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A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer weaves gay and lesbian couples with footage that unearths the forbidden and invisible history of a marginalized people.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A heart-stirring meditation on time, memory and mortality, “Of Time and the City” is Terence Davies’ poetic, conflicted ode to his birthplace of Liverpool, England. The visual content of the film consists largely of archival clips of the city from the 1940s to the 1960s, their nostalgic charm darkened by accompanying music and the counterpoint of Davies’ dry, at times dyspeptic, voice-over narration. His voice thickens with emotion as he recalls the delights of juvenile movie-going or the ritual of a holiday trip to New Brighton, across the River Mersey, and hardens with contempt when he turns his gaze on the hoopla surrounding Queen Elizabeth’s coronation in 1953. The film is a powerful evocation of the director's youth in post-war Britain and a reflection on how his home city has changed over the years.

Cornell employs clips from 1931's jungle melodrama East of Borneo – more specifically, clips of its lead actress, Rose Hobart – to disquieting effect. Through Cornell's collage editing, Hobart becomes a singular object of desire and dread, trapped in an exotic paradise.

This 20th Century-Fox CinemaScope special traces the journey of Queen Elizabeth (II) and Prince Philip to the United States and Canada in conjunction with the opening of the St. Lawrence Seaway dual-country project. There are scenes of the Royal Yacht 'Britannia'; visits with President Dwight D. Eisenhower and vice-president Richard Nixon, and New York Governor Nelson Rockefeller. This special short is comprised of previously-used newsreel footage, and edited material from several "Royal Visit (1959)" films made by Canada's National Film Board.

Through concert performances and interviews, this film offers us a comprehensive look at the British pioneer rock group, The Who. It captures their zany craziness and outrageous antics from the initial formation of the group in 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

One of the great mavericks of cinema, John Cassavetes has earned a reputation as the godfather of American independent movies. The actor-turned-filmmaker invented a realist style of unadorned narrative films heavily influenced by documentaries. This in-depth analysis of Cassavetes' life and work features interviews with key collaborators and ensemble regulars, and explores the making of classics like "The Killing of a Chinese Bookie," "Opening Night" and "A Woman Under the Influence."

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.

This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

Dan Aykroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.

A crowd gathers at the skating rink to watch the big championship hockey game of the Pelicans versus the Aardvarks. Although referee "Clean Game" Kinney does his best to supervise, the hockey game really gets out of hand eventually. Two star players, Bertino and Ferguson, are so anxious, they never get let out of the penalty box, referee Kinney is never able to drop the puck without being physically hurt somehow, and the spectators themselves are so worked into the game, they take out their aggression on the ice while the players relax in the bleachers.

This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.

Teenagers did not exist before the 20th century. Not until the early 1950s did the term gain widespread recognition, but "Teenage" offers compelling evidence that teenagers had a tumultuous effect on the previous half-decade.

A documentary primarily focusing on the filming and release of the original Texas Chainsaw Massacre.

Cops go under cover to track down a Mafia drug kingpin who has re-entered the country to sell "junk" to the prostitutes and "hopheads" on Bourbon Street. Edited from TV series N.O.P.D.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

A meticulous essay on the presence and representation of children in the history of cinema, in which cinematographies from all over the world are analyzed.

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.

A documentary encapsulating the career and Western films of director 'John Ford' , including clips from his work and interviews with his colleagues.

An expedition is sent into the rugged Australian outback to search for a lost white woman.

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

A compilation of early-day silent films that serves as a glimpse back to the formative days of the movie industry as a salute to Hollywood's Golden Year, so proclaimed by the Hollywood Chamber of Commerce as 1953.

Comprised entirely of hundreds of pirated film samples, Hello Dankness is a bent suburban musical that bears witness to the psychotropic cultural spectacle of the period 2016 to 2021. Set in the American suburbs, the film follows a neighbourhood through these years as consensus reality disintegrates into conspiracies and other political contagions. Part political satire, zombie stoner film, and Greek tragedy, the work is also informed by the encrypted memetics of contemporary internet culture.

The found footage collective, Everything is Terrible! Has taken over 2,000 forgotten VHS tapes and re-contextualized them in order to tell the tale of The Dark Lord himself, Lucifer.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

Hell on Earth is an hour-long documentary presented by Mark Kermode. It's about Ken Russell's 1971 film, The Devils which is one of the most controversial films ever made. Kermode chats to Russell as well as two of the films stars Georgina Hale and Murray Melvin. Also included are scenes that were cut from the released film for being too controversial.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

Featuring unprecedented access to Jim Henson's personal archives, filmmaker Ron Howard brings us a fascinating and insightful look at a complex man whose boundless imagination inspired the world.