Best movies like Cobweb

For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his “warriors” as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.

Chantel Mitchell, a hip, articulate, black high-school girl in Brooklyn, is determined not to become "just another girl on the IRT" (the IRT is one of NYC's subway lines). She dreams of medical school, a family, and an escape from the generational poverty and street-corner life her friends seem to have accepted as their lot. But personal and sexual challenges confront Chantel on her way to fulfilling these dreams.

Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.

American Movie is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, American Movie is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.

Director Mario Van Peebles chronicles the complicated production of his father Melvin's classic 1971 film, "Sweet Sweetback's Baadasssss Song." Playing his father in the film, Van Peebles offers an unapologetic account of Melvin's brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

An insane independent film director and his renegade group of demented filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.

Charlie Berns is a veteran Hollywood movie producer who has given up on his career and life. That is until his idealistic screenwriter nephew comes bearing the script of a lifetime and Charlie decides to give his career one final shot. The only thing standing in his way is Diedre Hearn, a sharp-witted studio executive brought in to keep Charlie in line.

The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.

This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

In the 1980s, a filmmaker begins a project to record the life of an average kid. In Perry, Ohio, he picks Rich Longfellow, a shy lad, and begins filming. Soon after, he dies in Mozambique. Sixteen years later, his son continues the project, finding Rich, now 23, in L.A., with dreams of being a Shakespearean actor, getting experience in porn films. We meet Betsy, Rich's sensible girlfriend, Lee, the impatient producer, and Carmichael, a director with artistic pretensions who inspires Rich. Problems with Besty and tension on the set bring Rich to a crisis; when his boyhood friend starts a Shakespeare company that tours nursing homes in the San Fernando Valley, Rich sees a way out.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, which, despite the prohibitive conditions it was created in, won the admiration of many of cinema's greatest artists, including Francis Ford Coppola and Martin Scorsese.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

A documentary primarily focusing on the filming and release of the original Texas Chainsaw Massacre.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

Down-on-his-luck film director Jimmie Dale takes a job at a fly-by-night acting school. He is drawn into the plans of the school's owner to bilk a wealthy young man out of the funds he has supplied to shoot a movie starring pretty student Alice Perkins. But Jimmie hopes to bilk the bilkers by actually completing the movie as ostensibly planned.

A comic feature film about an underachieving writer who sets out to write his masterpiece, but is confounded when one of its characters steps into his real life and introduces him to a life of sin and corruption.

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

Murder, mystery and mayhem as B movie fan, Adam Waltz, wins Walk on Role in a film Featuring Scream Queen, Cassie Blue (Tiffany Shepis). Thinking his luck had changed for the better he steps into chaos with a killer loose and no one on the production safe.

A year after the collapse of a low-budget British rom-com, documentary maker Andy Wiseman sets out to find out what went wrong. He speaks to the producer, Nicholas Johnson, an alcoholic whose office is a lap-dancing club, the writer, Flynn Beatty, living in a suburban semi, and the deluded 'visionary' director, Harlan Noble, dwelling in deserved obscurity. But as the cast and crew tell their tale, will Andy ever get to the bottom of the farrago that was 'Just for the Record'?

Carlos Revalos a 21 times Film Director embarks on his biggest Film yet 'Le Fear' a horror love story with a 3 million pound budget what can go wrong? everything as Carlos hires the worst cast and crew ever to walk on this planet which makes the film a recipe for disaster, Larry Rothschild the executive producer on the film who was promised Brad Pitt which never happened instead he got Leon the pompous Lead actor who walks off set time and time again, Debbie D the hysterical inexperienced glamor model who fluffs her lines over and over, the werewolf wearing a rain coat and who cant speak a word of English and the sparky who is color blind and many more misfits and Carlos has no control of any of them this is Larry's first attempt at investing in a film and no doubt his last.

Everyone has a skeleton or two in his or her closet, but what about the director behind some of the most successful thrillers ever to hit the silver screen? Could M. Night Shyamalan be hiding a deep, dark secret that drives his macabre cinematic vision? Now viewers will be able to find out firsthand what fuels The Sixth Sense director's seemingly supernatural creativity as filmmakers interview Shyamalan as well as the cast and crew members who have worked most closely with him over the years. Discover the early events that shaped the mind of a future master of suspense in a documentary that is as fascinating as it is revealing.

A celebration of slasher cinema - from PSYCHO to the present day, with a focus on highlighting many of the genre's forgotten cult classics, deconstructing how to survive a slice and dice movie and meditating upon why it is almost always a final girl and rarely a final guy... this is a documentary which is designed for both the biggest fan of "mad maniac" movies and the person who may only have seen HALLOWEEN and SCREAM. Either way, this is a documentary that proves the SLASHER FILM is truly FOREVER!

A rare look at the the career of film director Pedro Almodóvar, especially his early works, with interviews with the director himself and his stars and admirers.

The story of a group of people who are making a film about life in high school in the 1950's.

In 1996, the horror master Wes Craven unleashed Scream, a slasher movie aimed at a whole new generation of teenage movie-goers.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.