Best movies like Cinderella

A unique, carefully handpicked, selection of the best movies like Cinderella Starring Joan Warner, Maurice Escande, Christiane Delyne, Jeanne Fusier-Gir, and more. If you liked Cinderella then you may also like: One Hundred Men and a Girl, Bad Boy, The Band Wagon, Carnegie Hall, The Country Girl and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.

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An unemployed maid is hired in a music hall to wash the floors. The whim of a screenwriter makes her go on stage in the most basic outfit. A revelation, success is at his doorstep! However, the young woman would prefer a virtuous life and a serious marriage to the easy but immoral existence offered to her by the world of entertainment.

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Know any good movies to watch like Cinderella 1937. With a similar plot or stoyline. Suggest it.

One Hundred Men and a Girl

The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract.

Bad Boy

An unemployed loafer who spends his time playing pool decides he's ready to look for a job so he can secure his girlfriend's parents' approval for their marriage.

The Band Wagon

A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.

Carnegie Hall

A young Irishwoman comes to the United States to live and work with her mother as a cleaning lady at Carnegie Hall. She becomes attached to the place as the people she meets there gradually shape her life. The film also includes a variety of performances from some of the foremost musical artists of the times: conductors Bruno Walter & Leopold Stokowski, solists Arthur Rubinstein & Jascha Haifetz, singers Lily Pons & Jan Peerce and bandleader Vaughn Monroe among many others.

The Country Girl

An ex-theater actor is given one more chance to star in a musical yet his alcoholism may prevent it from happening.

Stage Beauty

Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.

The Entertainer

Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business.

The Shopworn Angel

During WWI Bill Pettigrew, a naive young Texan soldier is sent to New York for basic training. He meets worldly wise actress Daisy Heath when her car nearly runs him over.

Lovely to Look At

Three broke Broadway producers are desperately looking for backers for a new show. When they are about to give up, one of them discovers that they are an heir to a Parisian dress salon. Off to Paris they go!

The Phantom of the Opera at the Royal Albert Hall

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

The Great Gabbo

For the ventriloquist Gabbo his wooden dummy Otto is the only means of expression. When he starts relying more and more on Otto, he starts going mad.

The Hard Way

Helen Chernen pushes her younger sister Katherine into show business in order to escape their small town poverty.

The Illusionist

A French illusionist travels to Scotland to work. He meets a young woman in a small village. Their ensuing adventure in Edinburgh changes both their lives forever.

Black Nativity

A street-wise teen from Baltimore who has been raised by a single mother travels to New York City to spend the Christmas holiday with his estranged relatives, where he embarks on a surprising and inspirational journey.

The Singing Fool

After years of hopeful struggle, Al Stone (Jolson) is on his way. "I'm Sittin' on Top of the World", he sings to an appreciative speakeasy crowd. But, as Al discovers, getting there is one thing. Staying there is another. Singing waiter Stone gets his huge break on a magical night when his song wows a big-time producer and a gold-digging showgirl he fancies. Broadway success and marriage follow, but sure enough, hard times are on the way. Al's fickle wife abandons him, taking the beloved son he calls Sonny Boy with her. Heartbroken, Al becomes a devastated loner until friends from the speakeasy that launched his career rescue him from a life on the streets. Soon, Al is back in lights. But another crisis awaits: Sonny Boy is in the hospital and dying....

This Is the Army

In WW I dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the War, he becomes a producer. In WW II his son Johnny Jones, who was before his fathers assistant, gets the order to stage a knew all-soldier show, called THIS IS THE ARMY. But in his pesonal life he has problems, because he refuses to marry his fiancée until the war is over.

Random Harvest

An amnesiac World War I vet falls in love with a music hall star, only to suffer an accident which restores his original memories but erases his post-War life.

The Great Victor Herbert

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Stop the World: I Want to Get Off

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

Lily in Love

Insulted when his screenwriter wife writes a leading role for a younger man, aging Broadway idol Fitz Wynn disguises himself as a handsome young Italian.

A Little Night Music

A tangled web of affairs is weaved around actress, Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles.

Man of La Mancha

In the sixteenth century, Miguel de Cervantes, poet, playwright, and part-time actor, has been arrested, together with his manservant, by the Spanish Inquisition. They are accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other prisoners gang up on Cervantes and his manservant, and begin a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense--the story of Don Quixote.

Sweeney Todd: The Demon Barber of Fleet Street

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

Three Seats for the 26th

In a charming mixture of fantasy and reality, this film recalls the great musicals of Hollywood's Golden Age. Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime

It's a Pleasure

A star hockey player with the Wildcats is barred from Hockey for hitting a referee. Through the actions of Chris, Don is able to get a job with Buzz Fletcher's ice-show as the novelty act.

The Magic Show

The Magic Show is a one-act musical with music and lyrics by Stephen Schwartz and a book by Bob Randall. It starred magician Doug Henning. Produced by Edgar Lansbury, it opened on May 28, 1974 at the Cort Theatre in Manhattan, and ran for 1,920 performances, closing on December 31, 1978. Henning was nominated for the Tony Award for Best Featured Actor in a Musical and director Grover Dale was nominated for the Tony Award for Best Direction of a Musical. In 2001, a filmed performance staged especially for the cameras in 1980, directed by Norman Campbell at the Queen Elizabeth Theatre in Toronto, was issued on DVD by Image Entertainment. This production, originally intended for cinema release, differed notably from the original Broadway production, with several of the most memorable songs, such as "West End Avenue" and "Solid Silver Platform Shoes", removed. Doug Henning reprised his original starring role, while Didi Conn co-starred as Cal.

Calamity Jane

A Wild West cow town is starving for entertainment and it falls upon Calamity Jane, a rowdy, gun-toting tomboy, to go to Chicago to bring back a famed stage actress. She brings instead the star's maid, who settles in the town, but Jane's "Secret Love" falls for her. This television special was based on a stage adaptation of the film that was playing regional circuits at the time it aired.

Evergreen

Harriet Green, a beloved and radiant music hall star of the Edwardian era mysteriously disappears on the eve of her wedding. Years later she reappears on the stage as young looking and beautiful as ever.

Johnny Walker

A washed up Hollywood director is trapped in a remote castle by his own fears until the arrival of a mysterious woman offers him possible salvation. Inspired by Dostoevsky's 'Notes from the Underground', Johnny Walker attempts to answer the burning question: Is living a long life vulgar, immoral or just plain bad manners?

I Can't Give You Anything But Love, Baby

In I Can't Give You Anything But Love, Baby, Broderick Crawford plays a sentimental gangster who abducts songwriter Johnny Downs and forces him to write a love ballad. It is Crawford's hope that the song will reach out and touch his long-lost childhood sweetheart. I Can't Give You Anything But Love, Baby was based on James Edward Grant's short story Trouble in B Flat; echoes of the basic premise later resurfaced in the 1957 "A" picture The Girl Can't Help It.

Heroines

Two best friends, Johanna and Jeanne, live in the small town of Decazeville, a mining town in France and sing in the music group "The Sirens". Suddenly their paths in music and in life drastically change...

Don Giovanni

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

The March of Time

Unfinished pre-Code era film consisting of three sections with past performers from the stage and the vaudeville circuit, then-present-day performers and up-and-coming performers. Musical excerpts were later used in Broadway to Hollywood (1933), Nertsery Rhymes (1933), and Roast-Beef and Movies (1934). "The Lock Step" was later used in That's Entertainment! III (1994)

Kiss Me, Kate

Abridged version of the classic Cole Porter musical as broadcast live on the Hallmark Hall of Fame series on NBC

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