Best movies like Brothers

For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.

With Babies and Banners: Story of the Women's Emergency Brigade is a 1979 documentary film directed by Lorraine Gray about the General Motors sit-down strike in 1936–1937 that focuses uniquely on the role of women using archival footage and interviews. It provides an inside look at women's roles in the strike. The film was one of the first to put together archival footage with contemporary interviews of participants and helped spur a series of films on left and labor history in the US utilizing this technique. The film was also important in helping bring into view the history of American women being active in the public sphere, particularly in union and labor actions. The film was, further, ground breaking because it was produced and directed by women. It was nominated for an Academy Award for Best Documentary Feature.

Is heavy manual labour disappearing or is it just becoming invisible? Where can we still find it in the 21st century? Workingman's Death follows the trail of the HEROES in the illegal mines of the Ukraine, sniffs out GHOST among the sulphur workers in Indonesia, finds itself face to face with LIONS at a slaughterhouse in Nigeria, mingles with BROTHERS as they cut a huge oil tanker into pieces in Pakistan, and joins Chinese steel workers in hoping for a glorious FUTURE.

Illustrates both the powerlessness of the ordinary worker as well as an intimate portrait of the joys and sorrows of a small group of people in the harbor section of Hamburg.

Fearless, feisty and resolute, the "Rough Aunties" are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This newest documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption and greed to help the most vulnerable and disenfranchised of their communities.

In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.

After the birth of his first child, Roberto, a young Mexican man, slips across the border into the United States. Seeking work to support his family back home, he finds that working hard is not enough.

When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.

County Durham England 1984 the miners strike has started and the police have started coming up from Bethnal Green starting a class war with the lower classes suffering caught in the middle of the conflict is 11-year old Billy Elliot who after leaving his boxing club for the day stubbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs Wilkinson for an upcoming audition in Newcastle-upon Tyne the audition is for the royal Ballet school in London.

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.

The film tells the story of Ansa, a supermarket shelf-stocker on a zero-hour contract, later a recyclable plastic sorter, and Holappa, a sandblaster, an alcoholic, later an ex-alcoholic, whose paths have accidentally crossed and who, despite adversity and misunderstandings, try to build some kind of relationship on the harsher side of the welfare state.

At New Mexico's Empire Zinc mine, Mexican-American workers protest the unsafe work conditions and unequal wages compared to their Anglo counterparts. Ramon Quintero helps organize the strike, but he is shown to be a hypocrite by treating his pregnant wife, Esperanza, with a similar unfairness. When an injunction stops the men from protesting, however, the gender roles are reversed, and women find themselves on the picket lines while the men stay at home.

When unemployed dockworker Joey Coyle finds $1.2 million that fell off of an armored car, he decides to do the logical thing: take the money and run. After all, he says, finders keepers. He turns to his ex-girlfriend Monica, who works in an investment firm, for advice, before turning to the mob for help laundering the money. While Joey makes plans to leave the country, however, a detective is following his ever-warmer trail in order to recover the cash.

Looking for a brighter future in metropolitan Manila, Oscar Ramirez and his family leave their miserable life in the rice terraces of Banaue, in the northern Philippines. In the sweltering capital, where all kind of perils lurk in every corner, Oscar catches a lucky break when he is offered a steady work for an armored truck company and the senior officer Ong takes him under his wing.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA.

The story of a young couple who live in a small town with their four-year-old daughter. The husband is so caught up in his work as a policeman that he gradually becomes increasingly alienated from his wife and daughter who become ever closer to one another as they discover the new town. It is only a matter of time before the conflicts within the family manifest themselves.

Singing sailor Hannes, who now entertains the crowd at St. Pauli's Hippodrome after years at sea, promises his dying brother that he will take care of his ex-girlfriend Gisa. Taking Gisa to Hamburg to live with him, Hannes quickly falls in love with her, but soon has to face Gisa's affection for another man, Willem.

Through a series of twenty six short stories, a girl describes the childhood events that shaped her ideas about fatherhood, family relations, work and play. As the stories unfold, a dual portrait emerges: that of a father who cared more for his career than for his family, and of a daughter who was deeply affected by his behavior. Working in counterpoint to the forceful text are sensual black and white images that depict both the extraordinary and ordinary events of daily life. Together, they create a formally complex and emotionally intense film.

To the young people of Ellington the Supermarket was many different things. Another home, a place they'd known as long as they can remember. A one-of-a-kind place to work, build friendships and have as much fun as possible without getting caught. The heart of their town, a farming community with more cows than people and the last outpost for Rockwell's America. But this summer Ellington, the Supermarket, and the young people who cared for it the most will grow up. A modern day Capraesque tale about growing into adulthood in small town USA, 'The Supermarket' is a story of laughter, love, old rivalries, coming home for the summer, barely functional cars, small triumphs and tragic loss, late-night lawbreaking, fearing the future, food fights, standing together, and finding your place in the world.

Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers' surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.

Martin is 25 years old and very reserved about work. Together with his buddy Henry, he lives in their Schwabing apartment in the day. But everything changes when he falls in love with the attractive Barbara and observed a slump: For when he gives up the police report, the officials themselves suspect him of the crime. In addition, he still owes a text to the hit producer Viktor Block. Suddenly Martin is up to his ears in chaos.

When Lauren Reynolds, a beautiful girl with a painful home life, breaks it off with her drug-addict ex, Matt, she is ready to give up on dating all together. Between raising her two younger brothers, working a meaningless nine-to-five with her best friend, and trying to talk sense into her physically abused mother, Lauren doesn't have much time or desire for a new man. Things change when Lauren meets a seemingly perfect match, Brandon Phillips. Lauren doesn't know that she is about to learn the hard way that Brandon's charm has a limit and that this new Loverboy has a much darker, sinister side...

The professional gambler Ross Hadley is the owner of a posh gaming establishment in the heart of New York...

Inspired by the real life events of Mathias Kneißl, a marginal man, son of poor farmers from Bavaria, in the late XIX Century. Mathias stole from the riches to give to the poor, becoming a hero for the rural people, and a popular social rebel. He was chased by the police until his unfortunate sentence.

A story from the wilderness, where conditions of survival challenge the rules of modern society, Wolf is a contemporary drama set in northern Scandinavia. Klemens (Peter Stormare) and Nejla (Robin Lundberg) own a small herd of reindeer. Klemens lives in tune with nature and according to the rhythm dictated by his work. His young nephew, Nejla admires him and wants to follow in his footsteps. But neither his mother nor society will allow that to happen. The herd is attacked and they react without regard for the law. A well aimed stroke of the axe puts relationships to the test. What are the consequences and who will take the blame?

A biography of the civil-rights activist and labor organizer Cesar Chavez. Chronicling the birth of a modern American labour movement, Cesar Chavez tells the story of the famed civil rights leader and labour organiser torn between his duties as a husband and father and his commitment to securing a living wage for farm workers. Passionate but soft-spoken, Chavez embraced non-violence as he battled greed and prejudice in his struggle to bring dignity to working people.

Dramatization of the true story of the so-called Willmar Eight, a group of Minnesota bank workers who braved freezing conditions whilst picketing their branch in a struggle for union rights.

A third of Europeans live in economic insecurity: Zero hours contracts, the fear of redundancy and stagnating wages have brought more and more people into poverty and precariousness and provided fertile conditions for the political extremes. This documentary focuses on the new working poor, the precariat.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the last of the six films, "The American Tapestry," filmmaker Gregory Nava takes viewers on an uplifting and challenging journey through the memoirs of five immigrant families, each one on a quest for its own American Dream. Beautifully interweaving accounts from several generations, Nava composes an astonishing tapestry of personal triumphs and tragedies, as each story of courage unfolds. The American Dream is an elusive thing, and the lives of the people in Nava's film are both triumphant and tragic, teeming with optimism and sometimes despair. They expose the finest and worst in America as well as what we feel most magnificent and dreadful. They are part of the many contrasting threads that make up the American tapestry — a complex portrait of a nation at the turn of the millennium.

Simone Carstensen-Kleebach actually has everything one could wish for in life: a husband who supports her and with whom she has been married for almost 20 years, a daughter and great career success. But the pressure to be perfect in all these roles lends Simone more and more. When she meets Leon on vacation, it sparks. And although Simone never thought it possible to "do something like that," she gets involved in an affair with him. Back in Hamburg with the family, Simone suddenly receives compromising photos of Leon and himself. But who took the pictures and what does the sender want to achieve?

"The slow and subtle repeated rhythms of daily life provide the material for this 12 part film. The pace is slow with the intention of inviting viewers into a more visceral and less verbally analytical state of mind. The 'action,' small events like the mail arriving, the storm coming, and the grass getting mowed, are secondary to the way of perceiving those events. In many ways this film reaches back into a kind of personal memory one might recall from early childhood." –Leighton Pierce

A ham-handed cautionary fable against communism, the film concerns a group of Civil War veterans who are appalled by the burgeoning radical movement in America.

Ronny receives a mysterious video tape about some kind of massacre and decides to investigate it.

In "The Soul of A Man," director Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of '20s and '30s events - shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James "Blood" Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.

Well done, personal documentary of one family's fight to save their land.