Best movies like Casta diva

When her elderly mother is found dead under sordid circumstances, Delia returns to her native Naples for the first time in years to attend the funeral. Trying to piece together her estranged mother's secret life, she has to face the hidden memories that shaped their family history.

A beautiful opera star kept by a rich older man falls in love with a young clergyman.

Farinelli is a 1994 biopic film about the life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

A young shepherd returns home after the Second World War having been held in a prisoner of war camp. He finds that the local landowner has stolen his sheep and his girlfriend. When he also assaults and murders his sister, the shepherd takes revenge.

After reuniting with his first mentor Bruno and receiving his latest mission, an exiled Ciro is left to fearlessly confront whatever comes his way, navigating a new chapter of gang warfare while grappling with devastating memories of loss and trauma. Weaving between his past as an orphan in Naples' cruel underworld and present as a hardened, cunning assassin with nothing left to lose, Ciro is plunged into the cold, dark depths of a world where immortality is just another form of damnation.

The incredible tale of Mozart's Prague years.

Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

A young German officer's (Wolfgang Liebeneiner) life is turned upside when he tries to end his affair with a married baroness (Olga Tschechowa) after falling for an innocent young singer (Magda Schneider). French version of Ophuls' Liebelei.

A young woman teaches commercial writing and makes her students practice by writing letters addressed to an imaginary recipient from Vienna. One day, the love letter the woman writes to this non-existent man is accidentally sent by one of her students –and falls into the hands of a real person.

The corrupt Lord Ambrose D'Arcy steals the life's work of the poor musical Professor Petry. In an attempt to stop the printing of music with D'Arcy's name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.

Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice.

At the Conservatory of Vienna the students only have eyes for their beautiful singing teacher, tenor Eric Walter.

Vincenzo, a 30 years old apathetic and lazy man who still lives with his mother, has no job and no desire to improve. He meets Anna and fell in love with her but to keep the relationship alive he has to learn to accept more responsibility.

Opera singer Renee Dupree is in love with struggling composer Julian who falls very seriously ill. She goes to impresario Mueller for the money Julian needs but is saved from sacrificing her virtue when a jealous lover kills Mueller.

What was it about opera diva Grace Moore that attracted the attention of filmdom's top directors? Moore's 1937 American movie vehicle When You're in Love had been directed by Josef Von Sternberg; two years later, her French starrer Louise was helmed by no less than Abel Gance, who a decade earlier had revolutionized the "historical epic" genre with the awesome Napoleon. There was, however, little that was revolutionary in this cinemadaption of Gustave Charpentier's opera. Moore plays Louise, a poor seamstress who is led astray by the rakish Julien (Georges Thill). After falling from grace (no pun intended), our heroine is rescued by her understanding father (Andre Pernet), who demonstrates his forgiveness by singing to her (it is, after all, an opera). Though it played to enthusiastic crowds in both London and Paris, Louise turned out to be Grace Moore's final film; conversely, Abel Gance continued to make commercial potboilers well into the 1970s.

Mario Esposito, who sings in a Neapolitan restaurant, is in love with Assunta, the niece of Teresa, the owner of the place. He shares his apartment with Michel, his best friend. This one has fallen under the spell of Lolita, a gorgeous adventuress he met at the cathedral where he officiates as the organist. But things go awry as, while Michel intercedes with Aunt Teresa for Assunta's hand in his favor, Mario in turn falls in love with Lolita. On the very day of his wedding with Assunta, Mario runs away with Lolita, thus betraying both his love and his friend. But it does not take long before the young singer realizes the big mistake he has made.

A mysterious killer eliminate the singers of a brand new music Festival in Naples. Some journalists will try to discover who is that murderer who seems to be obsessed by the song "Funiculi, Funicula".

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

Martha Eggerth heads the cast of Casta Diva, but the central character is famed Italian composer Vincenzo Bellini, here played by American actor Phillips Holmes. Paying but scant attention the facts, the film concentrates on Bellini's colorful love life. Evidently the film went through several rewriting processes, as witness the curious performances of Donald Calthrop and Arthur Margetson, whose characters do complete about-faces halfway through the story. Amidst so many British accents, Martha Eggerth's Polish intonations seem out of place, but she photographs beautifully and sings quite well. Casta Diva was attractively filmed on location in Naples. Not to be confused with the 1954 remake (by Gallone himself) or to the English language version "The Divine Spark" (also directed by Gallone and starred by Eggerth).

After their cars collide, a penniless actor makes a deal with a criminal tycoon to deliver a giant Easter egg from Turin to Naples.

The film is the third in director Castellani's "young love" trilogy (the first two being Sotto il sole di Roma (1948) and È primavera...(1950)). The story concerns the romance between Carmela (Fiore) and Antonio (Musolino). The ardor is one-sided at first, but Carmela is a determined young woman, willing to scale and conquer any obstacle in pursuing her heart's desire. Once he's "hooked," Antonio scurries from job to job to prove his financial viability. Faced with the hostility of their parents, Carmela and Antonio symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado.

Roberto is a doctor in a small town near Naples. He suffers from a severe heart disease and he is heading toward an American hospital for a dangerous surgery with little or no hope of surviving. Therefore he talks to his best friend since childhood, Michele, a columnist at the local newspaper, explaining his last and long-wanted desire: having sex once with his Swedish beautiful wife, Frida.

Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.

A drama based on the life of 18th century Italian lyricist Lorenzo da Ponte, who collaborated with Mozart on his "Don Giovanni" opera.

Tough, gripping drama about a committed, principled priest taking on the Mafia and risking his life in a poverty-stricken parish in Naples.

France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.

Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk

A blacksmith's son from Naples rises to become a celebrated opera singer, performing at La Scala in Milan.

Oroveso, a Druid High Priest, gathers his people in a sacred forest and prays to their gods for help in vanquishing the Romans who have taken over Gaul. Unbeknownst to Oroveso, his daughter, Norma, a High Priestess, has for some time been the lover of Pollione, the leader of the Romans; she has, in fact, not only broken her sacred vow of chastity but has borne two children to the warrior. Norma uses her position to dissuade the Gauls from attacking the Romans, claiming that the gods have told her that the time is not favourable. Recorded at Théâtre Antique d'Orange, 1974

Italian TV production of the Bellini opera

A woman who believes a dead composer is in love with her falls in love with a man who constantly fights an imaginary man named Hank.

The young Antonio wants to participate in a reality show and leaves Naples for Milan with his best friend Eugenio.

Massimo and Fabrizio are two 30-year-old Roman brethren living in Naples. Their life is about to change: they will become the Demolitions, who avenge those who have suffered wrongs.