Carmen - Glyndebourne Festival Opera

An American tourist on a day trip to Sussex from London inadvertently finds himself at Glyndebourne Opera House in Sussex where he learns to appreciate Opera.

In 1931, Sir Malcolm Sargent – then a rising young conductor – acted as musical director for this first filmed musical version of Prosper Mérimée’s classic story of passion and fatal jealousy, Carmen. With a score based on Bizet’s opera, Gipsy Blood features celebrated American soprano Marguerite Namara as the capricious gypsy girl from the cigarette factory; her co-performers include Thomas Burke as Carmen’s tormented lover, Don José, and New Zealand-born baritone Lance Fairfax as his rival, the toreador Escamillo.

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

Carmen, a gypsy, working in a Spanish cigar factory, is flaunted by Escamillo, the bullfighter, but infatuates José, a soldier, who aids her to escape from jail and follows her to the gypsy camp. Tiring of his love, Carmen finally fascinates Escamillo and the love-crazed José kills her at a bull fight just as Escamillo is being proclaimed by the audience.

The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.

Lorna Blake, (Ursula Jeans) is a widow with two daughters. She augments her slender income by using her children to extort money - visiting the houses of the rich to tell a pathetic story and beg for help. And Lorna makes a rich capture when Sir Halmar Bernard, (Cecil Parker), proposes to her. She tells him that she has only one daughter, Molly (Jill Freud, credited as Jill Raymond). When her other daughter, Jay (Jean Simmons), is arrested for forging a cheque, she refuses to help her.

Filmed at the 1992 Glyndebourne Festival in Lewes, England, this production won unanimous critical acclaim for its innovative interpretation of Tchaikovsky's opera "Pique Dame" ("Queen of Spades"). Although sung in Russian, the production features English sopranos Felicity Palmer as the old countess and Nancy Gustafson as Lisa. Russian tenors Dimitri Kharitonov, Sergei Leiferkus and Yuri Marusin co-star.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."

David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.

The Peter Sellars production of Handel's "Theodora", recorded live at the Glyndebourne Festival in May 1996. Dawn Upshaw stars as Theodora, with David Daniels as Didymus, Lorraine Hunt Lieberson as Irene, Richard Croft as Septimius, and Frode Olsen as Valens. William Christie conducts the Orchestra of the Age of Enlightenment.

Mozart's La Clemenza Di Tito was originally commissioned to celebrate the coronation of the Emperor Leopold II as King of Bohemia in 1791. This rarely-seen masterpiece was Mozart's last opera. Nicholas Hytner's elegant staging for the Glyndebourne Festival Opera sheds new light on the compelling story of passion that overrides loyalty and integrity that is tested to the extreme.

Live from Glyndebourne 1987.

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

Live from Glyndebourne Festival 1995. Yakov Kreizberg conducting the Orchestra of the Age of Enlightenment. Directed for the stage by Deborah Warner.

Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!

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