Best movies like Cinema Finds Its Voice

The physician's death orphans his two adolescent daughters. Their older brother is able to convert some of the doctor's small estate to cash. But it is late in the day, and with the banks closed he stores the money in his father's household safe. The slatternly housekeeper, aware of the money, enlists a criminal acquaintance to crack the safe. She attempts to get into the adjacent room where the sisters tremble in fear, but finds that the door is locked. The drunken housekeeper menaces them by brandishing a gun through a hole in the wall.

Dramatization of the real-life shooting of Stanford White by Harry K. Thaw.

Women They Talk About is a part-talkie Vitaphone film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and produced and distributed by Warner Bros. It is considered to be a lost film.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

To fulfill a dying mother's bequest for her daughter, the town pastor purchases the daughter a stylish hat, and gossip spreads through the town.

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.

At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The entire story of Christmastide is here depicted. The scene opens in a large boudoir of an apparently wealthy man's home. His children, assisted by their governess, are about to retire. Before lying down they hang up their stockings on the edge of the bed. The picture changes and night appears. We see the housetops of the town and angels are flying about depositing packages in each of the chimneys. (Edison Catalog)

A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.

A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers. The first officer on the scene climbs the fence, enters the house, and is soon fighting with the thief on the roof. Falling from the roof, the officer is injured and requires an ambulance. Meanwhile, the thief flees, pursued by more men in blue.

A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.

In a medieval castle, a dark magician thought to be Mephistopheles conjures up a series of bizarre creatures and events in order to torment a pair of interloping cavaliers.

An examination, shown through both interviews and performances, of the avant-garde free jazz movement which reigned during the 1960s.

A tramp gets drunk in a hotel lobby and, upstairs, causes some misunderstandings between Mabel, two hotel guests across the hall from her room, and Mabel's visiting sweetheart.

A swindler scams a newspaper reporter-photographer and then, not realizing where the man is employed, applies for a job at his newspaper.

Santa arrives at a house on Christmas Eve to deliver his presents for the children.

The children of a household attempt to capture Santa, but they catch something else entirely.

He travels to Aladdin's village, identified as being near the border with China, where he enlists Aladdin's help by pretending to be his long-lost uncle and offering to leave his wealth to Aladdin. At one point, the Magician character tells the story of his travels to China, India and Persia and we see a montage of these adventures and it's kind of interesting because of the way it invokes other cultures of the era. There is some unnecessary padding throughout as characters break into songs that do nothing but tell parts of Once upon a time, somewhere in Africa, a local magician dreamed of owning the Magic Lamp. Thanks to a Magic Ball he learned that the Lamp could be found in an Asian village and that only the innocent hand of a young person could snatch it. He traveled to the place, a village called Three Hill City, close to the Chinese border. There lived Aladdin

Offering a ride to a millionaire, Sam Smith (Leon Errol) agrees to trade places with his passenger for financial reasons. Only when the men in the white coats put the collar on him does Sam realize that the "millionaire" was actually an escaped mental patient.

Film was released in 1927

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

Philip and Cynthia Grey are a pair of recently-wed Bostonians, and Cynthia is properly back-bay no-action quiet and dowdy, and Philip resigns himself to the quietness (no action) regularity of their home. But then along comes a blonde, Peggy Nash, who adds some action and outside-regularity to Philip's life. Cynthia is somewhat upset at this turn of events, and decides to go to Paris - the Wickedest City in the World - and get a quiet divorce. Cynthia soon finds out that Paris is a really gay city, especially after Henri de Briac, shows up and offers to be her guide to the delights of Paris (primarily him). Cynthia quickly sheds some of her dowdy ways and dowdy clothes, and is having herself what was once quaintly described as a gay old time. Philip then shows up in Paris, deciding he wants Cynthia back as his wife, and Peggy shows up right behind him and, soon, it is up to Henri to make the pairing-arrangements for the foursome.

This film charts the inside story of the race to raise and re-float the stricken Costa Concordia. The colossal cruise ship crashed into rocks and capsized on the island of Giglio in Italy in a tragic disaster in which 32 people lost their lives trying to escape. This film uses stunning CGI animation and unique access footage to reveal the incredible innovations and technological breakthroughs needed to make 114,000 tons of mangled metal sail again.

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

A witty and mind-expanding exploration of data, with mathematician Dr Hannah Fry. This high-tech romp reveals what data is and how it is captured, stored, shared and made sense of. Fry tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.

Paul Merton goes in search of the origins of screen comedy in the forgotten world of silent cinema - not in Hollywood, but closer to home in pre-1914 Britain and France. Revealing the unknown stars and lost masterpieces, he brings to life the pioneering techniques and optical inventiveness of the virtuosos who mastered a new art form. With a playful eye and comic sense of timing, Merton combines the role of presenter and director to recreate the weird and wonderful world that is early European cinema in a series of cinematic experiments of his own.

Steve Jobs was a creative and technological visionary who quite simply changed society as we know it. As co-founder and CEO of Apple Computer, Jobs ushered in personal computing to the masses, which in turn led to new innovations which completely changed our way of life - from how we do our work, to the way we watch movies, listen to music and interact socially. Discovery Channel will feature iGENIUS: HOW STEVE JOBS CHANGED THE WORLD, a one-hour documentary that celebrates these innovations.

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

Based on the New Testament parables The Prodigal Son and The Good Samaritan, this is the story of two estranged brothers sent on a cross country journey by their father in the hope that they can find common ground while offering gratitude and forgiveness to others.

Ray Sturgis, leader of the fashionable Long Island jazz set, is engaged to "Egypt" Hagen, an up-to-date girl in every respect. Egypt is arrested at a roadhouse raid, and at her mother's bidding, the Reverend Norman Lodge arranges for her freedom. At a fancy-dress ball, when Ray wears a costume made of newspaper headlines concerning her arrest, Egypt is offended. Seen constantly in the company of Reverend Lodge, her reputation causes church people to take up the matter with the bishop.

In the racially turbulent UK of the early 70s, a group of black musicians came together in South London with a common love of rhythms and a message of peace. Cymande – with the dove as their symbol – combined jazz, funk, soul and Caribbean grooves to form a unique sound. Despite success in the USA they faced indifference in their native Britain, becoming disillusioned and disbanding. But the music lived on, as new generations of artists imbibed and reworked their pioneering sounds in fresh ways. From Soul II Soul to De La Soul, MC Solaar to The Fugees, the Dove had spread Cymande's message far and wide, prompting their return after forty years. This is their story.

An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece “A Trip to the Moon” (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.