Best movies like Carmaux: Drawing Out the Coke

Georges Méliès makes a woman disappear, then reappear.

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

Carol Jeffries is a naive American woman staying in the Philippines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Stable hands Stan and Ollie are tending a thoroughbred named "Blue Boy." But when they overhear two men talking about a $5000 reward for the return of the stolen "Blue Boy," they miss the part about it being the painting, not the horse. They take the horse to the owner's house to claim the reward. The owner instructs them to put "Blue Boy" on the piano and Ollie explains, "these millionaires are peculiar."

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Mr. Pest tries several theatre seats before winding up in front in a fight with the conductor. He is thrown out. In the lobby he pushes a fat lady into a fountain and returns to sit down by Edna. Mr. Rowdy, in the gallery, pours beer down on Mr. Pest and Edna. He attacks patrons, a harem dancer, the singers Dot and Dash, and a fire-eater.

The opening of the Kiel Canal in Germany by Kaiser Wilhelm II on 20 June 1895.

The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots.

Suburban neighbors join together to build a garden shed, but through carelessness, wind up ruining the garden, as well as the laundry, which is drying in the yard.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

The film consists of a series of animations on a beach containing two beach huts and a diving board. Two characters play at diving into the water from the diving board and then appear on the beach. The woman begins to play with a small dog and is then joined by a gentleman. The two play around on the beach before getting changed into bathing costumes and going into the water. They bob up and down in the water before swimming out of the scene. Once the couple have gone a man sails out in a boat.

In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.

Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

This legendary fight was filmed on March 17, 1897, using 63mm film that produced an aspect ratio of about 1.75:1. Using three adjacent cameras, Enoch Rector recorded the entire fight, simultaneously creating the world's first known feature film, as the resulting footage lasted over 90 minutes in length. About a quarter of the film survives today.

In a forgotten pocket of Southern Ohio where American manufacturing and opportunity are drying up, a determined young woman finds a ticket out when she is accepted to college. Alongside her older brother, Ruth Avery joins a dangerous scrap metal crew in order to pay her way. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the once thriving factories by night. With her goal in sight, Ruth finds that the ultimate cost of an education for a girl like her may be more than she bargained for, and she soon finds herself torn between a promising future and the family she would leave behind.

A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers. The first officer on the scene climbs the fence, enters the house, and is soon fighting with the thief on the roof. Falling from the roof, the officer is injured and requires an ambulance. Meanwhile, the thief flees, pursued by more men in blue.

Schuylkill County, Pennsylvania, 1876. A secret society of Irish coal miners, bond by a sacred oath, put pressure on the greedy and ruthless company they work for by sabotaging mining facilities in the hope of improving their working conditions and the lives of their families.

Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.

While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

A tramp steals a girl's handbag, but when he tries to pick Charlie's pocket loses his cigarettes and matches. He rescues a hot dog man from a thug, but takes a few with his walking stick. When the thief tries to take some of Charlie's sausages, Charlie gets the handbag. The handbag makes its way from person to person to its owner, who is angry with her boyfriend who didn't protect her in the first place. The boyfriend decides to throw himself in the lake in despair, so Charlie helps him out.

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Several little boys run along a pier, then jump into the ocean.

Three men are sitting around a table, two of them playing a game of Écarté. When the game is over, a domestic serves drinks.

A bricklayer and his wife clash over his end-of-the-week partying.

Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.

A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with his bare hands.

Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.

A man tries to get a good night's sleep, but is disturbed by a giant spider that leaps onto his bed, and a battle ensues in hilarious comic fashion.

Those Country Kids is a 1914 short comedy film starring Fatty Arbuckle and Mabel Normand, and directed by Fatty Arbuckle.[1]

Although they are successful fishmongers, Stan convinces Ollie that they should become fishermen too, but making a boat seaworthy isn't an easy task.

Hotel Monterey is a cheap hotel in New York reserved for the outcasts of American society. Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story.