Camino del Rocío

As a young woman, Tristana is orphaned and taken under the guardianship of Don Lope, a respected member of the community, who takes advantage of his innocent charge. When Tristana falls in love with artist Horacio, she must learn to be more assertive in order to achieve independence from her nefarious guardian, or her blossoming relationship with Horatio is doomed.

Deserted by their father and with their mother dead, nine-year-old Pablo and his little sister Maria refuse to be separated from each other by their caretaker aunt. With a cross as their guide, they embark on a perilous, but ultimately rewarding adventure in search of a mystical gem that holds the key to happiness. They escape the fearsome metal hook of a pirate and are helped by a delightfully drunken Captain in their quest for the magic stone.

In a Castilian convent of the late nineteenth century, the community of cloistered nuns celebrates the onomastic of their superior with a poem. She is also visited by the doctor, Don Jose, who diagnosed a disease with poor prognosis. Shortly after a sister picks up a beautiful girl who has been abandoned at the door of the convent and the doctor, despite being single, offers to legally adopt her and assign her to the convent as a pupil.

Joselito is the son of Colonel José de Alvear, Earl of Almond. When his heroic father dies in the colonies, the victim of a cholera epidemic, the child is held by her guardian and executor, his uncle Martin, who wants to take his fortune.

Al Pereira, the one and only original private-private detective, is fighting against all the shameless women on earth - especially the Alligator Ladies.

A group of pre-university boys and girls experience all kinds of problems and joys that arise in their lives. Among other worries, they have to deal with the pressure of their studies, difficulties with their families and, of course, their first loves.

The film is based on the autobiography of writer Manuel Vincent. His father doesn't want him to become a writer and sends him to Valencia law school. One day Manuel sees his dream girl and follows her on a trolley car to Malvarossa beach. He then studies in college, meets call girl La China who teaches him love secrets, but still remembers that girl.

Alejandro Quesada (Fernando Fernan Gomez), an eminent doctor successful with women, drives his old friends Federico (Juanjo Menéndez) and Enrique (José Luis López Vázquez) to change their attitude towards life. The death of a common friend, Luis (Jesus Puente), reaffirmed in the attempt to enjoy their existence and seek the association of younger women than their wives.

A rainy day forces Joaquin, Joe Luis and Alvaro to refuge in Martins' house. They also go there two Swedish girls who want love and spanish ham; a nun with hobbies of racing driver; a fat priest; a policeman unable to establish order; and the father of Joaquin, a fortune hunter. In the chaos that is triggered, the five young people discover their common love for music and they form a band.

In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

Mari Pepa, a beautiful laundress of Madrid, and Felipe, a carpenter, are in love but they are always quarreling over trifles. However, she must marry with the fence Don Leo to help his father, a drunk player who has committed a robbery and has determined the family jewels.

Don Fernando is a senior engineer of Sevilla for years as a partner had a friend working. But his partner died and his son, Albert, wants to take the management of the company and the farm, one of the most important of Seville, whose property also shared. Alberto secretly courting Esperanza, a daughter of Don Fernando. Juan Antonio, the son of the late foreman of the farm, is an honest young man who, in silence, also loves Esperanza. Both will vie for her love.

Gálvez is a bumbling journalist investigating a real state shady business.

Sara Crewe is the pampered daughter of an army colonel in a Victorian London girls' school. But when her father dies, penniless, Sara becomes a skivvy in Miss Michin's school, befriended only by the scullery maid, Becky, her friends Ermengarde and Lottie, a little monkey, a lascar, and the mysterious man next door. Based upon the novel by Frances Hodgson Burnett.

Emily of New Moon is a Canadian television series, which aired on CBC Television from 1998 to 2000. The series originally aired in the United States on the Cookie Jar Toons block on This TV and it is currently seen in Canada on the Viva, Bravo! and Vision TV cable channels. The series, produced by Salter Street Films, was based on the Emily of New Moon series of novels by Lucy Maud Montgomery. The series consisted of three seasons of thirteen episodes and one season of seven episodes, for a total of forty-six. The executive producers were Micheline Charest, Michael Donovan, and Ronald Weinberg. The series starred Martha MacIsaac as the titular orphan Emily Starr. Susan Clark and Sheila McCarthy played Emily's aunts Elizabeth and Laura, who had taken on the responsibility of raising Emily following her father's death, and Stephen McHattie played her cousin Jimmy. Susan Clark left the series after the first season when her character, Elizabeth, was killed off. Recurring cast included Chip Ciupka as Mr. Carpenter, Peter Donaldson as Ian Bowles, Richard Donat as Dr. Burnley, Kris Lemche as Perry Miller, John Neville as Uncle Malcolm, Jessica Pellerin as Ilse Burnley, Shawn Roberts as Teddy Kent, and Linda Thorson as Cousin Isabel.

A musically talented teenager returns to her native Buenos Aires with her father, Herman, after living in Europe for several years, navigating the trials and tribulations of growing up.

In the 14th century, Barcelona is experiencing one of its most prosperous moments. The city has grown to La Ribera, a fishing district in which the largest Marian temple ever known is built: Santa María del Mar. But the construction runs parallel to Arnau Estanyol, a serf of the land who, fleeing the abuses of The feudal lords of the countryside take refuge in Barcelona.

Teresa de Jesús is a 1984 film mini-series that premiered on Spanish television in 1984. It presents the life of Teresa of Avila, a Spanish saint, mystic, and doctor of the Roman Catholic Church. Its dialogue is in Spanish, but versions with English subtitles are available. The film stars Concha Velasco as Teresa. Also appearing are Gonzalo Abril as Lorenzo de Cepeda, María Massip as Juana Suárez, Francisco Rabal as Peter of Alcantara, Héctor Alterio, and Marina Saura as another nun. It tells the story of Teresa's life from age 23 until her death at age 67.

The young Amanda Monteverde, after losing her mother and her brother, has to take care of her three younger sisters. To escape from that stormy past, they move to Nueva Esperanza, a small town that is starting in the oil industry. There he will experience even more difficult situations, but he will also know love in three men: Sacramento, the man who will be his faithful friend and his innocent love; Pablo Aguilar, the man who will be his madness and his passion, and finally Don Rafael Urrieta, the most powerful man in the town, who will try to be practically his master and master as he is of most of those lands. Amanda will have to grow, look for a future and happiness in the village. The first attempt to find this happiness is made by trying to enter a bar in the village, "Las 4 P", where the locals try to achieve a more cheerful life, along with music, liquor, singing, the dances and "the women of the consolations". This is the name with which Amanda began to call the profession of the two women, Sara and Calzones, who were the ones who offered her some protection upon arrival in such an unknown place. The need for money to protect her sisters and make them stay by her side and the desperation of not being able to get the means to do so lead Amanda to accept this kind of life to achieve it. However, on the day of her initiation, where she will be known under the nickname "Wild Flower", fate will lead her to become a woman of one man: "The wife of Don Rafael Urrieta"; a powerful and cruel man who keeps his wife, Catalina, locked in his farm in inhumane conditions for having been unfaithful. Don Rafael decides that "Flor" is only for him, but that exclusivity is only of body, because "Flor" reserves his heart for the man who someday makes her discover love.

A writer in a creative and marital crisis finds refuge and support in her three best friends. Based on the novels by Elisabet Benavent.

Inés is a 42-year-old woman who, when times start to get tough, attempts to drown herself. She is saved by Hugo, a teenage boy who then becomes obsessed with her. A forbidden romance develops between the two, whose consequences end up affecting all those around them.

The series recreates the life of the Spanish scientist Miguel Servet from his birth until his execution for blasphemy in 1553.

A young innocent man pursued for murder finds refuge with a bored married woman. Soon they become lovers.