Movie Music Documentary
Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.
Argentina Argentina
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The Tango Lesson
On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.
Tangos Are for Two
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
I Tita, A Life of Tango
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The South
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El día que me quieras
Carlos Argüelles is the son of a wealthy man whose only interests in life are business and making money. While trying to succeed in show business he falls in love with a dancer and they elope to marry. But success is not easy to obtain.
Tango Bar
Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.
El día que Maradona conoció a Gardel
Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.
Así cantaba Carlos Gardel
A film that brings together ten of the fifteen shorts that Carlos Gardel filmed in 1930 under the direction of Eduardo Morera, in the film studios of the pioneer Federico Valle.
Cuesta abajo
Carlos Acosta (Carlos Gardel), tied to a flirty wife and in love with another girl, watches fate work out a solution that allows him to return to his real love after trips to Paris and New York City.
La vida de Carlos Gardel
The life, hardships, love affairs, triumphs and failures of the world-renowned tango singer Carlos Gardel.
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A young man is dedicated to singing, but only for his friends, and his godfather wants him to do it professionally.
¡Tango!
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.
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Yira, yira
Carlos Gardel and guitars performing "Yira, yira", tango composed and written by Enrique Santos Discépolo.