Best movies like Ciao! Manhattan

In New York City, bright but naive New Englander Anne Welles becomes a secretary at a theatrical law firm, where she falls in love with attorney Lyon Burke. Anne befriends up-and-coming singer Neely O'Hara, whose dynamic talent threatens aging star Helen Lawson and beautiful but talentless actress Jennifer North. The women experience success and failure in love and work, leading to heartbreak, addiction and tragedy.

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

An epic portrait of the New York avant-garde art scene of the 60s.

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string and a G-bestringed waiter.

Ad executive Bill Compton confronts and murders his daughter's drug-dealing boyfriend. Wandering into a local bar, Bill encounters a drunken, bigoted factory worker with a bloodlust, Joe Curran. When Bill confesses the murder to Joe, the two strike up an uneasy alliance, leading to a wild adventure.

Instructed by Warhol to write a vehicle for Edie Sedgwick in a “completely white” setting, scenarist Ronald Tavel created one of Warhol’s most iconic films. Here a group of performers of all stripes – the sink and litter basket receive equal billing to the human actors – are forced into Warhol and Tavel’s cruelly comical theatre of the absurd. Inside this cramped domestic space, boredom, confusion and a sense of existential dread hang heavy in the air. Warhol and Tavel transform the modern 1960s kitchen – replete with the latest gadgets and conveniences – into a chaotic laboratory for self-creation and interpersonal conflict.

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A stark portrayal of life among a group of heroin addicts who hang out in Needle Park in New York City. Played against this setting is a low-key love story between Bobby, a young addict and small-time hustler, and Helen, a homeless girl who finds in her relationship with Bobby the stability she craves.

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

A young female intern at a small magazine company becomes involved with a drug-addicted lesbian photographer, both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other.

Gladys Glover has just lost her modeling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on other things, making a name for herself. Through a fluke of advertising she winds up with her name plastered over 10 billboards throughout city.

A freewheeling portrait of Ken Kesey and the Merry Prankster’s fabled road trip across America in the legendary Magic Bus. In 1964, Ken Kesey, the famed author of “One Flew Over the Cuckoo’s Nest,” set off on a legendary, LSD-fuelled cross-country road trip to the New York World’s Fair. He was joined by “The Merry Band of Pranksters,” a renegade group of counterculture truth-seekers, including Neal Cassady, the American icon immortalized in Kerouac’s “On the Road,” and the driver and painter of the psychedelic Magic Bus.

Kay Dillon, a successful modeling agent, meets the young and handsome ranch hand Tyler Burnett in Nevada. She can't help but notice his incredible good looks and invites him to move to New York and start working for her as a male model. Burnett accepts the invitation and goes to New York to start his modeling career. But Tyler longs for more in life: a woman to love and his own ranch. Can he remain the biggest male model in the industry, and still get his heart's desires? Is Kay the woman to give all that to him?

Tells the story of the rise and fall of Michael Alig, a kid from Middle America who aspired to take the place of Andy Warhol. Michael quickly rose to become the biggest party promoter in New York and King of the so-called Club Kids. But after spiraling into drug addiction, Michael brutally murdered his roommate Angel Melendez.

Lou Andreas Sand, a once famous model, recalls her past as she tries to make success in the modeling world of New York, her stressfull workdays, her affair with Mark, an advertising executive, her friendship with photographer Aaron, and her downward spiral into ruin.

In the Harlem neighborhood of New York City, the Mafia steps in when a drug dealer quits his partner brother to lead a straight life with his girlfriend.

Three sisters start out singing in their church choir in Harlem in the late 1950s and become a successful girl group in the 1960s.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

When Johnny D. is forced to take on his family's financial troubles, he turns to the Manhattan club scene to make some fast cash. As he falls under the wing of a veteran nightlife promoter, Johnny quickly rises through the ranks - but soon finds that not everything behind the red rope is full of glitz and glamour.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in the basement of the now-demolished Wurlitzer Building at 125 West 41st Street in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol directed that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side.

The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.

A black soldier comes home to Harlem after a tour in Vietnam and discovers that his wife had become a heroin addict and died of an overdose. Infuriated, he gathers three of his ex-GI buddies and they lay out plans to fight the drug dealers.

Biographical drama based on the last 20 years of Crisp's life. The literary figure and gay iconoclast emigrated to New York in 1981 and lived there until his death. The film observes Crisp in both his public and private lives, from his seemingly cavalier response to the outbreak of AIDS to his tender relationship with his friend Patrick Angus and his own response to growing old.

Andy Warhol’s film Lupe (1966) restages the mythic account of one celebrity’s suicide as a strategic ploy to envision another’s. Lupe is known to be Warhol’s take on Kenneth Anger’s own fabricated account of Lupe Vélez’s (also known as Hollywood’s ‘Mexican Spitfire’) suicide; Edie Sedgwick is cast as Vélez living out her last morning, evening and final dramatic exit. (berlinfilmjournal.com)

Jeff, a troubled therapist, suffers a breakdown when he spies on his sexy neighbor Ericca, a beautiful model that rollerblades around her apartment in red gloves and a kimono. When he confuses his erotically bizarre patients' most perverse neuroses with his own, the fine line between reality and fantasy erodes with lethal consequences. Darkly comedic, Trouble on the Corner takes you into the depths of one man's decent into madness and races toward the murderous conclusion of this tale of a modern urban nightmare.

An exploration of the life and career of the Beatles superstar, with a look at the strange parallels between him and his killer Mark David Chapman.

Remy is a medical student who has a flair for making his patients comfortable. His genuine concern for the patients in his charge marks him as a hot prospect in his internship program. Pamela works at a children's book publishing company. The two meet via Pamela's brother, who is also Remy's good friend. They fall in love and get an apartment in the East Village of New York. Soon after, the couple begins to indulge in speed and barbiturates. They become heavily addicted. Remy is thrown out of medical school and Pamela quits her job. Remy soon finds himself in debt with the local dealer, Stutter, who introduces his customer to heroin as a revenge for his late bill. Pamela faces the prospect of getting sober at her brother's clinic, but must leave behind a destitute Remy in order to do it.

A young hustler tries to get drug money by selling a boy to a middle-aged man; his plans are disrupted when the kid dies.

1 Giant Leap is a concept band and media project consisting of the two principal artists, Jamie Catto and Duncan Bridgeman. This is the film part of their first project. The result is a flowing, loose-knit tapestry of imagery, interviews, and diverse performances. Gathering material from 25 countries and dozens of famous and not-so-famous musicians, authors, celebrities, spiritualists, philosophers, and unique individuals from nearly every cultural background, this enveloping DVD is best enjoyed as a soothing audiovisual odyssey (select "loop mode" for continuous play!). Assembling this cornucopia by theme (Time, Inspiration, Sex, God, Death, etc.), Bridgeman and Catto function as co-composers with an astonishing array of collaborators, giving 1 Giant Leap its richly international (and some might say inter-spiritual) identity. The result is a far-reaching glimpse of our world through the eyes of those who improve it by their musical presence. --Jeff Shannon

Follows a group of hippies in Greenwich Village during the 1960's, centering on the story of a girl exploring various relationships with men, and her search for the values of the time.