Best movies like BU・SU

Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for lovers. And, occasionally, his art gets him into trouble.

A down-and-out businessman travels to a seaside town, where he meets a woman with unusual sexual powers.

Snooty heiress decides to track down her dead sister's kids, who are living a Bohemian life with their uncle in Greenwich Village. Once she finds them, she discovers that the Bohemian life is fun and free of the constraints her country-club life places on her. But she decides to take the uncle to court anyway to free him from the kids so he can paint.

17 year old Nói drifts through life on a remote fjord in Iceland. In winter, the fjord is cut off from the outside world, surrounded by ominous mountains and buried under a shroud of snow. Nói dreams of escaping from this white-walled prison with Íris, a city girl who works in a local gas station. But his clumsy attempts at escape spiral out of control.

A merchant marine captain, rescued from the Chinese Communists by local visitors, is "shanghaied" into transporting the whole village to Hong Kong on an ancient paddle steamer.

Tsuchiya Anna blasts back in time playing an oiran, a top-notched geisha of the Edo period’s Yoshiwara District, navigating brothel politics while trying to cling to the man she loves.

In Ancient Polynesia, when a terrible curse incurred by Maui reaches the island of an impetuous Chieftain, his willful daughter answers the Ocean's call to seek out the demigod to set things right.

A man, Milan (played by Johnny Hallyday) steps off a train, into a small French village. As he waits for the day when he will rob the town bank, he runs into an old retired poetry teacher named M. Manesquier (Jean Rochefort). The two men strike up a strange friendship and explore the road not taken, each wanting to live the other's life.

Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...

In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly attracted to Jeff, who's being plagued by unexplainable accidents, major and minor. Bad luck, persecution...or paranoia? Warned that Jeff could be dangerous, Ellen fears that he's in danger, as the menacing atmosphere darkens.

After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

The film follows aspiring singer-songwriter Jed King (Alan Powell) as he struggles to catch a break and escape the long shadow of his father, a country music legend. After reluctantly accepting a gig at a local vineyard harvest festival, Jed is love-struck by the vineyard owner’s daughter, Rose (Ali Faulkner), and a romance quickly blooms. Soon after their wedding, Jed writes Rose “The Song,” which becomes a breakout hit. Thrust into a life of stardom and a world of temptation in the form of fellow performer Shelby Bale (Caitlin Nicol-Thomas), Jed’s life and marriage begin to fall apart.

A railway stationmaster at a dying end-of-the-line village in Hokkaido is haunted by memories of his dead wife and daughter. When the railroad line is scheduled to be closed, he is offered a job at a hotel, but he is emotionally unable to part with his career as a railroader. His life takes a turn when he meets a young woman with an interest in trains who resembles his daughter.

A world wide electrical outage occurs. Everything that requires electricity comes to a stop. Tokyo is nearly ruined. Yoshiyuki Suzuki decides to escape from Tokyo with his family.

Ryosuke lives in a small house in Toshima, Tokyo. Since his wife died, he has adjusted to living alone. He used to teach at a university and he now works as a translator. Meanwhile, Ryosuke has one child, Yuriko. She is married to Shigeyuki, who works as a teacher. Yuriko and Shigeyuki live in Azumino, Nagano Prefecture. One day, Yuriko visits her father Ryosuke without advance notice. Ryosuke is surprised by her sudden visit. Yuriko doesn't give any reason for the visit. Ryosuke only learns that Yuriko isn't sure how long she will stay. They haven't talked as father and daughter in a long time. They begin to live together in a nervous, but warm atmosphere.

A young girl begins to wonder if she really fits into the upper-class sorority she's trying to join.

When Koichi Takahasi (Miutani) is transferred from Tokyo to a small village in Iwate Prefecture, they set up hoe in a two-hundred year-old farmhouse. The family is split between those who hate the move and those who are happy. Fumiko (Yasuda), the wife, is unhappy at the change and doesn’t get on with her elderly neighbours, Azumi (Hashimoto) is sad about having to transfer to a new school. Koichi’s mother, Sumiyo (Kusabue), rather likes the new community while young Tomoya Takahashi (Hamada) really enjoys the new move because he can play outdoors. Koichi takes note of the split in the family but finds himself struggling at his new job. Thankfully the house has Zashiki Warashi (yokai) living there who will unite them with their antics. Judging by the poster these antics won’t be terrifying.

Two detectives are tasked to investigate the murder of an old man, found bludgeoned to death in a Tokyo rail yard.

At the prompting of his diplomat friend, Alex, writer Ted Fletcher takes his wife, Laura, and daughter, Amy, on an extended working holiday. Alex finds a house for them in Kyoto, Japan, and the Fletchers move in, laughing off rumors that the place is haunted. But the ghost of 19th-century samurai Shigero turns out to be very real, and is intent on making the family re-enact an ancient murder-suicide.

Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.

It isn't easy to find a dream to chase when you're young, but Mugiko has one: she can't wait to become an anime voice actress. Saving up for classes while she works part time in a manga store, she lives with her older, gambler brother after her father's death. When the mother she never knew turns up out of nowhere and moves in, it only causes irritation for the aspiring otaku. But when her mother just as quickly disappears, it leaves Mugiko (or "Sweet Pea") searching for answers, bringing her back to her mother's hometown to discover what happened to her mother's own dream.

Mike is just an ordinary young man, who temporarily works for an art college examination coaching school. His girlfriend Yu works for a film production, and they live together in a tiny apartment in Tokyo. Their life looks absolutely normal without any problems before Mike's unexpected words emerge. One day, the young couple's relationship gets changed and developed in unexpected ways.

Moritaka Mashiro doesn't want to follow in the path of his uncle who worked as a manga artist, but ultimately died because of exhaustion. Moritaka Mashiro figures he will graduate from school and work at an office. Things change though when falls in love with a girl at school. The girl, who hopes to become a voice actress, tells Moritaka they can marry, but only after they both achieve their dreams. Moritaka then teams up with fellow classmate Akito Takagi to publish their first manga.

A Mizubiki Village, close to Tokyo were Takumi and his daughter Hana lived. One day, the village inhabitants become aware of a plan to build a glamping site near Takumi's house, offers a city resident and its affects Takumi's life.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.

A ruined businessman was forced to sell his daughter, Hisano, to a brothel in Yoshiwara, the largest red-light district in Tokyo. The owner of the brothel has hopes to make her a great new addition which will attract the richest of customers. But after several months of training, she tries to flee Yoshiwara when the time has come for her to take her first customer...

It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?

Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omocha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.

The story of a beautiful model from the flesh-pots of Tokyo.

Blood on the Carpet is an arthouse musical film written and produced by Bladde. The film follows a lonely character braving a steep mountain attempting to reach its peak. As he journeys the mountain, he is forced to confront a plethora of internal demons. Blood on the Carpet is the debut film work of Bladde, blending together performance art drag elements with arthouse horror qualities. The film features music from a variety of artists and genres including a recurring score borrowed from the work of composer Jacob Abrams.

In a corner of Tokyo, a man named Natsuo lives as a yakuza and a woman named Natsuki works part-time. Although they rarely think about their families, they attempt to reunite with them. Brother and sister, father and daughter; the distance between them begins to shrink, but... This film portrays the dynamics of people trying to co-exist in nature and in the city. Even though two individuals may be insignificant in the context of a large society, one life meets another and they move forward. This is a movie about their small footsteps.

University student Nozomi tries to get a job. Back in her hometown, she was lazy, but now Nozomi is used to the quicker pace of Tokyo. Nozomi is also experiencing problems with her boyfriend Kameyama, who seems to be travelling at a different speed in life and work. Meanwhile, Saeko works very hard in the advertising field and she is faithful to her boyfriend Tomoya. Yet, on their first year anniversary, Saeko hear's woman's voice on Tomoya's cellphone. Based on the anthology manga of the same name.