination of India's infamous free sex guru, Bhagwan Shree Rajneesh, self-proclaimed God of the Universal.

Shongram (struggle) is a romantic drama set during the 1971 liberation struggle of Bangladesh. A British Bengali on his death bed is interviewed by a daring London reporter, where four decades later, Karim is able to recall and finally share his past. We are transported to 1971, when Bangladesh was still East Pakistan and a young Karim (a Muslim) is in love with a beautiful Asha (a Hindu). The peaceful village life is suddenly interrupted by war and Karim must grow up fast to survive in an era where mass killings and abduction was common. He must also carry out his duty and revenge before he can finally search for Asha.

Most Welcome 2 is a Bangladeshi action film written by and directed by Ananta Jalil. It is considered to be one of the most expensive films in the history of Bengali cinema. Development began in February 2012. The film is a sequel of 2012 blockbuster Most Welcome, The film released in 2014. The film stars Ananta Jalil and Barsha in leading roles.

The film portrays the childhood and political inception of the father of the nation of Bangladesh, Bangabandhu Sheikh Mujibur Rahman. The story-line apprises his outgrowth as the greatest Bengali of all time.

A devout village leader prohibits an array of modern devices, but when his strict measures go too far, the locals rise up in popular rebellion.

A demure medical student falls in love with a brash Bangladesh Radio deejay while listening to his World Music show during the revolutionary '70s.

Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn't give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game which he is a part too.

After six months of scientifically advanced training, three of the world's most elite distance runners set out to break the two-hour marathon barrier. These pioneers go on a global trek to defy the unthinkable and break the two-hour feat, from testing in wind tunnels and running labs in the United States, to balancing training with their day-to- day lives in eastern Africa, to the final heart-pounding race in Italy.

In this two-part Channel 4 series, Professor Richard Dawkins challenges what he describes as 'a process of non-thinking called faith'. He describes his astonishment that, at the start of the 21st century, religious faith is gaining ground in the face of rational, scientific truth. Science, based on scepticism, investigation and evidence, must continuously test its own concepts and claims. Faith, by definition, defies evidence: it is untested and unshakeable, and is therefore in direct contradiction with science. In addition, though religions preach morality, peace and hope, in fact, says Dawkins, they bring intolerance, violence and destruction. The growth of extreme fundamentalism in so many religions across the world not only endangers humanity but, he argues, is in conflict with the trend over thousands of years of history for humanity to progress to become more enlightened and more tolerant.

America's experiences during the Civil Rights Movement and the Space Race are well documented. However, few know about the moment these two worlds collided, when the White House and NASA scrambled to put the first black astronaut into orbit. This is the untold story of the decades-long battle between the U.S. and the Soviet Union to be the first superpower to bring diversity to the skies, told by the black astronauts and their families, who were part of this little known chapter of the Cold War.

When eight sailors onboard their fishing trawler find a mysterious girl mid-sea, ill fortune falls upon the boat as they don't catch any fish the next few days. The fishermen try to make it back home, although the sea has other plans for them.

Bishwoshundori is a story about humanity, a story of the triumph of life. The story revolves around Shadhin (Siam Ahmed) and his mother Fatema Ferdousi (Chompa). Because of a disastrous past relationship with X-Miss Bangladesh Ema (Heera), Shadhin has decided not to marry any girl, especially a beautiful girl.

A family must come to grips with its culture, its faith, and the brutal political changes entering its small-town world.

To please the God, one religion must worship her, another must kill her. To save one life, one must sacrifice another. Mohesh, a beloved cow owned by a poor Hindu villager, is prayed to as a God. When she has to be sold, her new owner sacrifices her in the name of God. A neorealist film, shot on location in rural Bangladesh, featuring both professional and non-professional actors.

An unprecedented terrorist attack takes place in a peaceful café in the center of Dhaka, capital of Bangladesh, on a nice Saturday afternoon. The terrorists use religion to divide and to kill people, while the surviving hostages, all of them also Muslims, try to defend their own humanistic values. The film unravels the clashes and contradictions of religion, ideology, and civilizations through a terror drama shot in a single take.

A heroine returns to her childhood home after a long absence. She confronts her past and recalls her difficult childhood. She struggles to cope with the current decay of social values, vice, and past trauma. The return frees her from the glitters and struggles of the silver screen and allows her to rekindle her relationship with her mother. She approaches life differently as she receives answers from the past.

A teenage boy is hired along with the music group of his father by a Zamindar (landlord) for entertaining him until the annual flood is over in the Haor region of East Bengal. But the boy finds out that he has to do something more than the rest of the members of the group are required- he has to satisfy the landlord sensually as well. The wife of the landlord cannot stand this new 'rival' of hers and conspires to kill the boy.

Behula is a 1966 Bengali film directed by Zahir Raihan and stars Razzak and Shuchanda as lead pair. It was based on the Hindu mythology of Behula, who fights vehemently to goddess Manasa for her husband Lakhindar's life.

Based on a perennially popular Bengali folk tale, Sat Bhai Chompa has had many cinematic outings in both India and Bangladesh. This, the 1968 version directed by Dilip Shom, is one of the most delightful. A king has three wives. The two elder wives connive to throw the pregnant third wife out of the palace. The third wife gives birth to eight children - seven sons and a daughter. The enraged elder wives, with the help of a sorcerer, turn the seven sons into flowers. It is now up to the daughter to turn her brothers back into humans and regain their rightful place in the palace.

The film 'Tungiparar Miya Bhai' about Bangabandhu Sheikh Mujibur Rahman, the father of the Bengali nation of all time.

Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.

Ora Egaro Jon is a 1972 Bengali historical drama film written by Al Masood and directed by Chashi Nazrul Islam, based on the Bangladesh Liberation War. Director Islam and lead actor Khasru were both members of Mukti Bahini. It was the first movie of Bangladesh after independence.

Fagun Haway is a Bangladeshi historical drama film based on the novel Bou Kotha Kou by Tito Rahman. This movie based on the language movement during 1952 in East Pakistan.

Surja, a kind man, is in love with Ojanta. Will he end up marrying Alo, the maid who works in his house, to save her life from her wicked brother Turja?

During the Liberation War of Bangladesh, a college teacher who shelters his friend's cousin fall in love with the girl.

Chupi Chupi is a 2001 Indian Bengali romance film released on 2001.

In 1971, renowned Bangladeshi writer Ahmed became refugee in Kolkata. He had been to earn his livelihood as a writer. Then he comes to know about his missing fiance named Tayeba admitted in a nearby hospital in the same city.