Best movies like Class Relations

A young German woman searches for happiness, liberation, and independence in the illusive wake of a transformative national recovery.

The story centers on a group of gossipy, high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily-wedded Mary Haines finds her marriage in trouble when shop girl Crystal Allen gets her hooks into Mary's man.

Single mother Nadia is surviving on welfare while transport strikes are paralyzing France in December 1995. While watching the news, she recognizes the father of her child among the strikers and decides to go and search for him. But she has nowhere to go. The film, shot almost entirely at night, carries documentary qualities, part of which is due to the appearances of actual railroad workers in several group scenes.

After moving from Calcutta to New York, members of the Ganguli family maintain a delicate balancing act between honoring the traditions of their native India and blending into American culture. Although parents Ashoke and Ashima are proud of the sacrifices they make to give their children opportunities, their son Gogol strives to forge his own identity without forgetting his heritage.

In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.

An engaged attorney and a divorcee fall for each other in 1870s Manhattan.

Old sailor Chris Christofferson eagerly awaits the arrival of his grown daughter Anna, whom he sent at five years old to live with relatives in Minnesota. He has not seen her since, but believes her to be a decent and respectably employed young woman. When Anna arrives, however, it is clear that she has lived a hard life in the dregs of society, and that much of spirit has been extinguished. She falls in love with a young sailor rescued at sea by her father, but dreads to reveal to him the truth of her past. Both father and young man are deluded about her background, yet Anna cannot quite bring herself to allow them to remain deluded.

Autumn in New York follows the sexual exploits of Will Keane - New York restaurateur, infamous verging-on-50 playboy, master of the no-commitment seduction - until he runs into an unexpected dead end when he meets Charlotte Fielding. Charlotte is half Will's age and twice his match, a 21 year-old free spirit yearning to get out and taste the excitement of adult life.

Isabelle's life revolves around the New York bookshop she works in and the intellectuals she befriends there. Her grandmother remains less than impressed and decides to hire a good old-fashioned Jewish matchmaker to help Isabelle's love-life along. Enter pickle-maker Sam who immediately takes to Isabelle. She however is irritated by the whole business, at least to start with.

A young woman from the Italian countryside experiences the dark side of the business after she moves to Rome to become a star.

Bored with Bollywood movies but fascinated with their Hollywood counterparts from his youth, Ram dreams to become a singer and actor in America, the country where dreams are made. He is encouraged when his American-based close friend, Vijay Rao, comes for visit, and brags about driving a Mercedes and living in a penthouse.

A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.

A gallery of characters in Brooklyn in the 1950s are crushed by their surroundings and selves: a union strike leader discovers he is gay; a prostitute falls in love with one of her clients; a family cannot cope with the fact that their daughter is illegitimately pregnant.

Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Engels as well as the pioneering nonfiction film Workers Leaving the Lumière Factory (1895).

Based on true events, a young man raised in a cruel and oppressive family environment, leaves Albania with the dream of becoming a rock star and living a better life. His reckless character and his youth passions lead him to commit a murder in Athens. Chased by everyone, even by his own self, he is imprisoned under the harshest conditions. With the help of a German doctor, he learns to feel sympathy for others and guilt for his crime. His deep remorse will lead him from darkness to light.

Through interviews with both victims and instigators, Nanfu Wang, a first-time mother, breaks open decades of silence on a vast, unprecedented social experiment that shaped — and destroyed — countless lives in China.

The trial story of Viviane Amsalem's five year fight to obtain her divorce in front of the only legal authority competent for divorce cases in Israel, the Rabbinical Court.

The life and music of Johann Sebastian Bach as presented by his wife, Anna.

When Chand arrives in Brampton, Ontario to meet her new husband, she leaves behind a loving family and supportive community. Now, in a new country, she finds herself living in a modest suburban home with seven other people and two part-time tenants. Inside the home, she is at the mercy of her husband's temper, and her mother-in-law's controlling behaviour.

The Girl on the Train is a 2009 French drama film directed by André Téchiné. Jeanne is a young woman, striking but otherwise without qualities. Her mother tries to get her a job in the office of a lawyer, Bleistein, her lover years ago. Jeanne fails the interview but falls into a relationship with Franck, a wrestler whose dreams and claims of being in a legitimate business partnership Jeanne is only too happy to believe. When Franck is arrested, he turns on Jeanne for her naivety; she's stung and seeks attention by making up a story of an attack on a train. Is there any way out for her?

Joanna is a woman secure in the knowledge of who she is: a perfect wife, a successful magazine journalist and a woman who's just celebrated her 10th wedding anniversary with her husband, Dale. But when Dale suddenly leaves her for another woman, Joanna's world collapses. Her self-esteem shattered, Joanna questions her attractiveness as a woman and her value as a human being. How did this happen to her? Follow Joanna as she escapes to Paris and learns the many secrets of seduction under the tutelage of Madame Simone. Slowly, empowered by her newfound knowledge and self-confidence, Joanna comes to understand her true self-worth.

After breaking up with her boyfriend on Valentine's Day, Jenny shares a red-eye flight from Los Angeles to New York with a love-damaged group of passengers-- a pilot with anger management issues, some oversexed flight attendants, a hip-hop superstar trying to keep it real in coach and a handsome young professor who's been unlucky in romance.

When his wife leaves him, a young French actor, François Combe, moves to New York to work for a television company. One evening, he meets an attractive young woman, Kay Larsi, in a bar.

A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow train passengers, his mother, and a knife-sharpener.

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.

An anonymous man wanders through decomposing, fog-enshrouded catacombs and encounters a series of “the degraded and the humiliated,” including a holy prostitute and a Kafkaesque bureaucrat.

A Greek-Irish sailor becomes friends with a 10-year-old sampan girl while his freighter is docked in Hong Kong.

A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.

Film adaptation by Straub and Huillet of Hölderlin's 1798 tragedy on the symbolic death of Empedoclus, the legislator in Ancient Greece.

Times are hard for Northwestern lumber-mill operators like Ray and his wife Jean. Ray and Jean's lives are thrown into chaos when their daughter writes home from college, claiming to have a horrifying revelation.

'Dalla nube alla resistenza (From the Cloud to the Resistance ) (1978), based on two works by Cesare Pavese, falls into the category of History Lessons and Too Early, Too Late as well. It, too, has two parts—a twentieth-century text and a text regarding the myths of antiquity, each set in the appropriate landscape. Pavese's The Moon and the Bonfires looks back on the violent deaths of Italian anti-Fascist resistance fighters; Dialogues with Leucò is a series of dialogues between heroes and gods, connecting myth and history and returning to an ambiguous stage in the creation of distinctions, such as that between animal and human, which are fundamental to grammar and language itself. Such a juxtaposition of political engagement with profoundly contemplative issues such as myth, nature, and meaning points to the characters of Empedocles and Antigone in the Hölderlin films.' (From "Landscapes of resistance. The German Films of Danièle Huillet and Jean-Marie Straub" by Barton Byg)

Elena Gallenti is an anthropology graduate student struggling to complete her thesis on 'modern means of communication.' All that changes when she meets her new boyfriend's teenage kids, who are going through their own journeys of self-discovery. All of them learn to navigate love and intimacy in the digital age.

Barbara is a journalist investigating the local counterculture who becomes involved, after an unpleasant start of battery and stalking, with Pierre Clémenti's louche all-around dropout.

Set in contemporary Rome, the film shows through a series of encounters with “ancient” Romans, how the economic and political manipulation by ancient Roman society led to Caesar’s dictatorship. - British Film Institute

Bread is a socially engaged drama which follows the fate of a woman struggling to pull herself out of poverty as she’s ruthlessly exploited by a string of men.